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Russia in a Box - Andrew L. Jenks - Bog - Cornell University Press - Plusbog.dk

Russia in a Box - Andrew L. Jenks - Bog - Cornell University Press - Plusbog.dk

What did it mean to be Russian as the imperial era gave way to Soviet rule? Andrew Jenks turns to a unique art form produced in the village of Palekh to investigate how artists and craftsmen helped to reshape Russian national identity. Russia in a Box follows the development of Palekh art over two centuries as it adapted to dramatic changes in the Russian nation. As early as the sixteenth century, the peasant "masters" of Palekh painted religious icons. It was not until Russia''s victory over Napoleon in 1814, however, that the village gained widespread recognition for its artistic contributions. That same year, the poet Goethe''s discovery of the works of Palekh artists and craftsmen spurred interest in preserving the sacred art. The religious icons produced by Palekh masters in the nineteenth century became a source of Russian national pride. By the 1880s, some artists began to foresee their future as secular artists—a trend that was ensured by the Bolshevik Revolution. Tolerated and sometimes even encouraged by the new regime, the Palekh artists began to create finely decorated lacquered boxes that portray themes from fairy tales and idealized Russian history in exquisite miniatures. A new medium with new subject matter, these lacquered boxes became a new symbol of Russian identity during the 1920s. Palekh art endured varying levels of acceptance, denial, state control, and reliance on market-driven forces. What began as the art form of religious iconic painting, enduring for more than two centuries, was abruptly changed by the revolutionaries. Throughout the twentieth century the fate of Palekh art remained in question as Russia''s political and cultural entities struggled for dominance. Ultimately capitalism and the Palekhian masters were victorious, and the famed lacquer boxes continue to be a source of Russian identity and pride.

DKK 415.00
1

Narkomania - Jennifer J. Carroll - Bog - Cornell University Press - Plusbog.dk

Narkomania - Jennifer J. Carroll - Bog - Cornell University Press - Plusbog.dk

Against the backdrop of a post-Soviet state set aflame by geopolitical conflict and violent revolution, Narkomania considers whether substance use disorders are everywhere the same and whether our responses to drug use presuppose what kind of people those who use drugs really are. Jennifer J. Carroll''s ethnography is a story about public health and international efforts to quell the spread of HIV. Carroll focuses on Ukraine where the prevalence of HIV among people who use drugs is higher than in parts of sub-Saharan Africa and unpacks the arguments and myths surrounding medication-assisted treatment (MAT) in Ukraine. What she presents in Narkomania forces us to question drug policy, its uses, and its effects on "normal" citizens. Carroll uses her findings to explore what people who use drugs can teach us about the contemporary societies emerging in post-Soviet space. With examples of how MAT has been politicized, how drug use has been tied to ideas of "good" citizenship, and how vigilantism towards people who use drugs has occurred, Narkomania details the cultural and historical backstory of the situation in Ukraine. Carroll reveals how global efforts supporting MAT in Ukraine allow the ideas surrounding MAT, drug use, and HIV to resonate more broadly into international politics and echo into the heart of the Ukrainian public.

DKK 1133.00
1

The Performative State - Iza Ding - Bog - Cornell University Press - Plusbog.dk

The Performative State - Iza Ding - Bog - Cornell University Press - Plusbog.dk

What does the state do when public expectations exceed its governing capacity? The Performative State shows how the state can shape public perceptions and defuse crises through the theatrical deployment of language, symbols, and gestures of good governance—performative governance. Iza Ding unpacks the black box of street-level bureaucracy in China through ethnographic participation, in-depth interviews, and public opinion surveys. She demonstrates in vivid detail how China's environmental bureaucrats deal with intense public scrutiny over pollution when they lack the authority to actually improve the physical environment. They assuage public outrage by appearing responsive, benevolent, and humble. But performative governance is hard work. Environmental bureaucrats paradoxically work themselves to exhaustion even when they cannot effectively implement environmental policies. Instead of achieving "performance legitimacy" by delivering material improvements, the state can shape public opinion through the theatrical performance of goodwill and sincere effort. The Performative State also explains when performative governance fails at impressing its audience and when governance becomes less performative and more substantive. Ding focuses on Chinese evidence but her theory travels: comparisons with Vietnam and the United States show that all states, democratic and authoritarian alike, engage in performative governance.

