47 resultater (0,30573 sekunder)

Mærke

Butik

Pris (EUR)

Nulstil filter

Produkter
Fra
Butikker

Russia in a Box - Andrew L. Jenks - Bog - Cornell University Press - Plusbog.dk

Russia in a Box - Andrew L. Jenks - Bog - Cornell University Press - Plusbog.dk

What did it mean to be Russian as the imperial era gave way to Soviet rule? Andrew Jenks turns to a unique art form produced in the village of Palekh to investigate how artists and craftsmen helped to reshape Russian national identity. Russia in a Box follows the development of Palekh art over two centuries as it adapted to dramatic changes in the Russian nation. As early as the sixteenth century, the peasant "masters" of Palekh painted religious icons. It was not until Russia''s victory over Napoleon in 1814, however, that the village gained widespread recognition for its artistic contributions. That same year, the poet Goethe''s discovery of the works of Palekh artists and craftsmen spurred interest in preserving the sacred art. The religious icons produced by Palekh masters in the nineteenth century became a source of Russian national pride. By the 1880s, some artists began to foresee their future as secular artists—a trend that was ensured by the Bolshevik Revolution. Tolerated and sometimes even encouraged by the new regime, the Palekh artists began to create finely decorated lacquered boxes that portray themes from fairy tales and idealized Russian history in exquisite miniatures. A new medium with new subject matter, these lacquered boxes became a new symbol of Russian identity during the 1920s. Palekh art endured varying levels of acceptance, denial, state control, and reliance on market-driven forces. What began as the art form of religious iconic painting, enduring for more than two centuries, was abruptly changed by the revolutionaries. Throughout the twentieth century the fate of Palekh art remained in question as Russia''s political and cultural entities struggled for dominance. Ultimately capitalism and the Palekhian masters were victorious, and the famed lacquer boxes continue to be a source of Russian identity and pride.

DKK 415.00
1

Pocket Guide to the Amphibians and Reptiles of Costa Rica - Twan Leenders - Bog - Cornell University Press - Plusbog.dk

Spreading the Word - Peter J. Wosh - Bog - Cornell University Press - Plusbog.dk

Art and Architecture of the Middle Ages - Jill Caskey - Bog - Cornell University Press - Plusbog.dk

Planets on Tables - Bonnie Costello - Bog - Cornell University Press - Plusbog.dk

Planets on Tables - Bonnie Costello - Bog - Cornell University Press - Plusbog.dk

Poets have long been drawn to the images and techniques of still life. Artists and poets alike present intimate worlds where time is suspended in the play of form and color and where history disappears amid everyday things. The genre of still life with its focus on the domestic sphere seemed to some a retreat from the political and economic pressures of the last century. Yet many American artists and writers found in the arrangement of local objects a way to connect the individual to larger public concerns. Indeed, the debates over still life reveal just what is at stake in the long-standing quarrel over poetry''s meaning and usefulness. By exploring literary works of still life by Wallace Stevens, William Carlos Williams, Elizabeth Bishop, and Richard Wilbur—as well as the art of Joseph Cornell—the eminent critic Bonnie Costello considers how exchanges between the arts help to establish vital thresholds between the personal and public realms. In her view, Stevens and Williams bring the turmoil of history into their struggle for local aesthetic order; Bishop "studies history" in the intimate objects and arrangements she finds in her travels; Cornell, an artist inspired by poetry and loved by poets, links his dream boxes to contemporary events; and Richard Wilbur seeks to mend a broken postwar world within the hospitable spheres of art and home. In Planets on Tables , Costello describes a period when some of America''s greatest poets and artists found in still life a way to "contemplate the good in the midst of confusion," to bring the distant near, and to resist—rather than escape—the pressures of their times.

DKK 380.00
1

The Medieval Economy of Salvation - Adam J. Davis - Bog - Cornell University Press - Plusbog.dk

The Medieval Economy of Salvation - Adam J. Davis - Bog - Cornell University Press - Plusbog.dk

Byrdcliffe - - Bog - Cornell University Press - Plusbog.dk

Dragons, Tigers, and Dogs - - Bog - Cornell University Press - Plusbog.dk

Cambodian Culture since 1975 - - Bog - Cornell University Press - Plusbog.dk

Cambodian Culture since 1975 - - Bog - Cornell University Press - Plusbog.dk

Walkers in the City - Deborah Dash Moore - Bog - Cornell University Press - Plusbog.dk

The American Dream in Black and White - Jane Flax - Bog - Cornell University Press - Plusbog.dk

