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City of Cinema: Paris 1850–1907 - - Bog - Distributed Art Publishers - Plusbog.dk

City of Cinema: Paris 1850–1907 - - Bog - Distributed Art Publishers - Plusbog.dk

How film emerged in 19th-century Paris amid an array of social, political, artistic and technological innovations—with works by the Lumiere brothers, Mélies, Chéret and more City of Cinema traces film’s evolution from an obscure entertainment to the most powerful art form of the 20th century. Placing cinema in the context of 19th-century Parisian visual culture, this book brings together posters, paintings, studio and documentary photography, and film stills that evoke Paris as a site of consumption, demonstrate early cinema’s relationship with technology and the fine arts, and highlight local and global spaces of film production. It also examines the aspects of 19th-century visual culture that gave rise to cinema as a quintessentially modern medium with an eager audience. Aligning with French beliefs that the nation’s culture would be democratized through consumption, cinema reinforced a set of assumptions about French cultural and political authority and disseminated these ideas to the rest of the world.Presented here are images of and from the street by Jean Béraud, Charles Marville, Jules Chéret and Auguste and Louis Lumière; the technological experimentation of Loïe Fuller, Émile Reynaud and Georges Méliès; and the plein-air observations of Camille Pissarro and the staged artifice of Jean-Leon Gerome—all of which can be considered alongside the prototype film studios of Georges Méliès, Gaumont and Pathé.At the dawn of the 20th century, cinema is as much, if not more, a way of appropriating the world. Through arresting images and incisive texts, this book examines the origins of cinema and its position as a global medium.

DKK 425.00
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Inside Out: The Prints of Mary Cassatt - - Bog - Distributed Art Publishers - Plusbog.dk

Anthony Hernandez - Robert Adams - Bog - Distributed Art Publishers - Plusbog.dk

Do Ho Suh: Works on Paper at STPI - - Bog - Distributed Art Publishers - Plusbog.dk

Imagined Fronts: The Great War and Global Media - - Bog - Distributed Art Publishers - Plusbog.dk

Radical Fiber: Threads Connecting Art and Science - - Bog - Distributed Art Publishers - Plusbog.dk

Radical Fiber: Threads Connecting Art and Science - - Bog - Distributed Art Publishers - Plusbog.dk

Can crochet explain the complexities of non-Euclidean geometry? How does the 1804 Jacquard loom relate to modern computing? Radical Fiber celebrates the overlap between art, science, interdisciplinary creativity and collaborative learning For centuries, fiber arts have influenced sciences as diverse as digital technology, mathematics, neuroscience, medicine and more. Radical Fiber explores this relationship through contemporary art and historical artifacts that address five key themes: shape, machine, body, brain and community. How did the accidental discovery of synthetic mauveine dye in 1856 pave the way for modern pharmaceuticals while also generating toxic waste? Why do we respond differently to a woven photograph than a printed one? These and other questions reframe the fiber/science intersection and ask how the medium can be used to improve our world for the future. Radical Fiber features a new artwork created by amateur and professional makers around the globe: the Saratoga Springs Satellite Reef , part of the Crochet Coral Reef project by Christine and Margaret Wertheim and the Institute For Figuring. Alongside numerous unidentified artists, additional artists and creators include: Lia Cook, Brock Craft, Veronica Dry, Anna Dumitriu, Ellis Developments, Hanne Kekkonen, Kintra Fibers, Elaine Krajenke Ellison, Karen Norberg, William Henry Perkin, Helen Remick, Dario Robleto, Daniela Rosner, Samantha Shorey, John Sims, Soft Monitor (Victoria Manganiello and Julian Goldman), Daina Taimina, Cecilia Vicun?a and Carolyn Yackel.

DKK 410.00
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The New Woman Behind the Camera - Andrea Nelson - Bog - Distributed Art Publishers - Plusbog.dk

The New Woman Behind the Camera - Andrea Nelson - Bog - Distributed Art Publishers - Plusbog.dk