DKK 455.00
1

Brothers in Arms - Andrew C. Mertha - Bog - Cornell University Press - Plusbog.dk

Brothers in Arms - Andrew C. Mertha - Bog - Cornell University Press - Plusbog.dk

When the Khmer Rouge came to power in Cambodia in 1975, they inherited a war-ravaged and internationally isolated country. Pol Pot’s government espoused the rhetoric of self-reliance, but Democratic Kampuchea was utterly dependent on Chinese foreign aid and technical assistance to survive. Yet in a markedly asymmetrical relationship between a modernizing, nuclear power and a virtually premodern state, China was largely unable to use its power to influence Cambodian politics or policy. In Brothers in Arms, Andrew Mertha traces this surprising lack of influence to variations between the Chinese and Cambodian institutions that administered military aid, technology transfer, and international trade. Today, China’s extensive engagement with the developing world suggests an inexorably rising China in the process of securing a degree of economic and political dominance that was unthinkable even a decade ago. Yet, China’s experience with its first-ever client state suggests that the effectiveness of Chinese foreign aid, and influence that comes with it, is only as good as the institutions that manage the relationship. By focusing on the links between China and Democratic Kampuchea, Mertha peers into the "black box" of Chinese foreign aid to illustrate how domestic institutional fragmentation limits Beijing’s ability to influence the countries that accept its assistance.

DKK 228.00
1

Brothers in Arms - Andrew C. Mertha - Bog - Cornell University Press - Plusbog.dk

Brothers in Arms - Andrew C. Mertha - Bog - Cornell University Press - Plusbog.dk

When the Khmer Rouge came to power in Cambodia in 1975, they inherited a war-ravaged and internationally isolated country. Pol Pot’s government espoused the rhetoric of self-reliance, but Democratic Kampuchea was utterly dependent on Chinese foreign aid and technical assistance to survive. Yet in a markedly asymmetrical relationship between a modernizing, nuclear power and a virtually premodern state, China was largely unable to use its power to influence Cambodian politics or policy. In Brothers in Arms, Andrew Mertha traces this surprising lack of influence to variations between the Chinese and Cambodian institutions that administered military aid, technology transfer, and international trade. Today, China’s extensive engagement with the developing world suggests an inexorably rising China in the process of securing a degree of economic and political dominance that was unthinkable even a decade ago. Yet, China’s experience with its first-ever client state suggests that the effectiveness of Chinese foreign aid, and influence that comes with it, is only as good as the institutions that manage the relationship. By focusing on the links between China and Democratic Kampuchea, Mertha peers into the "black box" of Chinese foreign aid to illustrate how domestic institutional fragmentation limits Beijing’s ability to influence the countries that accept its assistance.

DKK 312.00
1

Suburb - Royce Hanson - Bog - Cornell University Press - Plusbog.dk

Suburb - Royce Hanson - Bog - Cornell University Press - Plusbog.dk

Land-use policy is at the center of suburban political economies because everything has to happen somewhere but nothing happens by itself. In Suburb , Royce Hanson explores how well a century of strategic land-use decisions served the public interest in Montgomery County, Maryland, a suburb of Washington, D.C. Transformed from a rural hinterland into the home a million people and a half-million jobs, Montgomery County built a national reputation for innovation in land use policy—including inclusive zoning, linking zoning to master plans, preservation of farmland and open space, growth management, and transit-oriented development.A pervasive theme of Suburb involves the struggle for influence over land use policy between two virtual suburban republics. Developers, their business allies, and sympathetic officials sought a virtuous cycle of market-guided growth in which land was a commodity and residents were customers who voted with their feet. Homeowners, environmentalists, and their allies saw themselves as citizens and stakeholders with moral claims on the way development occurred and made their wishes known at the ballot box. In a book that will be of particular interest to planning practitioners, attorneys, builders, and civic activists, Hanson evaluates how well the development pattern produced by decades of planning decisions served the public interest.

