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The American Dance Festival - Jack Anderson - Bog - Duke University Press - Plusbog.dk

The American Dance Festival - Jack Anderson - Bog - Duke University Press - Plusbog.dk

The American Dance Festival has been a magnet drawing together diverse artists, styles, theories, and dance training methods; from this creative mix the ADF has emerged as the sponsor of performances by some of the greatest choreographers and dance companies of our time. Jack Anderson traces the development of ADF from its beginnings in New England to its seasons at Duke University. He displays the ADF for the multidimensional creature it is—a center for performances, a school for the best young dancers in the country, and a provider of community and professional services.

DKK 472.00
1

Wild Things - Jack Halberstam - Bog - Duke University Press - Plusbog.dk

Wild Things - Jack Halberstam - Bog - Duke University Press - Plusbog.dk

In Wild Things Jack Halberstam offers an alternative history of sexuality by tracing the ways in which wildness has been associated with queerness and queer bodies throughout the twentieth century. Halberstam theorizes the wild as an unbounded and unpredictable space that offers sources of opposition to modernity's orderly impulses. Wildness illuminates the normative taxonomies of sexuality against which radical queer practice and politics operate. Throughout, Halberstam engages with a wide variety of texts, practices, and cultural imaginaries-from zombies, falconry, and M. NourbeSe Philip's Zong! to Maurice Sendak's Where the Wild Things Are and the career of Irish anticolonial revolutionary Roger Casement-to demonstrate how wildness provides the means to know and to be in ways that transgress Euro-American notions of the modern liberal subject. With Wild Things, Halberstam opens new possibilities for queer theory and for wild thinking more broadly.

DKK 222.00
1

Wild Things - Jack Halberstam - Bog - Duke University Press - Plusbog.dk

Wild Things - Jack Halberstam - Bog - Duke University Press - Plusbog.dk

In Wild Things Jack Halberstam offers an alternative history of sexuality by tracing the ways in which wildness has been associated with queerness and queer bodies throughout the twentieth century. Halberstam theorizes the wild as an unbounded and unpredictable space that offers sources of opposition to modernity''s orderly impulses. Wildness illuminates the normative taxonomies of sexuality against which radical queer practice and politics operate. Throughout, Halberstam engages with a wide variety of texts, practices, and cultural imaginaries—from zombies, falconry, and M. NourbeSe Philip''s Zong! to Maurice Sendak''s Where the Wild Things Are and the career of Irish anticolonial revolutionary Roger Casement—to demonstrate how wildness provides the means to know and to be in ways that transgress Euro-American notions of the modern liberal subject. With Wild Things , Halberstam opens new possibilities for queer theory and for wild thinking more broadly.

DKK 881.00
1

Female Masculinity - Jack Halberstam - Bog - Duke University Press - Plusbog.dk

Female Masculinity - Jack Halberstam - Bog - Duke University Press - Plusbog.dk

In this quintessential work of queer theory, Jack Halberstam takes aim at the protected status of male masculinity and shows that female masculinity has offered a distinct alternative to it for well over two centuries. Demonstrating how female masculinity is not some bad imitation of virility, but a lively and dramatic staging of hybrid and minority genders, Halberstam catalogs the diversity of gender expressions among masculine women from nineteenth-century pre-lesbian practices to contemporary drag king performances. Through detailed textual readings as well as empirical research, Halberstam uncovers a hidden history of female masculinities while arguing for a more nuanced understanding of gender categories that would incorporate rather than pathologize them. He rereads Anne Lister's diaries and Radclyffe Hall's The Well of Loneliness as foundational assertions of female masculine identity; considers the enigma of the stone butch and the politics surrounding butch/femme roles within lesbian communities; and explores issues of transsexuality among “transgender dykes”-lesbians who pass as men-and female-to-male transsexuals who may find the label of “lesbian” a temporary refuge. Halberstam also tackles such topics as women and boxing, butches in Hollywood and independent cinema, and the phenomenon of male impersonators. Featuring a new preface by the author, this twentieth anniversary edition of Female Masculinity remains as insightful, timely, and necessary as ever.

