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Understanding Abortion - Stephen D. Schwarz - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Understanding Abortion - Stephen D. Schwarz - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Books on abortion (other than collections of readings) typically express and defend a particular position. This book gives both sides, as evenly and objectively as possible; it gets to the heart of each position, the core idea which animates it. It then leaves the reader to make up his or her own mind. It is an introduction to the issue, not only to the basic positions on the issue. Despite being brief, it contains careful analyses and discussions of many topics often not found at all in other works. The treatment is thorough and detailed, but succinct. Understanding Abortion: From Mixed Feelings to Rational Thought is aimed at all people who want a better understanding of what the two sides on this issue are really saying, and what reasons they give for their position. Many people assume that this issue is an interminable one, with “no clear answers”; a purely emotional debate that cannot be addressed by the use of reasoned arguments. The book shows that this is not the case.

DKK 433.00
1

Of Suffocated Hearts and Tortured Souls - Valerie Orlando - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Of Suffocated Hearts and Tortured Souls - Valerie Orlando - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Female characters who suffer madness and insanity are strikingly prominent in novels by women writers of Africa and the Caribbean. To find out why there are so many "suffocated hearts and tortured souls" in this literature, Valerie Orlando, who has long studied Francophone text and culture, here closely reads the work of Aminata Sow Fall, Mariama Bâ, Myrian Warner-Vieyra, and Simone Schwarz-Bart, among others. In these women''s novels, Orlando finds, madness is the manifestation of a split identity, and in this study she sets herself the task of interrogating the nature of that identity. Francophone women novelists of Africa and the Caribbean—though they come from countries whose unique experiences of colonialism, revolution, and postcolonial regimes have shaped specific and discrete cultures—express a common search for a meaningful relationship between their experience as women to the history and destiny of their nations. Only when "woman"'' is understood not as an ahistorical object but as a subject whose lived body is entwined with political, cultural, and economic structures, Orlando argues, will insanity finally give way to clarity of being. Interweaving literary citations with theoretical discussion, Suffocated Hearts and Tortured Souls is just as much a masterful explication of profoundly affecting literary work as it is an essential addition to feminist scholarship and theory.

DKK 416.00
1

Of Suffocated Hearts and Tortured Souls - Valerie Orlando - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Of Suffocated Hearts and Tortured Souls - Valerie Orlando - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Female characters who suffer madness and insanity are strikingly prominent in novels by women writers of Africa and the Caribbean. To find out why there are so many ''suffocated hearts and tortured souls'' in this literature, Valerie Orlando, who has long studied Francophone text and culture, here closely reads the work of Aminata Sow Fall, Mariama B%, Myrian Warner-Vieyra, and Simone Schwarz-Bart, among others. In these women''s novels, Orlando finds, madness is the manifestation of a split identity, and in this study she sets herself the task of interrogating the nature of that identity. Francophone women novelists of Africa and the Caribbean—though they come from countries whose unique experiences of colonialism, revolution, and postcolonial regimes have shaped specific and discrete cultures—express a common search for a meaningful relationship between their experience as women to the history and destiny of their nations. Only when ''woman'''' is understood not as an ahistorical object but as a subject whose lived body is entwined with political, cultural, and economic structures, Orlando argues, will insanity finally give way to clarity of being. Interweaving literary citations with theoretical discussion, Suffocated Hearts and Tortured Souls is just as much a masterful explication of profoundly affecting literary work as it is an essential addition to feminist scholarship and theory.

DKK 875.00
1

Writing from the Hearth - Mildred Mortimer - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Writing from the Hearth - Mildred Mortimer - Bog - Bloomsbury Publishing Plc - Plusbog.dk

If space is important in the realm of imagination and a key theme in feminist theory, cross-cultural studies of social maps reveal that men and women''s spatial experiences differ; women rarely control physical or social space directly. Positing the thesis that women''s writing of Francophone Africa and the Caribbean offers important perspectives on the relationship of gender to space,Writing from the Hearth proposes close readings of Francophone women writers of Africa (Aoua Kéita, Mariama Bâ, Ken Bugul, Calixthe Beyala, and Aminata Sow Fall) and the Caribbean (Marie Chauvet, Simon Schwarz-Bart, Maryse Condé, and Edwidge Danticat). As critical readings of postcolonial African and Caribbean literature show that tropes of confinement appear frequently in female-authored texts—where home is often depicted as a place of alienation—this critical study examines ambiguities associated with domestic space as enclosure as it explores the relationship between the female protagonist and the inner and outer spaces of her world: domestic, imaginative, and public space. Writing from the Hearth probes the hypothesis that the female protagonist can move toward empowerment by entering public space from which she has been excluded by indigenous patriarchs and European colonizers and by establishing a new relationship to domestic space or securing a liberating alternative space within it. Flexible and multipurpose, alternative space is a place of possibilities that can function as a refuge for meditation, recollection, or fantasy, an antechamber for action, and a site of resistance and performance. Here, by telling the tale, writing the creative work, a woman can affirm her sense of self.