DKK 481.00
1

Disaggregating China, Inc. - Yeling Tan - Bog - Cornell University Press - Plusbog.dk

Disaggregating China, Inc. - Yeling Tan - Bog - Cornell University Press - Plusbog.dk

Set in the aftermath of China's entry into the World Trade Organization, Disaggregating China, Inc. questions the extent to which the liberal internationalist promise of membership has been fulfilled in China. Yeling Tan unpacks the policies that various Chinese government actors adopted in response to WTO rules and shows that rather than disciplining the state, WTO entry provoked a divergence of policy responses across different parts of the complex party-state. Tan argues that these responses draw from three competing strategies of economic governance: market-substituting (directive), market-shaping (developmental), and market-enhancing (regulatory). She uses innovative web-scraping techniques to assemble an original dataset of over 43,000 Chinese industry regulations, identifying policies associated with each strategy. Combining textual analysis with industry data, in-depth case studies, and field interviews with industry representatives and government officials, Tan demonstrates that different Chinese state actors adopted different logics of adjustment to respond to the common shock of WTO accession. This policy divergence originated from a combination of international and domestic forces. Disaggregating China, Inc. breaks open the black box of the Chinese state, explaining why WTO rules, usually thought to commit states to international norms, instead provoked responses that the architects of those rules neither expected nor wanted.

DKK 455.00
1

Dollarapalooza or the Day Peace Broke Out in Columbus - Gregg Sapp - Bog - Cornell University Press - Plusbog.dk

Dollarapalooza or the Day Peace Broke Out in Columbus - Gregg Sapp - Bog - Cornell University Press - Plusbog.dk

This sprawling, footnoted, comedic epic centers around Vonn Carp, who travels to his hometown of Columbus, Ohio, for a funeral. He is returning disgraced and destitute, when, after a long and productive career in higher education, he was discovered to have falsified his academic credentials 20 years prior. Recently divorced and suddenly unemployable, he reluctantly agrees to join his father, Milt, in what he considers an iffy business venture—Dollarapalooza, a family-owned dollar store. For Milt the shop is the fulfillment of a lifelong dream for old-fashioned mercantilism, a "general" store. The store falls on hard times when a massive, big box "Wow-Mart" opens across the street and after a nearly tragic armed robbery in his store, Milt disappears. To the surprise and chagrin of the Carp family, Vonn insists on re-opening Dollarapalooza. Along with the store''s eccentric staff, Vonn fashions an alternative business model aiming to make a difference in people''s lives "one dollar at a time." For just one dollar, Vonn will answer anybody''s question on any topic, and the citizens of Columbus come to him seeking his opinions on subjects like love, celibacy, anthropology, metaphysics, the Internet, and the true meaning of value. Through his interactions with the store''s staff and customers, he conceives a new way of life with a changed outlook and a restored sense of purpose.

DKK 165.00
1

Nothing Succeeds Like Failure - Steven Conn - Bog - Cornell University Press - Plusbog.dk

Nothing Succeeds Like Failure - Steven Conn - Bog - Cornell University Press - Plusbog.dk

Do business schools actually make good on their promises of "innovative," "outside-the-box" thinking to train business leaders who will put society ahead of money-making? Do they help society by making better business leaders? No, they don't, Steven Conn asserts, and what's more they never have. In throwing down a gauntlet on the business of business schools, Conn's Nothing Succeeds Like Failure examines the frictions, conflicts, and contradictions at the heart of these enterprises and details the way business schools have failed to resolve them. Beginning with founding of the Wharton School in 1881, Conn measures these schools' aspirations against their actual accomplishments and tells the full and disappointing history of missed opportunities, unmet aspirations, and educational mistakes. Conn then poses a set of crucial questions about the role and function of American business schools. The results aren't pretty. Posing a set of crucial questions about the function of American business schools, Nothing Succeeds Like Failure is pugnacious and controversial. Deeply researched and fun to read, Nothing Succeeds Like Failure argues that the impressive façades of business school buildings resemble nothing so much as collegiate versions of Oz. Conn pulls back the curtain to reveal a story of failure to meet the expectations of the public, their missions, their graduates, and their own lofty aspirations of producing moral and ethical business leaders.