DKK 250.00
1

Male Call - Jonathan Auerbach - Bog - Duke University Press - Plusbog.dk

Male Call - Jonathan Auerbach - Bog - Duke University Press - Plusbog.dk

When Jack London died in 1916 at age forty, he was one of the most famous writers of his time. Eighty years later he remains one of the most widely read American authors in the world. The first major critical study of London to appear in a decade, Male Call analyzes the nature of his appeal by closely examining how the struggling young writer sought to promote himself in his early work as a sympathetic, romantic man of letters whose charismatic masculinity could carry more significance than his words themselves. Jonathan Auerbach shows that London’s personal identity was not a basis of his literary success, but rather a consequence of it. Unlike previous studies of London that are driven by the author’s biography, Male Call examines how London carefully invented a trademark “self” in order to gain access to a rapidly expanding popular magazine and book market that craved authenticity, celebrity, power, and personality. Auerbach demonstrates that only one fact of London’s life truly shaped his art: his passionate desire to become a successful author. Whether imagining himself in stories and novels as a white man on trail in the Yukon, a sled dog, a tramp, or a professor; or engaging questions of manhood and mastery in terms of work, race, politics, class, or sexuality, London created a public persona for the purpose of exploiting the conventions of the publishing world and marketplace. Revising critical commonplaces about both Jack London’s work and the meaning of “nature” within literary naturalism and turn-of-the-century ideologies of masculinity, Auerbach’s analysis intriguingly complicates our view of London and sheds light on our own postmodern preoccupation with celebrity. Male Call will attract readers with an interest in American studies, American literature, gender studies, and cultural studies.

DKK 232.00
1

Male Call - Jonathan Auerbach - Bog - Duke University Press - Plusbog.dk

Male Call - Jonathan Auerbach - Bog - Duke University Press - Plusbog.dk

When Jack London died in 1916 at age forty, he was one of the most famous writers of his time. Eighty years later he remains one of the most widely read American authors in the world. The first major critical study of London to appear in a decade, Male Call analyzes the nature of his appeal by closely examining how the struggling young writer sought to promote himself in his early work as a sympathetic, romantic man of letters whose charismatic masculinity could carry more significance than his words themselves. Jonathan Auerbach shows that London’s personal identity was not a basis of his literary success, but rather a consequence of it. Unlike previous studies of London that are driven by the author’s biography, Male Call examines how London carefully invented a trademark “self” in order to gain access to a rapidly expanding popular magazine and book market that craved authenticity, celebrity, power, and personality. Auerbach demonstrates that only one fact of London’s life truly shaped his art: his passionate desire to become a successful author. Whether imagining himself in stories and novels as a white man on trail in the Yukon, a sled dog, a tramp, or a professor; or engaging questions of manhood and mastery in terms of work, race, politics, class, or sexuality, London created a public persona for the purpose of exploiting the conventions of the publishing world and marketplace. Revising critical commonplaces about both Jack London’s work and the meaning of “nature” within literary naturalism and turn-of-the-century ideologies of masculinity, Auerbach’s analysis intriguingly complicates our view of London and sheds light on our own postmodern preoccupation with celebrity. Male Call will attract readers with an interest in American studies, American literature, gender studies, and cultural studies.

DKK 800.00
1

New Deal Modernism - Michael Szalay - Bog - Duke University Press - Plusbog.dk

New Deal Modernism - Michael Szalay - Bog - Duke University Press - Plusbog.dk

In New Deal Modernism Michael Szalay examines the effect that the rise of the welfare state had on American modernism during the 1930s and 1940s, and, conversely, what difference this revised modernism made to the New Deal’s famed invention of “Big Government.” Szalay situates his study within a liberal culture bent on security, a culture galvanized by its imagined need for private and public insurance. Taking up prominent exponents of social and economic security—such as Franklin Delano Roosevelt, John Maynard Keynes, and John Dewey—Szalay demonstrates how the New Deal’s revision of free-market culture required rethinking the political function of aesthetics. Focusing in particular on the modernist fascination with the relation between form and audience, Szalay offers innovative accounts of Busby Berkeley, Jack London, James M. Cain, Robert Frost, Ayn Rand, Betty Smith, and Gertrude Stein, as well as extended analyses of the works of Ernest Hemingway, John Steinbeck, and Richard Wright.

