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The Classic FM Book Classic Ephemera : A classical music omnibus

The Classic FM Book Classic Ephemera : A classical music omnibus

Classic FM's Classic Ephemera is an entertaining collection of quips and quirks from the world of classical music. This book contains nuggets of musical fact you didn't know you needed to know, and oodles of useful informationyou shouldn't be without. It includes a section on celebrated composers as well as potted plots of famous operas, retold as you've never heard them before. It's informative, engrossing, entertaining and often hilarious. Written bythe authors of the Classic FM Pocket Books, this substantial volume of trivia should be on any serious music-lover's shelves.

DKK 175.00
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Micro-Concerto : Hawkes Pocket Scores HPS 1303

Micro-Concerto : Hawkes Pocket Scores HPS 1303

The composer imagined particular ways to coax sound out of pieces of wood, metal and skin instead of simply hitting things as for him, the first step in writing for percussion is to invent the instrument and a playing technique.The two interludes are played on big, standard pieces of percussion furniture, but the main movements focus on small moves and subtle distinctions. They are full of fussy descriptions of how to play some handheld toy just so. This micro-management of small muscle groups, and the fact that the concerto soloist is accompanied by the smallest orchestra imaginable, suggested the title.

DKK 230.00
1

Symphony : Third Part Of The Orchestral Triptych Triduum

Symphony : Third Part Of The Orchestral Triptych Triduum

Symphony: ‘Vigil’ (1997) is the last of three interrelated works forming Triduum, commissioned by the London Symphony Orchestra, the other works being The World’s Ransoming, for cor anglais and orchestra, and the CelloConcerto (both 1996). All three relate to the historical events and religious liturgies of the Easter Triduum, namely Maundy Thursday, Good Friday and the Easter Vigil. The symphony’s first movement, ‘Light’, deals with thepromise of a glimmer of light in the darkness. The central movement, ‘Tuba insonet salutaris’ (Sound the trumpet of salvation), is based on the Exsultet melody sung at the Easter Vigil, described by Mozart as probably themostbeautiful ever written. The final movement, ‘Water’, opens savagely but subsides towards the presentation of two conflicting principal materials a wild, ecstatic dance followed by a slower, more mysterious texture, leadingto a climax and a luminous, floating close.

DKK 396.00
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Violin Concerto : Hawkes Pocket Scores HPS 1472

Violin Concerto : Hawkes Pocket Scores HPS 1472

The first movement begins with a short, punchy motive, which kicks off a fast, jerky solo violin theme. This is followed by a high, floating singing line, with murmuring accompaniment.The second movement begins with a simple, expressive melody in the accompaniment. Whilst the violin takes up the melody, a series of simple chords emerges. After a succession of episodes the music takes an unexpected shift, with a hazy remembered amalgam of old Irish tunes evoking the memory of childhood.The third movement combines the two concepts of the earlier movements – song and dance – and adds a new feeling of burlesque, and some spoken material (in German). Increased vigour and agrowing sense of abandon follow, and after a lyrical waltz the music draws to a close with a tragic outburst, an unaccompanied cadenza, and a brief codetta.The work is dedicated to Vadim Repin and in memoriam Ellen MacMillan (1935–2008).

DKK 349.00
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Violinkonzert

Violinkonzert

The first movement begins with a short, punchy motive, which kicks off a fast, jerky solo violin theme. This is followed by a high, floating singing line, with murmuring accompaniment. The second movement begins with a simple, expressive melody in the accompaniment. Whilst the violin takes up the melody, a series of simple chords emerges. After a succession of episodes the music takes an unexpected shift, with a hazy remembered amalgam of old Irish tunes evoking the memory of childhood. The third movement combines the two concepts of the earlier movements – song and dance – and adds a new feeling of burlesque, and some spoken material (in German). Increased vigour and agrowing sense of abandon follow, and after a lyrical waltz the music draws to a close with a tragic outburst, an unaccompanied cadenza, and a brief codetta. The work is dedicated to Vadim Repin and in memoriam Ellen MacMillan (1935–2008).

DKK 281.00
1

Acrostic Song : from Final Allice

Acrostic Song : from Final Allice

This moving piece is the lullaby-like concluding aria from Pulitzer Prize-winning composer David Del Tredici's Final Alice, the fifth of six large works for soprano and orchestra based on Lewis Carroll's Alice in Wonderland books. This arrangement for band is designed to be playable by a wide variety of groups, appropriate for large or small ensembles. The gentle melody, heartrending harmonies, and artful instrumental voicing give this piece a truly timeless feel.

DKK 779.00
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Canary in a Coal Mine

Canary in a Coal Mine

Written for SATB choir, SSA choir and small ensemble or solo voice, this original piece with an original text by the composer speaks of hope and the joy that music brings to the world. With a wonderful yet rare opportunity to bring both mixed voice choirs and treble choirs together, this is the perfect piece to end the school year as all of your ensembles can join together for one final time and declare “keep the world alive, that's a world where people are singing.”