DKK 243.00
1

Barack Obama - Burton I. Kaufman - Bog - Cornell University Press - Plusbog.dk

Barack Obama - Burton I. Kaufman - Bog - Cornell University Press - Plusbog.dk

In this insightful biography, Burton I. Kaufman explores how the political career of Barack Obama was marked by conservative tendencies that frustrated his progressive supporters and gave the lie to socialist fearmongering on the right. Obama''s was a landmark presidency that paradoxically, Kaufman shows, resulted in few, if any, radical shifts in policy. Following his election, President Obama''s supporters and detractors anticipated radical reform. As the first African American to serve as president, he reached the White House on a campaign promise of change. But Kaufman finds in Obama clear patterns of classical conservativism of an ideological sort and basic policy-making pragmatism. His commitment to usher in a multiracial, multiethnic, and multicultural society was fundamentally connected to opening up, but not radically altering, the existing free enterprise system. The Affordable Care Act, arguably President Obama''s greatest policy achievement, was a distillation of his complex motivations for policy. More conservative than radical, the ACA fitted the expansion of health insurance into the existing system. Similarly, in foreign policy, Obama eschewed the use of force to affect regime change. Yet he kept boots on the ground in the Middle East and supported ballot-box revolts geared toward achieving in foreign countries the same principles of liberalism, free enterprise, and competition that existed in the United States. In estimating the course and impact of Obama''s full political life, Kaufman makes clear that both the desire for and fear of change in the American polity affected the popular perception but not the course of action of the forty-fourth US president.

DKK 254.00
1

Art of the Ordinary - Richard Deming - Bog - Cornell University Press - Plusbog.dk

Art of the Ordinary - Richard Deming - Bog - Cornell University Press - Plusbog.dk

Cutting across literature, film, art, and philosophy, Art of the Ordinary is a trailblazing, cross-disciplinary engagement with the ordinary and the everyday. Because, writes Richard Deming, the ordinary is always at hand, it is, in fact, too familiar for us to perceive it and become fully aware of it. The ordinary he argues, is what most needs to be discovered and yet is something that can never be approached, since to do so is to immediately change it. Art of the Ordinary explores how philosophical questions can be revealed in surprising places—as in a stand-up comic’s routine, for instance, or a Brillo box, or a Hollywood movie. From negotiations with the primary materials of culture and community, ways of reading "self" and "other" are made available, deepening one’s ability to respond to ethical, social, and political dilemmas. Deming picks out key figures, such as the philosophers Stanley Cavell, Arthur Danto, and Richard Wollheim; poet John Ashbery; artist Andy Warhol; and comedian Steven Wright, to showcase the foundational concepts of language, ethics, and society. Deming interrogates how acts of the imagination by these people, and others, become the means for transforming the alienated ordinary into a presence of the everyday that constantly and continually creates opportunities of investment in its calls on interpretive faculties. In Art of the Ordinary , Deming brings together the arts, philosophy, and psychology in new and compelling ways so as to offer generative, provocative insights into how we think and represent the world to others as well as to ourselves.