DKK 240.00
1

New Deal Modernism - Michael Szalay - Bog - Duke University Press - Plusbog.dk

New Deal Modernism - Michael Szalay - Bog - Duke University Press - Plusbog.dk

In New Deal Modernism Michael Szalay examines the effect that the rise of the welfare state had on American modernism during the 1930s and 1940s, and, conversely, what difference this revised modernism made to the New Deal’s famed invention of “Big Government.” Szalay situates his study within a liberal culture bent on security, a culture galvanized by its imagined need for private and public insurance. Taking up prominent exponents of social and economic security—such as Franklin Delano Roosevelt, John Maynard Keynes, and John Dewey—Szalay demonstrates how the New Deal’s revision of free-market culture required rethinking the political function of aesthetics. Focusing in particular on the modernist fascination with the relation between form and audience, Szalay offers innovative accounts of Busby Berkeley, Jack London, James M. Cain, Robert Frost, Ayn Rand, Betty Smith, and Gertrude Stein, as well as extended analyses of the works of Ernest Hemingway, John Steinbeck, and Richard Wright.

DKK 800.00
1

Soviet-American Relations After the Cold War - - Bog - Duke University Press - Plusbog.dk

Soviet-American Relations After the Cold War - - Bog - Duke University Press - Plusbog.dk

This important collection of essays explores the terrain of possible Soviet-American relations in the next decade. Starting from the premise that glasnost and perestroika will not be reversed, this expert group of contributors provides a wide-ranging and far-reaching analysis of Soviet-U.S. relations crucial to any current discussion of the topic. Moving beyond the boundaries of traditional studies of international relations, the contributors here focus on such topics as public opinion and the relationship of domestic policy to foreign policy. Other areas of consideration include the Soviet-U.S. relationship and the Third World and East Asia, the role of the United Nations in Soviet and American policy in the 1990s, international environmental protection, and the Soviet opening to nonprovocative defense. A final section concludes with policy choices for the future regarding security strategies and prospects for peace.Contributors. Seweryn Bialer, Robert Dallek, Charles Gati, Toby Trister Gati, Colin S. Gray, Ole R. Holsti, Robert Jervis, Alexander J. Motyl, John Mueller, Eric A. Nordlinger, George H. Quester, Harold H. Sanders, Glenn E. Schweitzer, Jack Snyder, Donald S. Zagoria, William Zimmerman

DKK 800.00
1

Soviet-American Relations After the Cold War - - Bog - Duke University Press - Plusbog.dk

Soviet-American Relations After the Cold War - - Bog - Duke University Press - Plusbog.dk

This important collection of essays explores the terrain of possible Soviet-American relations in the next decade. Starting from the premise that glasnost and perestroika will not be reversed, this expert group of contributors provides a wide-ranging and far-reaching analysis of Soviet-U.S. relations crucial to any current discussion of the topic. Moving beyond the boundaries of traditional studies of international relations, the contributors here focus on such topics as public opinion and the relationship of domestic policy to foreign policy. Other areas of consideration include the Soviet-U.S. relationship and the Third World and East Asia, the role of the United Nations in Soviet and American policy in the 1990s, international environmental protection, and the Soviet opening to nonprovocative defense. A final section concludes with policy choices for the future regarding security strategies and prospects for peace.Contributors. Seweryn Bialer, Robert Dallek, Charles Gati, Toby Trister Gati, Colin S. Gray, Ole R. Holsti, Robert Jervis, Alexander J. Motyl, John Mueller, Eric A. Nordlinger, George H. Quester, Harold H. Sanders, Glenn E. Schweitzer, Jack Snyder, Donald S. Zagoria, William Zimmerman

