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Musica Sacra Baltica

Musica Sacra Baltica

In the Baltic countries [Lithuania, Latvia, Estonia] there is a long choral tradition. Located in the heart of Europe, these countries stand politically as well as artistically between eastern and western Europe. Although they share many things in common, each country is strongly influenced by its musical history and artistic mentality. Baltic choral music is strongly tied to a sense of national consciousness which provides a basis for a varied musical creativity. The 44 settings of Urmas Sisask, Vytautas Miškinis, Mikalojus K. Ciurlionis and Romualds Jermaks a.o. in this collection show the development of Baltic a cappella music and offer insight into the sacred music of thisregion.

DKK 229.00
1

Norddeutsche Orgelmusik aus klassisch-rom. Zeit : 1780-1860

Norddeutsche Orgelmusik aus klassisch-rom. Zeit : 1780-1860

For the first time a completely self-contained organ repertoire is presented which originated in the churches of northern Germany after 1780, and yet keeping up the musical traditions of the 17th century. Thus, a many-facetted, “more recent” organ music from northwestern middle Europe is now accessible. Focal points of the music clearly are church songs and counterpoint; a fascinating element is the rich chromaticism. The pieces are of medium difficulty, practical for liturgical or concert use.

DKK 872.00
1

CD Kinderlieder aus Deutschland und Europa

CD Kinderlieder aus Deutschland und Europa

“With the Kinderlieder aus Deutschland und Europa [Children’s songs from Germany and Europe] we are sending songs out into the world. They are a small peephole to view other cultures and traditions, making it possible to achieve a playful musical contact with our neighbors.” [Peter Schindler] The “Vokalhelden” [vocal heroes] from the Education Program of the Berlin Philharmonic interpret 22 children’s songs from throughout all of Europe in arrangements by Peter Schindler. The songs are performed in their respective languages, often with a German transcription. This CD is part of the “Lieder project” which promotes and benefits singing with children. This project presents texts,music and recordings of songs to sing. It emphasizes quality and is designed especially for children. The goal is to once again focus on singing together in families. To date, 100 solo singers, vocal ensemble, choirs, instrumentalists and over 300 children have offered their time and talents to the Carus Lieder project. Profits derived from the sale of books and CDs in the Lieder project have now reached 400,000 Euros these proceeds are being donated to causes which further singing with children.

DKK 157.00
1

Mendelssohn: Paulus. Kirchenwerke XI [Bernius] : Oratorium

Mendelssohn: Paulus. Kirchenwerke XI [Bernius] : Oratorium

Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition.” He described it as a “jewel of the present.”

DKK 285.00
1

Josquin des Préz: Missa Pange Lingua

Josquin des Préz: Missa Pange Lingua

“Josquin is the master of notes” This well-known quotation from Martin Luther describes how re­nowned Josquin des Préz [ca. 1450 1521] was already during his lifetime throughout Europe. Moreover, in the ensuing centuries the fascination with his work did not abate. He was the first composer who freed music from the predominant force of the cantus firmus and placed his formative genius above musical tradition. For many years the Kammerchor Josquin des Préz has successfully devoted its efforts to the musical opus of Josquin and in addition to the Missa Pange Lingua the choir presents lesser-known works on this, its debut CD.

DKK 200.00
1

Josef Gabriel Rheinberger: Die Wasserfee

Josef Gabriel Rheinberger: Die Wasserfee

The works of the composer Josef Gabriel Rheinberger are mostly unknown today. In the later 19th century in mid-Europe he was quite well-known. Rheinberger’s compositional oeuvre is certainly not restricted to the realm of sacred music. He repeatedly occupied himself with the solo lied, publishing eleven lied collections containing altogether more than 100 songs between 1862 and 1890. In their musical language, Rheinberger’s lieder look for models not among his contemporaries, but in the early 19th century, in Schubert, Mendelssohn and Schumann. Rheinberger’s predominant use of the strophic form hearkens back even further, to the “Second Berlin Lied School” around CarlFriedrich Zelter. But, Where Schubert or Hugo Wolf would have emphasized the dark, despairing aspects of a poem, Rheinberger’s lieder display an almost Haydnesque clarity. Most of the songs recorded on the present CD Die Wasserfee [Water sprite] are first recordings.