DKK 310.00
1

Voices in the Band - Susan C. Ball - Bog - Cornell University Press - Plusbog.dk

Voices in the Band - Susan C. Ball - Bog - Cornell University Press - Plusbog.dk

"I am an AIDS doctor. When I began that work in 1992, we knew what caused AIDS, how it spread, and how to avoid getting it, but we didn''t know how to treat it or how to prevent our patients'' seemingly inevitable progression toward death. The stigma that surrounded AIDS patients from the very beginning of the epidemic in the early 1980s continued to be harsh and isolating. People looked askance at me: What was it like to work in that kind of environment with those kinds of people? My patients are ''those kinds of people.'' They are an array and a combination of brave, depraved, strong, entitled, admirable, self-centered, amazing, strange, funny, daring, gifted, exasperating, wonderful, and sad. And more. At my clinic most of the patients are indigent and few have had an education beyond high school, if that. Many are gay men and many of the patients use or have used drugs. They all have HIV, and in the early days far too many of them died. Every day they brought us the stories of their lives. We listened to them and we took care of them as best we could."—from the Introduction In 1992, Dr. Susan C. Ball began her medical career taking care of patients with HIV in the Center for Special Studies, a designated AIDS care center at a large academic medical center in New York City. Her unsentimental but moving memoir of her experiences bridges two distinct periods in the history of the epidemic: the terrifying early years in which a diagnosis was a death sentence and ignorance too often eclipsed compassion, and the introduction of antiviral therapies that transformed AIDS into a chronic, though potentially manageable, disease. Voices in the Band also provides a new perspective on how we understand disease and its treatment within the context of teamwork among medical personnel, government agencies and other sources of support, and patients. Deftly bringing back both the fear and confusion that surrounded the disease in the early 1990s and the guarded hope that emerged at the end of the decade, Dr. Ball effectively portrays the grief and isolation felt by both the patients and those who cared for them using a sharp eye for detail and sensitivity to each patient''s story. She also recounts the friendships, humor, and camaraderie that she and her colleagues shared working together to provide the best care possible, despite repeated frustrations and setbacks. As Dr. Ball and the team at CSS struggled to care for an underserved population even after game-changing medication was available, it became clear to them that medicine alone could not ensure a transition from illness to health when patients were suffering from terrible circumstances as well as a terrible disease.

DKK 237.00
1

The Secret Island and the Enticing Flame - Edwin A. Cranston - Bog - Cornell University Press - Plusbog.dk

The Secret Island and the Enticing Flame - Edwin A. Cranston - Bog - Cornell University Press - Plusbog.dk

The three "essays" in this book draw on the translator''s work on love poetry—classical waka and the tanka of Yosano Akiko (1878–1942)—but also introduce the prose poems and free verse of a contemporary surrealist poet, Mizuno Ruriko, whose themes are childhood and the loss of innocence. "The Secret Island and the Enticing Flame" shows the translator of poetry experimenting with three different ways to present the results of his craft. "In the Dark of the Year" is an essay in sequencing. Cranston arranges translations of fifty love poems in the tanka form, ranging from the ancient chronicle Kojiki to the contemporary poet Tawara Machi, in an examination of desire, melancholy, and despair. The arrangement, inspired by the technique of association and progression, suggests an ongoing love story and limns the essence of the classical love tradition. "Young Akiko: The Literary Debut of Yosano Akiko (1878–1942)" adopts a biographical approach. Richly documented with the astonishing tanka of the young poet who burst on the literary scene in 1900, this essay updates the author''s article originally published in 1977 in Literature East and West. Finally, the longest essay, "The Dark at the Bottom of the Dish: Fishing for Myth in the Poetry of Mizuno Ruriko," shows Cranston "working outside his usual box," on the poems of a contemporary surrealist whose deepest themes are childhood and loss of innocence. Mizuno, hitherto not well known outside Japan, is a master of the prose poem and free verse. Cranston''s essay shows the translator searching for the mysterious power that draws him to a poetry quite different from any on which he has previously worked.