DKK 240.00
1

Heavyweight - Jordana Moore Saggese - Bog - Duke University Press - Plusbog.dk

Heavyweight - Jordana Moore Saggese - Bog - Duke University Press - Plusbog.dk

In Heavyweight , Jordana Moore Saggese examines images of Black heavyweight boxers to map the visual terrain of racist ideology in the United States, paying particular attention to the intersecting discourses of Blackness, masculinity, and sport. Looking closely at the “shadow archive” of portrayals across fine art, vernacular imagery, and public media at the turn of the twentieth century, shedemonstrates how the images of boxers reveal the racist stereotypes implicit in them, many of which continue to structure ideas of Black men today. With a focus on both anonymous fighters and notorious champions, including Jack Johnson, Saggese contends that popular images of these men provided white spectators a way to render themselves experts on Blackness and Black masculinity. These images became the blueprint for white conceptions of the Black male body—existing between fear and fantasy, simultaneously an object of desire and an instrument of violence. Reframing boxing as yet another way whiteness establishes the violent mythology of its supremacy, Saggese highlights the role of imagery in normalizing a culture of anti-Blackness.

DKK 920.00
1

Heavyweight - Jordana Moore Saggese - Bog - Duke University Press - Plusbog.dk

Heavyweight - Jordana Moore Saggese - Bog - Duke University Press - Plusbog.dk

In Heavyweight , Jordana Moore Saggese examines images of Black heavyweight boxers to map the visual terrain of racist ideology in the United States, paying particular attention to the intersecting discourses of Blackness, masculinity, and sport. Looking closely at the “shadow archive” of portrayals across fine art, vernacular imagery, and public media at the turn of the twentieth century, shedemonstrates how the images of boxers reveal the racist stereotypes implicit in them, many of which continue to structure ideas of Black men today. With a focus on both anonymous fighters and notorious champions, including Jack Johnson, Saggese contends that popular images of these men provided white spectators a way to render themselves experts on Blackness and Black masculinity. These images became the blueprint for white conceptions of the Black male body—existing between fear and fantasy, simultaneously an object of desire and an instrument of violence. Reframing boxing as yet another way whiteness establishes the violent mythology of its supremacy, Saggese highlights the role of imagery in normalizing a culture of anti-Blackness.

DKK 232.00
1

Radical Representations - Barbara Foley - Bog - Duke University Press - Plusbog.dk

Radical Representations - Barbara Foley - Bog - Duke University Press - Plusbog.dk

In this revisionary study, Barbara Foley challenges prevalent myths about left-wing culture in the Depression-era U.S. Focusing on a broad range of proletarian novels and little-known archival material, the author recaptures an important literature and rewrites a segment of American cultural history long obscured and distorted by the anti-Communist bias of contemporaries and critics. Josephine Herbst, William Attaway, Jack Conroy, Thomas Bell and Tillie Olsen, are among the radical writers whose work Foley reexamines. Her fresh approach to the U.S. radicals'' debates over experimentalism, the relation of art to propaganda, and the nature of proletarian literature recasts the relation of writers to the organized left. Her grasp of the left''s positions on the "Negro question" and the "woman question" enables a nuanced analysis of the relation of class to race and gender in the proletarian novel. Moreover, examining the articulation of political doctrine in different novelistic modes, Foley develops a model for discussing the interplay between politics and literary conventions and genres. Radical Representations recovers a literature of theoretical and artistic value meriting renewed attention form those interested in American literature, American studies, the U. S. left, and cultural studies generally.

DKK 884.00
1

Retrospectives on Public Finance - - Bog - Duke University Press - Plusbog.dk

Retrospectives on Public Finance - - Bog - Duke University Press - Plusbog.dk

Retrospectives on Public Finance contains original analyses by internationally recognized public finance scholars, including Carl Sumner Shoup, one of the discipline’s most famous practitioners. Shoup, along with Richard Musgrave and his students, pioneered the “prescriptive” or “political economy school” of public finance known for its hands-on approach and its commitment to applying theory to real world problems. Each contributor provides a retrospective on Shoup’s various contributions to the field, reviewing the literature and assessing its relevance to current problems in public finance theory and policy. The essays highlight and analyze fiscal theory and public policy developments from the 1930s to the present in four areas: the Shoup tax missions to Japan, Venezuela, and Liberia; the tax mix; the expenditure mix; and macro public finance.Contributors. Lorraine Eden, Carl S. Shoup, Malcolm Gillis, Minoru Nakazato, Charles E. McLure Jr., John Bossons, Richard Goode, William Vickery, Wayne Thirsk, John Graham, Stanley Winer, W. Irwin Gillespie, Melville L. McMillan, Cliff Walsh, John G. Head, Enid Slack, Edwin G. West, Richard M. Bird, Peggy B. Musgrave, Douglas A. L. Auld, John B. Burbidge, Jack M. Mintz, John Sargent, Richard A. Musgrave