DKK 200.00
1

Freie Orgelmusik der Romantik, Band II

Freie Orgelmusik der Romantik, Band II

While organ music of the 19th century was not highly regarded in Germany a few years ago [with the exception of a few outstanding works], our understanding of it has grown during recent years. In other countries 19th century organ music has retained its place in the repertoire to a far greater extent. This three-volume collection presents playable organ works of high quality for both liturgical and concert use. Most of the pieces have not yet been available in new editions [at the time of publication], and are made accessible to a wider public for the first time. The first two volumes contain pieces which were composed in, or introduced to, the German-speaking area of Europe between1800 and 1900; some of them point back stylistically to the 18th century. The focus of the third volume is on works by French, British, and American composers. There are also organ pieces from Bohemia, Belgium, Denmark, and even Brazil.

DKK 328.00
1

Gonzalo Grau: Aqua : Oratorium

Gonzalo Grau: Aqua : Oratorium

Gonzalo Grau's oratorio Aqua, commissioned by the International Bachakademie Stuttgart, is concerned with the important global theme of "water." It is precisely in central Europe that this precious commodity is frequently and thoughtlessly wasted, while in other parts of the world it is so scarce. Moreover, water shows two sides, which Grau makes audible in his oratorio: It gives, but it can also take life - in some places rain brings luck, while in others it brings destruction. Worldwide water is a theme, it means different things in different cultures - this, for example, is reflected in the music of Indian and African cultures. Gonzalo Grau’s compositional style is markedby a variety of influences: "For me a Gregorian chant is just as beautiful as a Cuban Santer a song. Indian ornamentation and baroque articulation can both appear in the same piece," says the composer. Special sound effects make Aqua a multi-cultural oratorio in which man and the environment is the central theme.

DKK 200.00
1

Freie Orgelmusik der Romantik, Band III

Freie Orgelmusik der Romantik, Band III

While organ music of the 19th century was not highly regarded in Germany a few years ago [with the exception of a few outstanding works], our understanding of it has grown during recent years. In other countries 19th century organ music has retained its place in the repertoire to a far greater extent. This three-volume collection presents playable organ works of high quality for both liturgical and concert use. Most of the pieces have not yet been available in new editions [at the time of publication], and are made accessible to a wider public for the first time. The first two volumes contain pieces which were composed in, or introduced to, the German-speaking area of Europe between1800 and 1900; some of them point back stylistically to the 18th century. The focus of the third volume is on works by French, British, and American composers. There are also organ pieces from Bohemia, Belgium, Denmark, and even Brazil.

DKK 328.00
1

Freie Orgelmusik der Romantik, Band I

Freie Orgelmusik der Romantik, Band I

While organ music of the 19th century was not highly regarded in Germany a few years ago [with the exception of a few outstanding works], our understanding of it has grown during recent years. In other countries 19th century organ music has retained its place in the repertoire to a far greater extent. This three-volume collection presents playable organ works of high quality for both liturgical and concert use. Most of the pieces have not yet been available in new editions [at the time of publication], and are made accessible to a wider public for the first time. The first two volumes contain pieces which were composed in, or introduced to, the German-speaking area of Europe between1800 and 1900; some of them point back stylistically to the 18th century. The focus of the third volume is on works by French, British, and American composers. There are also organ pieces from Bohemia, Belgium, Denmark, and even Brazil.

DKK 328.00
1

Motets and Anthems from Byrd to Elgar

Motets and Anthems from Byrd to Elgar

The choral tradition of English cathedrals and universities is famous the world over. Through the centuries on the British Isles an immense storehouse of musical treasures have been composed: beautiful sounding choral settings which, in the meantime, have come to enjoy a great popularity on the European continent. For the collection of English Choral Music. Motets and Anthems from Byrd to Elgar Richard Mailänder and Christopher Robinson, the editors, have compiled 40 outstanding motets and anthems from the 16th to the 19th centuries. In Germany and elsewhere in Europe these four- and five-part settings, whether a cappella or with obbligato organ, are especially suited forservices or church concerts. The composers of the golden age of English music, Thomas Tallis, William Byrd and Orlando Gibbons are represented in this collection, as are the baroque masters Henry Purcell and William Boyce and, among other composers from the 19th century, Samuel Sebastian Wesley, Charles Villiers Stanford, Charles Hubert Parry and Edward Elgar. A supplementary CD, performed and recorded by the Figuralchor Cologne, is also available.