An in-depth look at the many ways women around the world helped shape modern photography from the 1920s to the 1950s as they captured images of a radically changing world During the 1920s the New Woman was easy to recognize but hard to define. Hair bobbed and fashionably dressed, this iconic figure of modernity was everywhere, splashed across magazine pages or projected on the silver screen. A global phenomenon, she embodied an ideal of female empowerment based on real women making revolutionary changes in life and art—including photography.This groundbreaking, richly illustrated book looks at those “new women” who embraced the camera as a mode of expression and made a profound impact on the medium from the 1920s to the 1950s. Thematic chapters explore how women emerged as a driving force in modern photography, bringing their own perspective to artistic experimentation, studio portraiture, fashion and advertising work, scenes of urban life, ethnography and photojournalism.Featuring work by 120 photographers, this volume expands the history of photography by critically examining an international array of canonical and less well-known women photographers, from Berenice Abbott, Dorothea Lange and Lola Álvarez Bravo to Germaine Krull, Tsuneko Sasamoto and Homai Vyarawalla. Against the odds, these women produced invaluable visual testimony that reflects both their personal experiences and the extraordinary social and political transformations of the era.

DKK 469.00
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Madayin: Eight Decades of Aboriginal Australian Bark Painting from Yirrkala - - Bog - Distributed Art Publishers - Plusbog.dk

Madayin: Eight Decades of Aboriginal Australian Bark Painting from Yirrkala - - Bog - Distributed Art Publishers - Plusbog.dk

A revelatory compendium of eucalyptus bark painting, rarely seen by Western audiences This volume chronicles the rise of a globally significant art movement, as told from the perspective of the Yolngu people of northeastern Australia. It presents more than 90 iconic paintings on eucalyptus bark, many of which have never been seen outside of Australia.For millennia, Yolngu people around Yirrkala in northern Australia have painted their sacred clan designs on their bodies and ceremonial objects. These designs—called miny’tji—are not merely decorative: they are the sacred patterns of the ancestral land itself. Yolngu people describe them as madayin: a term that encompasses both the sacred and the beautiful. With the arrival of Europeans in the 20th century, Yolngu people turned to the medium of painting on eucalyptus bark with ochres. The result was an outpouring of creativity that continues to this day as artists find new and innovative ways to transform their ancient clan designs into compelling contemporary statements that are chronicled in this singular publication. Authors include : Andrew Blake, David Burrumarra MBE, Steve Fox, Gunybi Ganambarr, Manydjarri Ganambarr, Yinimala Gumana, Jason Guwanbal Gurruwiwi, Djambawa Marawili AM, Nonggirrnga Marawili, Dhuwarrwarr Marika, Wanyubi Marika, Baluka Maymuru, Paul Wutjin Maymuru, Naminapu Maymuru-White, Frances Morphy, Howard Morphy, Barayuwa Mununggurr, Marrnyula Mununggurr, Rerrkirrwanga Mununggurr, Wäka Mununggurr, Buwathay Munyarryun, Eleanore Neumann, Will Stubbs, Dhukumul Wanambi, Dhukal Wirrpanda, Liyawaday Wirrpanda, Dela Yunupingu, Djerrkngu Yunupingu and Yälpi Yunupingu.

DKK 379.00
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Color in Motion: Chromatic Explorations of Cinema - - Bog - Distributed Art Publishers - Plusbog.dk

Color in Motion: Chromatic Explorations of Cinema - - Bog - Distributed Art Publishers - Plusbog.dk

From early cinema to the digital era, Color in Motion explores the vibrant history of color on screen The art of producing color in movies is a fascinating process with a long history. Many people don’t realize that, as early as the 1890s, much of silent cinema was in color. They also may not know that women were the main workforce behind the techniques that first produced these effects, a tradition that continued as the practice evolved. Breakthroughs in color technology have created ongoing opportunities for filmmakers to experiment with new forms of narrative and emotional storytelling. Spectacular, psychological and sensory, color has become an integral part of the cinematic experience.From the earliest hand-painted films to Technicolor and today’s digital cinema, Color in Motion takes readers on a journey through the evolution and significance of color in film. Presenting insightful analysis, engaging case studies and inspiring conversations with scholars and experts in the field, with topics ranging from animation to the intersections of color and race in cinema, it traces the historical development of color technologies and their impact onscreen. Incorporating vivid images of color films throughout history— Serpentine Dance , The Cabinet of Dr. Caligari , Fantasia , The Red Shoes , Vertigo , West Side Story , 2001: A Space Odyssey , Moonlight and more, as well as new multispectral scans of rare silent-era film prints—this essential volume celebrates color’s enduring influence on the medium of film.