DKK 271.00
1

National Identities and Post-Americanist Narratives - - Bog - Duke University Press - Plusbog.dk

National Identities and Post-Americanist Narratives - - Bog - Duke University Press - Plusbog.dk

National narratives create imaginary relations within imagined communities called national peoples. But in the American narrative, alongside the nexus of belonging established for the national community, the national narrative has represented other peoples (women, blacks, "foreigners", the homeless) from whom the property of nationness has been removed altogether and upon whose differences from them the national people depended for the construction of their norms. Dismantling this opposition has become the task of post-national (Post-Americanist) narratives, bent on changing the assumptions that found the "national identity." This volume, originally published as a special issue of bounrary 2, focuses on the process of assembling and dismantling the American national narrative(s), sketching its inception and demolition. The contributors examine various cultural, political, and historical sources--colonial literature, mass movements, epidemics of disease, mass spectacle, transnational corporations, super-weapons, popular magazines, literary texts--out of which this narrative was constructed, and propose different understandings of nationality and identity following in its wake. Contributors. Jonathan Arac, Lauren Berlant, Robert J. Corber, Elizabeth Freeman, Kathryn V. Lingberg, Jack Matthews, Alan Nadel, Patrick O''Donnell, Daniel O''Hara, Donald E. Pease, Ross Posnock, John Carlos Rowe, Rob Wilson

DKK 232.00
1

Retrospectives on Public Finance - - Bog - Duke University Press - Plusbog.dk

Retrospectives on Public Finance - - Bog - Duke University Press - Plusbog.dk

Retrospectives on Public Finance contains original analyses by internationally recognized public finance scholars, including Carl Sumner Shoup, one of the discipline’s most famous practitioners. Shoup, along with Richard Musgrave and his students, pioneered the “prescriptive” or “political economy school” of public finance known for its hands-on approach and its commitment to applying theory to real world problems. Each contributor provides a retrospective on Shoup’s various contributions to the field, reviewing the literature and assessing its relevance to current problems in public finance theory and policy. The essays highlight and analyze fiscal theory and public policy developments from the 1930s to the present in four areas: the Shoup tax missions to Japan, Venezuela, and Liberia; the tax mix; the expenditure mix; and macro public finance.Contributors. Lorraine Eden, Carl S. Shoup, Malcolm Gillis, Minoru Nakazato, Charles E. McLure Jr., John Bossons, Richard Goode, William Vickery, Wayne Thirsk, John Graham, Stanley Winer, W. Irwin Gillespie, Melville L. McMillan, Cliff Walsh, John G. Head, Enid Slack, Edwin G. West, Richard M. Bird, Peggy B. Musgrave, Douglas A. L. Auld, John B. Burbidge, Jack M. Mintz, John Sargent, Richard A. Musgrave

DKK 884.00
1

Apprehending the Criminal - Marie Christine Leps - Bog - Duke University Press - Plusbog.dk

Apprehending the Criminal - Marie Christine Leps - Bog - Duke University Press - Plusbog.dk

In this wide-ranging analysis, Marie-Christine Leps traces the production and circulation of knowledge about the criminal in nineteenth-century discourse, and shows how the delineation of deviance served to construct cultural norms. She demonstrates how the apprehension of crime and criminals was an important factor in the establishment of such key institutions as national systems of education, a cheap daily press, and various welfare measures designed to fight the spread of criminality. Leps focuses on three discursive practices: the emergence of criminology, the development of a mass-produced press, and the proliferation of crime fiction, in both England and France. Beginning where Foucault''s work Discipline and Punish ends, Leps analyzes intertextual modes of knowledge production and shows how the elaboration of hegemonic truths about the criminal is related to the exercise of power. The scope of her investigation includes scientific treatises such as Criminal Man by Cesare Lombroso and The English Convict by Charles Goring, reports on the Jack the Ripper murders in The Times and Le Petit Parisien , the Sherlock Holmes stories, Stevenson''s Strange Case of Dr. Jekyll and Mr. Hyde , and novels by Zola and Bourget.