The American Dream in Black and White - Jane Flax - Bog - Cornell University Press - Plusbog.dk

"This is not... the nomination of a justice of the peace to some small county in some small state. This involves the very integrity and fabric of our country."—Senator Orrin G. Hatch The transcripts of the Senate Judiciary Committee hearings on Clarence Thomas are extraordinarily rich and suggestive. Much has been written about the hearings, but until now, no one has paid close attention to the actual language of the participants. Revisiting the words of Clarence Thomas and Anita Hill, Jane Flax asks what we would learn about American politics if these hearings were, literally, our only text. Orrin Hatch''s assertion was, indeed, perhaps more insightful than he realized. How does our legal and judicial system operate in the face of sexual issues? Can it ever transcend race and gender? Who was the real victim in these hearings—Hill, Thomas, the Senate, or the viewing public? Who in America has the power to make political meaning? Rather than attempting to establish fact or truth, The American Dream in Black and White looks at the political narrative by which our nation makes sense of itself. The senators'' own anxieties about their publicly televised role were evident throughout these hearings. Given our conviction that we are a nation built on freedom and equality, says Flax, the Senate committee had no choice but to confirm Thomas, thereby validating the cherished belief that with virtue and hard work, even a barefoot boy from Pin Point, Georgia, can transform himself into a Supreme Court Justice. To have turned him down would have called into question the very legitimacy of our politics and law. To have sympathized with Anita Hill, seen as having brought "filthy" material into public view, was impossible. Demonstrating the powerful, public role of narrative, The American Dream in Black and White reveals the hearings as a dramatic challenge to the American political system—a system supposed to rise not only above gender and race, but also above any issue of sex, guilt, history, or personal identity. Anita Hill''s and Clarence Thomas''s conflicting accounts, Flax argues, are a measure of the stories we tell about ourselves. Drawing on feminist, political, and psychoanalytic theory, she shows how these transcripts reveal deep and serious fissures in the psychic fabric of contemporary Americans, black and white, male and female. Identity politics and abstract individualism reflect rather than repair these fissures, and the lingering discomfort with the hearings reflects the necessity of new political theories and practices.

DKK 522.00
1

The American Dream in Black and White - Jane Flax - Bog - Cornell University Press - Plusbog.dk

The American Dream in Black and White - Jane Flax - Bog - Cornell University Press - Plusbog.dk

"This is not... the nomination of a justice of the peace to some small county in some small state. This involves the very integrity and fabric of our country."—Senator Orrin G. Hatch The transcripts of the Senate Judiciary Committee hearings on Clarence Thomas are extraordinarily rich and suggestive. Much has been written about the hearings, but until now, no one has paid close attention to the actual language of the participants. Revisiting the words of Clarence Thomas and Anita Hill, Jane Flax asks what we would learn about American politics if these hearings were, literally, our only text. Orrin Hatch''s assertion was, indeed, perhaps more insightful than he realized. How does our legal and judicial system operate in the face of sexual issues? Can it ever transcend race and gender? Who was the real victim in these hearings—Hill, Thomas, the Senate, or the viewing public? Who in America has the power to make political meaning? Rather than attempting to establish fact or truth, The American Dream in Black and White looks at the political narrative by which our nation makes sense of itself. The senators'' own anxieties about their publicly televised role were evident throughout these hearings. Given our conviction that we are a nation built on freedom and equality, says Flax, the Senate committee had no choice but to confirm Thomas, thereby validating the cherished belief that with virtue and hard work, even a barefoot boy from Pin Point, Georgia, can transform himself into a Supreme Court Justice. To have turned him down would have called into question the very legitimacy of our politics and law. To have sympathized with Anita Hill, seen as having brought "filthy" material into public view, was impossible. Demonstrating the powerful, public role of narrative, The American Dream in Black and White reveals the hearings as a dramatic challenge to the American political system—a system supposed to rise not only above gender and race, but also above any issue of sex, guilt, history, or personal identity. Anita Hill''s and Clarence Thomas''s conflicting accounts, Flax argues, are a measure of the stories we tell about ourselves. Drawing on feminist, political, and psychoanalytic theory, she shows how these transcripts reveal deep and serious fissures in the psychic fabric of contemporary Americans, black and white, male and female. Identity politics and abstract individualism reflect rather than repair these fissures, and the lingering discomfort with the hearings reflects the necessity of new political theories and practices.