DKK 315.00
1

Musik an der Dresdner Frauenkirche - Kantaten I : Kreile

Musik an der Dresdner Frauenkirche - Kantaten I : Kreile

The rebuilding of the Dresden Frauenkirche has gained widespread public attention throughout Europe and in the USA. Recently the bells were dedicated in a formal ceremony and the church was crowned with its ornamental tower. The present CD is dedicated to discovering the “traces of sound” through the music which was composed for this church. When the Kreuzkirche, the main church of the city, was destroyed in July 1760, the Frauenkirche moved into the forefront as the first parish church in the old town of Dresden. Gottfried August Homilius is considered the most significant and compositionally productive Kreuzkantor. His work also found a widespread acceptance outside thecapital of Saxony. Although he was music director of the Kreuzkirche, due to its destruction he spent three quarters of his tenure working in the Frauenkirche, where previously he had been the organist for 13 years. Most of his works were written directly for this church. The present CD features four festive cantatas for the feast of Whitsun in interpretations by the internationally renowned Dresdner Kreuzchor under their conductor, Roderich Kreile. The Kreuzchor is accompanied by the Dresdner Barockorchester.

DKK 200.00
1

Johann Christian Bach: Concerti

Johann Christian Bach: Concerti

In the 1770s Johann Christian Bach may have been among the most successful and prosperous musicians in all of Europe. In the 18th century the youngest son of Bach was regarded as the most famous and successful members of the Bach family. However, it appears his reputation faded even during his lifetime today he is known by many only as a forerunner of Mozart. The new recording of five of his orchestral works, a sequel in the Carus CD series with instrumental music of Bach’s sons, shows that his music has been unjustly forgotten and that definitely it breathes its own independent spirit. Similar to Mozart, the “Milan Bach,” later known as the “London Bach” knew how to pourhis varied musical experiences into his works and thus achieve his own unique style. Johann Christian Bach preferred colorful instrumentation in his compositions and he experimented with different solo instruments. His works are characterized by noble elegance and the cantabile style of the Italian opera aria. Later generations of musicians accused Bach of making composition too easy. The present recording shows most clearly that on this CD every piece is an inspired, original work of great music. These are brilliant pieces that showcase the musical trademarks of the Freiburger Barockorchester outstanding artistic level of performance, joy in experimentation, and a passion for playing which here are once again realized to the highest degree.

DKK 200.00
1

Liebeslieder - Love Songs : 80 arrangements for weddings and celebrations

Liebeslieder - Love Songs : 80 arrangements for weddings and celebrations

What would love be without music or music without love! Many couples associate unforgettable beautiful hours, a first meeting, or first kiss with a particular song. And composers have always been inspired and stimulated by love, have celebrated romantic love and longing from afar, secret love, and jealousy. In her selection of 80 songs from seven centuries, Mirjam James evokes this tremendous feeling with the most beautiful songs ranging from medieval courtly songs, through Beethoven’s Ich liebe dich, to the Beatles song And I love her. Many of the songs come from German and English language traditions, but what would such a book be without the fire of southern Europe or a doseof French charm, without the moving melodies of cool northern climes, or the melancholy songs of the Russian soul? This beautifully-produced song book is illustrated with the sumptuous paintings of Gustav Klimt, for whom love was one of the great themes of his life. The song book contains a CD with recordings of all the songs in instrumental versions so you can sing along with the pieces and get to know them. A piano book is published alongside the song book, containing all the songs in idiomatic, playable accompaniments. Whether it’s for an engagement or a wedding, for Valentine’s Day or an anniversary, Liebeslieder makes an ideal present for those newly in love or still in love, and who also love music.

DKK 285.00
1