DKK 465.00
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Regeneration: Black Cinema, 1898–1971 - - Bog - Distributed Art Publishers - Plusbog.dk

Regeneration: Black Cinema, 1898–1971 - - Bog - Distributed Art Publishers - Plusbog.dk

The overlooked yet vibrant history of Black participation in American film, from the beginning of cinema through the civil rights movement From the dawn of the medium onward, Black filmmakers have helped define American cinema. Black performers, producers and directors—Bert Williams, Oscar Micheaux, Herb Jeffries, Lena Horne, Dorothy Dandridge, Ruby Dee and William Greaves, to name just a few—had a vast and resounding impact. Black film artists not only developed an enduring independent tradition but also transformed mainstream Hollywood, fueled and reflected sociopolitical movements, captured Black experience in all its robust complexity, and influenced generations to come. As harrowing as it is beautiful, this history of Black cinema and its legacy is often overlooked. Regeneration accompanies a first-of-its-kind exhibition at the Academy Museum of Motion Pictures exploring seven decades of Black participation in American cinema. Amplifying this underrepresented history in colorful and striking detail, the book features an in-depth curatorial essay and scholarly case-study texts on topics such as early Black independent filmmaking, Black spectatorship during the Jim Crow era and home movies as an essential form of Black self-representation. The volume also makes meaningful connections to the present through interviews with award-winning contemporary Black filmmakers Charles Burnett, Julie Dash, Ava DuVernay, Barry Jenkins and Dawn Porter. An extensive filmography and chronology offer an essential resource for anyone interested in Black cinema, while images of contemporary visual artworks further illustrate the volume throughout.

DKK 399.00
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An Indigenous Present - - Bog - Distributed Art Publishers - Plusbog.dk

An Indigenous Present - - Bog - Distributed Art Publishers - Plusbog.dk

A monumental gathering of more than 60 contemporary artists, photographers, musicians, writers and more, showcasing diverse approaches to Indigenous concepts, forms and mediums — A Wall Street Journal 2023 holiday gift guide pick This landmark volume is a gathering of Native North American contemporary artists, musicians, filmmakers, choreographers, architects, writers, photographers, designers and more. Conceived by Jeffrey Gibson, a renowned artist of Mississippi Choctaw and Cherokee descent, An Indigenous Present presents an increasingly visible and expanding field of Indigenous creative practice. It centers individual practices, while acknowledging shared histories, to create a visual experience that foregrounds diverse approaches to concept, form and medium as well as connection, influence, conversation and collaboration. An Indigenous Present foregrounds transculturalism over affiliation and contemporaneity over outmoded categories. Artists include : Neal Ambrose-Smith, Teresa Baker, Natalie Ball, Laakkuluk Williamson Bathory, Rebecca Belmore, Andrea Carlson, Nani Chacon, Raven Chacon, Dana Claxton, Melissa Cody, Chris T. Cornelius, Lewis deSoto, Beau Dick, Demian DineYazhi’, Wally Dion, Divide and Dissolve, Korina Emmerich, Ka’ila Farrell-Smith, Yatika Starr Fields, Nicholas Galanin, Raven Halfmoon, Elisa Harkins, Luzene Hill, Anna Hoover, Sky Hopinka, Chaz John, Emily Johnson, Brian Jungen, Brad Kahlhamer, Sonya Kelliher-Combs, Adam Khalil, Zack Kahlil, Kite, Layli Long Soldier, Erica Lord, Cannupa Hanska Luger, Tanya Lukin Linklater, James Luna, Dylan McLaughlin, Meryl McMaster, Caroline Monnet, Audie Murray, New Red Order, Jamie Okuma, Laura Ortman, Katherine "KP" Paul/Black Belt Eagle Scout, Postcommodity, Wendy Red Star, Eric-Paul Riege, Cara Romero, Sara Siestreem, Rose B. Simpson, Jaune Quick-to-See Smith, Hulleah J. Tsinhnahjinnie, Anna Tsouhlarakis, Arielle Twist, Marie Watt, Dyani White Hawk and Zoon a.k.a. Daniel Glen Monkman.