DKK 1141.00
1

The Secret Island and the Enticing Flame - Edwin A. Cranston - Bog - Cornell University Press - Plusbog.dk

The Secret Island and the Enticing Flame - Edwin A. Cranston - Bog - Cornell University Press - Plusbog.dk

The three "essays" in this book draw on the translator''s work on love poetry—classical waka and the tanka of Yosano Akiko (1878–1942)—but also introduce the prose poems and free verse of a contemporary surrealist poet, Mizuno Ruriko, whose themes are childhood and the loss of innocence. "The Secret Island and the Enticing Flame" shows the translator of poetry experimenting with three different ways to present the results of his craft. "In the Dark of the Year" is an essay in sequencing. Cranston arranges translations of fifty love poems in the tanka form, ranging from the ancient chronicle Kojiki to the contemporary poet Tawara Machi, in an examination of desire, melancholy, and despair. The arrangement, inspired by the technique of association and progression, suggests an ongoing love story and limns the essence of the classical love tradition. "Young Akiko: The Literary Debut of Yosano Akiko (1878–1942)" adopts a biographical approach. Richly documented with the astonishing tanka of the young poet who burst on the literary scene in 1900, this essay updates the author''s article originally published in 1977 in Literature East and West. Finally, the longest essay, "The Dark at the Bottom of the Dish: Fishing for Myth in the Poetry of Mizuno Ruriko," shows Cranston "working outside his usual box," on the poems of a contemporary surrealist whose deepest themes are childhood and loss of innocence. Mizuno, hitherto not well known outside Japan, is a master of the prose poem and free verse. Cranston''s essay shows the translator searching for the mysterious power that draws him to a poetry quite different from any on which he has previously worked.

DKK 213.00
1

They Never Come Back - Frans J. Schryer - Bog - Cornell University Press - Plusbog.dk

They Never Come Back - Frans J. Schryer - Bog - Cornell University Press - Plusbog.dk

For Mexicans on both sides of the border, the migrant experience has changed significantly over the past two decades. In They Never Come Back , Frans J. Schryer draws on the experiences of indigenous people from a region in the Mexican state of Guerrero to explore the impact of this transformation on the lives of migrants. When handicraft production was able to provide a viable alternative to agricultural labor, most migrants would travel to other parts of Mexico to sell their wares. Others opted to work for wages in the United States, returning to Mexico on a regular basis. This is no longer the case. At first almost everyone, including former craft vendors, headed north; however it also became more difficult to go back home and then reenter the United States. One migrant quoted by Schryer laments, "Before I was an artisan and free to travel all over Mexico to sell my crafts. Here we are all locked in a box and cannot get out." NAFTA, migrant labor legislation, and more stringent border controls have all affected migrants’ home communities, their relations with employers, their livelihoods, and their identity and customs. Schryer traces the personal lives and careers of indigenous men and women on both sides of the border. He finds that the most pressing issue facing undocumented workers is not that they are unable to earn enough money but, rather, that they are living in a state of ongoing uncertainty and will never be able to achieve their full potential. Through these stories, Schryer offers a nuanced understanding of the predicaments undocumented workers face and the importance of the ongoing debate around immigration policy.

DKK 237.00
1

They Never Come Back - Frans J. Schryer - Bog - Cornell University Press - Plusbog.dk

They Never Come Back - Frans J. Schryer - Bog - Cornell University Press - Plusbog.dk

For Mexicans on both sides of the border, the migrant experience has changed significantly over the past two decades. In They Never Come Back , Frans J. Schryer draws on the experiences of indigenous people from a region in the Mexican state of Guerrero to explore the impact of this transformation on the lives of migrants. When handicraft production was able to provide a viable alternative to agricultural labor, most migrants would travel to other parts of Mexico to sell their wares. Others opted to work for wages in the United States, returning to Mexico on a regular basis. This is no longer the case. At first almost everyone, including former craft vendors, headed north; however it also became more difficult to go back home and then reenter the United States. One migrant quoted by Schryer laments, "Before I was an artisan and free to travel all over Mexico to sell my crafts. Here we are all locked in a box and cannot get out." NAFTA, migrant labor legislation, and more stringent border controls have all affected migrants’ home communities, their relations with employers, their livelihoods, and their identity and customs. Schryer traces the personal lives and careers of indigenous men and women on both sides of the border. He finds that the most pressing issue facing undocumented workers is not that they are unable to earn enough money but, rather, that they are living in a state of ongoing uncertainty and will never be able to achieve their full potential. Through these stories, Schryer offers a nuanced understanding of the predicaments undocumented workers face and the importance of the ongoing debate around immigration policy.