DKK 287.00
1

Fatal Desire - Jean I. Marsden - Bog - Cornell University Press - Plusbog.dk

Contending with Stalinism - - Bog - Cornell University Press - Plusbog.dk

Contending with Stalinism - - Bog - Cornell University Press - Plusbog.dk

Chicago's Industrial Decline - Robert Lewis - Bog - Cornell University Press - Plusbog.dk

Chicago's Industrial Decline - Robert Lewis - Bog - Cornell University Press - Plusbog.dk

In Chicago''s Industrial Decline Robert Lewis charts the city''s decline since the 1920s and describes the early development of Chicago''s famed (and reviled) growth machine. Beginning in the 1940s and led by local politicians, downtown business interest, financial institutions, and real estate groups, place-dependent organizations in Chicago implemented several industrial renewal initiatives with the dual purpose of stopping factory closings and attracting new firms in order to turn blighted property into modern industrial sites. At the same time, a more powerful coalition sought to adapt the urban fabric to appeal to middle-class consumption and residential living. As Lewis shows, the two aims were never well integrated, and the result was on-going disinvestment and the inexorable decline of Chicago''s industrial space. By the 1950s, Lewis argues, it was evident that the early incarnation of the growth machine had failed to maintain Chicago''s economic center in industry. Although larger economic and social forces—specifically, competition for business and for residential development from the suburbs in the Chicagoland region and across the whole United States—played a role in the city''s industrial decline, Lewis stresses the deep incoherence of post-WWII economic policy and urban planning that hoped to square the circle by supporting both heavy industry and middle- to upper-class amenities in downtown Chicago.

DKK 312.00
1

Law and Community in Three American Towns - Carol J. Greenhouse - Bog - Cornell University Press - Plusbog.dk

The Face of Decline - Thomas Dublin - Bog - Cornell University Press - Plusbog.dk

The Face of Decline - Thomas Dublin - Bog - Cornell University Press - Plusbog.dk

The anthracite coal region of Pennsylvania once prospered. Today, very little mining or industry remains, although residents have made valiant efforts to restore the fabric of their communities. In The Face of Decline , the noted historians Thomas Dublin and Walter Licht offer a sweeping history of this area over the course of the twentieth century. Combining business, labor, social, political, and environmental history, Dublin and Licht delve into coal communities to explore grassroots ethnic life and labor activism, economic revitalization, and the varied impact of economic decline across generations of mining families. The Face of Decline also features the responses to economic crisis of organized capital and labor, local business elites, redevelopment agencies, and state and federal governments. Dublin and Licht draw on a remarkable range of sources: oral histories and survey questionnaires; documentary photographs; the records of coal companies, local governments, and industrial development corporations; federal censuses; and community newspapers. The authors examine the impact of enduring economic decline across a wide region but focus especially on a small group of mining communities in the region''s Panther Valley, from Jim Thorpe through Lansford to Tamaqua. The authors also place the anthracite region within a broader conceptual framework, comparing anthracite''s decline to parallel developments in European coal basins and Appalachia and to deindustrialization in the United States more generally.

DKK 270.00
1

Law and Community in Three American Towns - Carol J. Greenhouse - Bog - Cornell University Press - Plusbog.dk

Living Autobiographically - Paul John Eakin - Bog - Cornell University Press - Plusbog.dk

Scandinavia in the Age of Vikings - Jon Vidar Sigurdsson - Bog - Cornell University Press - Plusbog.dk

Scandinavia in the Age of Vikings - Jon Vidar Sigurdsson - Bog - Cornell University Press - Plusbog.dk

In Scandinavia in the Age of Vikings , Jón Viðar Sigurðsson returns to the Viking homeland, Scandinavia, highlighting such key aspects of Viking life as power and politics, social and kinship networks, gifts and feasting, religious beliefs, women''s roles, social classes, and the Viking economy, which included farming, iron mining and metalworking, and trade. Drawing of the latest archeological research and on literary sources, namely the sagas, Sigurðsson depicts a complex and surprisingly peaceful society that belies the popular image of Norsemen as bloodthirsty barbarians. Instead, Vikings often acted out power struggles symbolically, with local chieftains competing with each other through displays of wealth in the form of great feasts and gifts, rather than arms. At home, conspicuous consumption was a Viking leader''s most important virtue; the brutality associated with them was largely wreaked abroad. Sigurðsson''s engaging history of the Vikings at home begins by highlighting political developments in the region, detailing how Danish kings assumed ascendency over the region and the ways in which Viking friendship reinforced regional peace. Scandinavia in the Age of Vikings then discusses the importance of religion, first pagan and (beginning around 1000 A.D.) Christianity; the central role that women played in politics and war; and how the enormous wealth brought back to Scandinavia affected the social fabric—shedding new light on Viking society.

DKK 291.00
1