DKK 565.00
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Sheila Hicks: Radical Vertical Inquiries - - Bog - Distributed Art Publishers - Plusbog.dk

Sheila Hicks: Radical Vertical Inquiries - - Bog - Distributed Art Publishers - Plusbog.dk

A unique book embracing the verticality of Sheila Hicks’ work For decades, Sheila Hicks has engaged with color, texture and verticality, using textiles as her medium of choice. Her unique approach is informed by her interest in architecture, space, historical weaving traditions and innovations in fiber technology. This new bilingual publication (English and French) focuses on her cascading multicolored columns. Building on her earlier work and occupation with verticality, the columns have extended to new and spectacular settings, notably outdoors, refusing any traditional limitations, adapting to various environments, from the Art Gallery of New South Wales to the rocky hills of the French countryside and medieval castles.Hicks’ work has always been published in innovative formats, a result of her creative collaborations with designers. The book reflects the verticality that is crucial to Hicks’ towering fiber structures. It features stunning reproductions of the columns created by the artist over the last 10 years. The selection culminates in Hicks’ most recent installation, Vers des horizons inconnus in front of the Institut de France during Paris + in 2023. Radical Vertical Inquiries is an eye-popping, design-forward companion to Hicks’ work that shines on its own. Sheila Hicks was born in Nebraska in 1934 and has lived and worked in Paris since 1964. Her engagement with different cultures enables her to create and exhibit artworks, ranging from the miniature to the monumental, that have been exhibited at museums and other institutions around the world. Among her numerous awards are: U.S. State Department Medal of Arts (2023); Officier de la Légion d’Honneur, France (2022); Honorary Doctorate of Fine Arts, Yale University (2019).

DKK 390.00
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Henry Taylor: B Side - - Bog - Distributed Art Publishers - Plusbog.dk

Henry Taylor: B Side - - Bog - Distributed Art Publishers - Plusbog.dk

The official catalog accompanying the major retrospective at MoCA LA: Henry Taylor creates a grand pageant of contemporary Black life in America Surveying 30 years of Henry Taylor’s work in painting, sculpture and installation, this comprehensive monograph celebrates a Los Angeles artist widely appreciated for his unique aesthetic, social vision and freewheeling experimentation. Taylor’s portraits and allegorical tableaux—populated by friends, family members, strangers on the street, athletic stars and entertainers—display flashes of familiarity in their seemingly brash compositions, which nonetheless linger in the imagination with uncanny detail. In his paintings on cigarette packs, cereal boxes and other found supports, Taylor brings his primary medium into the realm of common culture. Similarly, the artist’s installations often recode the forms and symbolisms of found materials (bleach bottles, push brooms) to play upon art historical tropes and modernism’s appropriations of African or African American culture. Taken together, the various strands of Taylor’s practice display a deep observation of Black life in America at the turn of the century, while also inviting a humanist fellowship that pushes outward from the particular.Raised in Oxnard, California, Henry Taylor (born 1958) took art classes at Oxnard College in the 1980s and studied under James Jarvaise, who became a mentor. From 1984 through 1995 Henry Taylor worked as a psychiatric technician at Camarillo State Mental Hospital (a facility that is now California State University Channel Islands) while concurrently attending the California Institute of the Arts (CalArts) in Valencia, where he obtained his Bachelor of Fine Art degree in 1995. Taylor has had institutional solo exhibitions at MoMA PS1 and the Studio Museum in Harlem. He lives and works in Los Angeles.

DKK 470.00
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Andrew Wyeth: Life and Death - - Bog - Distributed Art Publishers - Plusbog.dk

Andrew Wyeth: Life and Death - - Bog - Distributed Art Publishers - Plusbog.dk

Presenting recently rediscovered drawings, Life and Death explores what it means for an artist to picture their own death, in both the context of Wyeth’s late career and contemporary American art This volume presents for the first time a recently rediscovered series of pencil drawings from the early 1990s, through which Wyeth imagined his own funeral. Chapters by leading art historians explore the significance of picturing one’s own death in both the context of Wyeth’s late career and contemporary American art. The book connects the funeral series to Wyeth’s decades-long engagement with death as an artistic subject in painting, his relationships with the models depicted, and his use of drawing as an expressive and exploratory medium. It further inserts Wyeth’s work into a larger conversation about mortality and self-portraiture that developed in American art since the 1960s, and includes works by Duane Michals, Andy Warhol, David Wojnarowicz, George Tooker, Janaina Tschäpe and Mario Moore. While his contemporaries posed a variety of existential questions in picturing their own passing, those that interrogate the universality of death as a human experience have become especially urgent in the wake of the coronavirus pandemic and the national reckoning with racial inequality that emerged in 2020. Andrew Wyeth: Life and Death thus addresses ideas about loss, grief, vulnerability and (im)mortality that pervade the current moment.American painter Andrew Wyeth (1917–2009) lived his entire life in his birthplace of Chadds Ford, Pennsylvania, and his summer home in mid-coast Maine. His seven-decade career was spent painting the land and people that he knew and cared about. Renowned for his tempera painting Christina''s World (1948), Wyeth navigated between artistic representation and abstraction in a highly personal way.