DKK 959.00
1

Color Monitors - Martin Kevorkian - Bog - Cornell University Press - Plusbog.dk

Color Monitors - Martin Kevorkian - Bog - Cornell University Press - Plusbog.dk

" Color Monitors looks at a particular subset of imagined computer use, focusing on scenarios that demand from the person at the keyboard an intimate technical knowledge. My research has uncovered a peculiar pattern: race comes into sharp relief when computer use is depicted as difficult labor requiring special expertise. Time and again, in such scenarios, the helpful person of color is there to take the call—to provide technical support, to deal with the machines. In interpreting such images, Color Monitors analyzes the computer-fearing strain in American whiteness, an aspect of white identity that defines itself against information technology and the racial other imagined to love it and excel at it."—Martin Kevorkian Following up on Ralph Ellison''s intimation that blacks serve as "the machines inside the machine," Color Monitors examines the designation of black bodies as natural machines for the information age. Martin Kevorkian shows how African Americans are consistently depicted as highly skilled, intelligent, and technologically savvy as they work to solve complex computer problems in popular movies, corporate advertising, and contemporary fiction. But is this progress? Or do such seemingly positive depictions have more disturbing implications? Kevorkian provocatively asserts that whites'' historical "fear of a black planet" has in the age of microprocessing converged with a new fear of computers and the possibility that digital imperatives will engulf human creativity. Analyzing escapist fantasies from Mission: Impossible to Minority Report , Kevorkian argues that the placement of a black man in front of a computer screen doubly reassures audiences: he is nonthreatening, safely occupied—even imprisoned—by the very machine he attempts to control, an occupation that simultaneously frees the action heroes from any electronic headaches. The study concludes with some alternatives to this scheme, looking to a network of recent authors, with shared affinities for Ellison and Pynchon, willing to think inside the black box of technology. Connecting race, technology, and American empire, Color Monitors will attract attention from scholars working in emerging areas of race theory, African American studies, film studies, cultural studies, and technology and communication studies.

DKK 262.00
1

Color Monitors - Martin Kevorkian - Bog - Cornell University Press - Plusbog.dk

Color Monitors - Martin Kevorkian - Bog - Cornell University Press - Plusbog.dk

" Color Monitors looks at a particular subset of imagined computer use, focusing on scenarios that demand from the person at the keyboard an intimate technical knowledge. My research has uncovered a peculiar pattern: race comes into sharp relief when computer use is depicted as difficult labor requiring special expertise. Time and again, in such scenarios, the helpful person of color is there to take the call—to provide technical support, to deal with the machines. In interpreting such images, Color Monitors analyzes the computer-fearing strain in American whiteness, an aspect of white identity that defines itself against information technology and the racial other imagined to love it and excel at it."—Martin Kevorkian Following up on Ralph Ellison''s intimation that blacks serve as "the machines inside the machine," Color Monitors examines the designation of black bodies as natural machines for the information age. Martin Kevorkian shows how African Americans are consistently depicted as highly skilled, intelligent, and technologically savvy as they work to solve complex computer problems in popular movies, corporate advertising, and contemporary fiction. But is this progress? Or do such seemingly positive depictions have more disturbing implications? Kevorkian provocatively asserts that whites'' historical "fear of a black planet" has in the age of microprocessing converged with a new fear of computers and the possibility that digital imperatives will engulf human creativity. Analyzing escapist fantasies from Mission: Impossible to Minority Report , Kevorkian argues that the placement of a black man in front of a computer screen doubly reassures audiences: he is nonthreatening, safely occupied—even imprisoned—by the very machine he attempts to control, an occupation that simultaneously frees the action heroes from any electronic headaches. The study concludes with some alternatives to this scheme, looking to a network of recent authors, with shared affinities for Ellison and Pynchon, willing to think inside the black box of technology. Connecting race, technology, and American empire, Color Monitors will attract attention from scholars working in emerging areas of race theory, African American studies, film studies, cultural studies, and technology and communication studies.

DKK 959.00
1