DKK 766.00
1

Apprehending the Criminal - Marie Christine Leps - Bog - Duke University Press - Plusbog.dk

Apprehending the Criminal - Marie Christine Leps - Bog - Duke University Press - Plusbog.dk

In this wide-ranging analysis, Marie-Christine Leps traces the production and circulation of knowledge about the criminal in nineteenth-century discourse, and shows how the delineation of deviance served to construct cultural norms. She demonstrates how the apprehension of crime and criminals was an important factor in the establishment of such key institutions as national systems of education, a cheap daily press, and various welfare measures designed to fight the spread of criminality. Leps focuses on three discursive practices: the emergence of criminology, the development of a mass-produced press, and the proliferation of crime fiction, in both England and France. Beginning where Foucault''s work Discipline and Punish ends, Leps analyzes intertextual modes of knowledge production and shows how the elaboration of hegemonic truths about the criminal is related to the exercise of power. The scope of her investigation includes scientific treatises such as Criminal Man by Cesare Lombroso and The English Convict by Charles Goring, reports on the Jack the Ripper murders in The Times and Le Petit Parisien , the Sherlock Holmes stories, Stevenson''s Strange Case of Dr. Jekyll and Mr. Hyde , and novels by Zola and Bourget.

DKK 224.00
1

National Identities and Post-Americanist Narratives - - Bog - Duke University Press - Plusbog.dk

National Identities and Post-Americanist Narratives - - Bog - Duke University Press - Plusbog.dk

National narratives create imaginary relations within imagined communities called national peoples. But in the American narrative, alongside the nexus of belonging established for the national community, the national narrative has represented other peoples (women, blacks, "foreigners", the homeless) from whom the property of nationness has been removed altogether and upon whose differences from them the national people depended for the construction of their norms. Dismantling this opposition has become the task of post-national (Post-Americanist) narratives, bent on changing the assumptions that found the "national identity." This volume, originally published as a special issue of bounrary 2, focuses on the process of assembling and dismantling the American national narrative(s), sketching its inception and demolition. The contributors examine various cultural, political, and historical sources--colonial literature, mass movements, epidemics of disease, mass spectacle, transnational corporations, super-weapons, popular magazines, literary texts--out of which this narrative was constructed, and propose different understandings of nationality and identity following in its wake. Contributors. Jonathan Arac, Lauren Berlant, Robert J. Corber, Elizabeth Freeman, Kathryn V. Lingberg, Jack Matthews, Alan Nadel, Patrick O''Donnell, Daniel O''Hara, Donald E. Pease, Ross Posnock, John Carlos Rowe, Rob Wilson

DKK 800.00
1

Making Transgender Count - - Bog - Duke University Press - Plusbog.dk

Making Transgender Count - - Bog - Duke University Press - Plusbog.dk

Who gets to define what transgender is, or who is transgender? The very notion of a transgender population poses numerous political and technical challenges. How are trans people counted, by whom, and for what purposes? What is at stake in “making transgender count,” and how might this process vary across national, linguistic, or cultural contexts? This special issue of TSQ presents a range of approaches to these questions, including analyses that generate more effective and inclusive ways to measure and count gender identity and/or transgender people. Essays also offer critical perspectives on quantitative methodologies and the politics of what Ian Hacking calls “making up people,” the impact that classification has on those being classified. Contributors consider to what extent counting transgender people makes that population's government accountable to those individuals. Contributors: Kellan Baker, Jenifer Bratter, Kerith J. Conron, Andrew R. Flores, Alison Gill, Nick Gorton, Jaime M. Grant, Emily A. Greytak, Jack Harrison-Quintana, Jody L. Herman, Natalie Ingraham, Jeffrey Johnson, Colton Keo-Meier, Lisa King, Anna Klonkowska, Kyle G. Knight, Christine Labuski, Emilia Lombardi, Phoenix Alicia Matthews, Sheila J. Nezhad, Vanessa Pratt, Sari L. Reisner, Ignacio Rivera, Megan R. Rohrer, Kristen Schilt, Nfn Scout, Ben Singer, Hale Thompson

DKK 122.00
1