DKK 350.00
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Jay DeFeo: Photographic Work - - Bog - Distributed Art Publishers - Plusbog.dk

Jay DeFeo: Photographic Work - - Bog - Distributed Art Publishers - Plusbog.dk

A revelatory trove of innovative photo collages, photograms, photographs and photocopies—many never before published—most reproduced at the size DeFeo printed them This monograph on the legendary and influential artist Jay DeFeo features over 150 photographic works—many never before published—most reproduced at the size the artist printed them. After the completion of her monumental masterpiece The Rose in 1966, DeFeo moved from the heart of artistic activity in San Francisco to a small house in Marin County, California. There she embarked on a focused and rigorous exploration with the camera. For much of the 1970s, she used the camera as a tool to look and think with, creating a wide range of black-and-white photographs she processed in her darkroom. The artist used experimental photographic techniques to produce extraordinary artworks, alongside documentary images of her studio and paintings in process. Her contact sheets, some of which are reproduced here, are often filled with multiple views of one object, revealing the way DeFeo looked and sketched with the lens. In 1972 she wrote: "My interest in photography has always paralleled my expression as a painter."Essays by Hilton Als, Judith Delfiner, Corey Keller, Justine Kurland, Dana Miller and Catherine Wagner survey the rich materiality, sculptural layering and illusionistic devices of DeFeo’s playful and enigmatic photographic works, illuminating her astonishing range and daring experimentation with the medium. Jay DeFeo (1929–89) was a Bay Area artist who created an original and provocative body of work, including the iconic painting The Rose (1958–66). In the 1970s and 1980s, DeFeo continued her visionary work in a range of mediums, including works on paper, photography, collage and photocopies. Among many other exhibitions, a retrospective of her work was organized by the Whitney Museum of American Art, New York, and traveled to the San Francisco Museum of Modern Art in 2012.

DKK 559.00
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Women Painting Women - - Bog - Distributed Art Publishers - Plusbog.dk

Women Painting Women - - Bog - Distributed Art Publishers - Plusbog.dk

Replete with complexities, abjection, beauty and joy, Women Painting Women offers new ways to imagine the portrayal of women, from Alice Neel to Jordan Casteel A thematic exploration of nearly 50 female artists who choose women as subject matter in their works, Women Painting Women includes nearly 50 portraits that span the 1960s to the present. International in scope, the book recognizes female perspectives that have been underrepresented in the history of postwar figuration. Painting is the focus, as traditionally it has been a privileged medium for portraiture, particularly for white male artists. The artists here use painting and women as subject matter and as vehicles for change. They range from early trailblazers such as Emma Amos and Alice Neel to emerging artists such as Jordan Casteel, Somaya Critchlow and Apolonia Sokol. All place women—their bodies, gestures and individuality—at the forefront.The pivotal narrative in Women Painting Women is how the artists included use the conventional portrait of a woman as a catalyst to tell another story outside of male interpretations of the female body. They conceive new ways to activate and elaborate on the portrayal of women by exploring themes of the Body, Nature Personified, Selfhood and Color as Portrait. Replete with complexities, realness, abjection, beauty, complications, everydayness and joy, the portraits in this volume make way for women artists to share the stage with their male counterparts in defining the image of woman and how it has evolved. Artists include : Rita Ackermann, Njideka Akunyili Crosby, Emma Amos, María Berrío, Louise Bonnet, Lisa Brice, Joan Brown, Jordan Casteel, Somaya Critchlow, Kim Dingle, Marlene Dumas, Celeste Dupuy-Spencer, Nicole Eisenman, Tracey Emin, Natalie Frank, Hope Gangloff, Eunice Golden, Jenna Gribbon, Alex Heilbron, Ania Hobson, Luchita Hurtado, Chantal Joffe, Hayv Kahraman, Maria Lassnig, Christiane Lyons, Danielle Mckinney, Marilyn Minter, Alice Neel, Elizabeth Peyton, Paula Rego, Faith Ringgold, Deborah Roberts, Susan Rothenberg, Jenny Saville, Dana Schutz, Joan Semmel, Amy Sherald, Lorna Simpson, Arpita Singh, Sylvia Sleigh, Apolonia Sokol, May Stevens, Claire Tabouret, Mickalene Thomas, Nicola Tyson and Lisa Yuskavage.

DKK 358.00
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