DKK 56.00
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Retrouvailles

Retrouvailles

'Retrouvailles' for piano was written to celebrate the 75th birthday of my friend, Pierre Boulez, Mach 26, 2000. The score retruns to the mottoBb, (o), U (=t), L (=a), E, (z)used in my 'Esprit Rude/Esprit Doux I' (for his 60th birthday) and 'Esprit Rude/Esprit Doux II' (for his 70th). 'Retrouvailles' beginns by recalling the end of 'Esprit Rude/Esprit Doux II' and ends by recalling the opening of 'Esprit I'. I hope this work gives some small suggestion of the great admiration I have for this extraordinary musician.Elliot Carter

DKK 141.00
1

HB to MB

HB to MB

This tribute piece was commissioned as a birthday surprise to Michael Berman. The first performance was given by Raphael Wallfisch at a private event in 2004 at the Palace of Westminster. Although entirely unbarred the music is fully notated, both rhythmically and melodically. The B flat-B motif derived from the work's title (i.e. H-B in German notation) features prominently throughout, and a wide expressive and dynamic range is called for.Although small in scale, this work is an important addition to MacMillan's output for the cello, already distinguished by the short, intense solo in angustiis II ..., a large-scale concerto and two mighty sonatas.

DKK 128.00
1

Lieder Vol. 3

Lieder Vol. 3

Contents: Op. 69 (Five Small Songs) · Op. 71 (Three Hymns of Friedrich Hölderlin for High Voice and Large Orchestra) · Op. 77 (Songs of the Orient) · Op. 87 (Four Songs for Bass and Piano) · Op. 88 (Three Songs for Voice andPiano). Songs Without Opus Numbers: Rote Rosen · Die erwachte Rose · Begegnung · Wir beide wollen springen · Libesliedchen · Lied der Chipsa · Sinnspruch · Durch allen Schall und Klang · Zugemessne Rhythmen · Xenion · Four LateSongs (Im Abendrot, Frühling, Beim Schlafengehn, September). Jugendlieder (Songs of Youth): Weihnachtslied · Einkehr · Winterreise · Der müde Wanderer · Husarenlied · Der Fischer · Die Drossel · Lass ruh'n die Toten · Lust undQual · Spielmann und Zither · Wiegenlied · Abend und Morgenrot · Im Walde · Nebel · Soldatenlied · Ein Röslein zog ich mir im Garten · Alphorn.

DKK 579.00
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Requiem da Camera

Requiem da Camera

New edition with completion by Christian Alexander of the young composer’s first extended work; only the instrumental prelude was performed during Finzi’s lifetime. The other three movements are settings of poems by John Masefield, Thomas Hardy and Wilfrid Wilson Gibson.Scored for baritone solo, small chorus (or SATB soli) and chamber orchestra, the wellspring of the Requiem’s composition was the death, during active service in 1918, of Finzi’s composition teacher, Ernest Farrar. The work may also be viewed as a metaphor – the permanence of the land, and a centuries-old pattern of rural life following the rhythm of the turning seasons, contrasted with the violent havocand destructive dislocation wrought by war. A reflective and poignant work particularly suitable for performances commemorating the tragedy of World War I.

DKK 328.00
1

Requiem da Camera

Requiem da Camera

New edition with completion by Christian Alexander of the young composer’s first extended work; only the instrumental prelude was performed during Finzi’s lifetime. The other three movements are settings of poems by John Masefield, Thomas Hardy and Wilfrid Wilson Gibson.Scored for baritone solo, small chorus (or SATB soli) and chamber orchestra, the wellspring of the Requiem’s composition was the death, during active service in 1918, of Finzi’s composition teacher, Ernest Farrar. The work may also be viewed as a metaphor – the permanence of the land, and a centuries-old pattern of rural life following the rhythm of the turning seasons, contrasted with the violent havocand destructive dislocation wrought by war. A reflective and poignant work particularly suitable for performances commemorating the tragedy of World War I.

DKK 150.00
1

Schubert & Schumann Song Arrangements : Hawkes Pocket Scores HPS 1562

Schubert & Schumann Song Arrangements : Hawkes Pocket Scores HPS 1562

Britten’s arrangements of Schubert’s The Trout (op 32/ D550) for small orchestra, and Schumann’s Spring Night (op 39 no 12) for chamber orchestra, dating from 1942, are settings of anonymous English translations. The newedition includes the original German words (Schubart, Eichendorff), as many performers and audiences will prefer the songs in the original language. In his preface, Nicholas Clark, Librarian at the Britten-Pears Foundation,speculates on why the songs were set in English and on the possibility that the translator was Peter Pears, commenting that “the English language settings allowed [Britten] to edge away from existing versions of the songs,toassist him in imprinting his own unique mark on both worksThe Trout is scored for 2 clarinets & strings; Spring Night for flute, oboe, 2 clarinets, bassoon, 2 horns, 2 trumpets, trombone, triangle, harp (or piano)and strings.

DKK 260.00
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