DKK 442.00
1

Thomas Jefferson, James Madison, and the British Challenge to Republican America, 1783–95 - Michael Schwarz - Bog - Bloomsbury Publishing Plc -

Thomas Jefferson, James Madison, and the British Challenge to Republican America, 1783–95 - Michael Schwarz - Bog - Bloomsbury Publishing Plc -

In the aftermath of the American Revolution, the friendship between Virginians Thomas Jefferson and James Madison became one of the most important political collaborations in American history. This study examines the origins and evolution of their partnership, placing it within the context of US–British relations following the Revolution and analyzing how their relationship affected early republican politics.

DKK 832.00
1

Collections Care and Stewardship - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Collections Care and Stewardship - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Collections Care and Stewardship: Innovative Approaches for Museums considers best practices and innovations related to documenting collections with regard to movement and safe handling of items for transport, display, photography, and treatment; collections storage; and information-sharing within and beyond the museum.The case studies in this volume examine best practices and innovations related to collections with regard to display, interpretation, engagement, storage, conservation treatment, and preservation. Several chapters address undergraduate and graduate coursework and internship experiences in a variety of contexts to offer best practices as well as evaluation of such training opportunities. All of these case studies ask us to think about the responsibilities that we have, as museum professionals, to be stewards—a challenge for all of us in terms of the obligations and responsibilities therein, but also in terms of the challenge to frame our collections as having the capacity to reflect as well as inspire.The Innovative Approaches for Museums series offers case studies, written by scholars and practitioners from museums, galleries, and other institutions, that showcase the original, transformative, and sometimes wholly re-invented methods, techniques, systems, theories, and actions that demonstrate innovative work being done in the museum and cultural sector throughout the world. The authors come from a variety of institutions—in size, type, budget, audience, mission, and collection scope. Each volume offers ideas and support to those working in museums while serving as a resource and primer, as much as inspiration, for students and the museum staff and faculty training future professionals who will further develop future innovative approaches.Contributions by: Jennifer Schwarz Ballard, Terry A. Barnhart, Rebecca E. Bria, Marlena Cannon de Mendez, Robert P. Connolly, Mary Coughlin, Elizabeth K. Cruzado Carranza, Katherine A. Johnson, Michael Jones, Allison McCloskey, Nicolette B. Meister, Carrie Wieners Meyer, Eileen Prendergast, Marjorie Schwarzer, Glori Simmons, Shari Stout, and Kelly Tomajko

DKK 468.00
1

Odious Caribbean Women and the Palpable Aesthetics of Transgression - Gladys M. Francis - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Odious Caribbean Women and the Palpable Aesthetics of Transgression - Gladys M. Francis - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Odious Caribbean Women and the Palpable Aesthetics of Transgression examines the methods through which the works of French Caribbean women resist hedonistic conceptions of pleasure, “art for art’s sake” aestheticism, and commodification through representations of “uglified” spaces, transgressive “deglamorified” women’s bodies in pain and explicit corporeal and sexual behaviors. Gladys M. Francis offers an original approach through her reading together of the literary, visual, and performing arts (as well as traditional Caribbean dance, music, and oral practices) to arrive at a transregional (trans-Caribbean and transatlantic), trans-genre (with regard to forms of text), and transdisciplinary conversation in Francophone studies, postcolonial studies, and cultural studies. This interweaving is illustrated through the artistic engagements of artists such as Ina Césaire, Maryse Condé, Sylvaine Dampierre, Fabienne Kanor, Lénablou, Béatrice Mélina, Gisèle Pineau, Simone Schwarz-Bart, and Miriam Warner-Vieyra. How can we investigate, theoretically or critically, the aesthetically unpleasing found in depictions of odious female protagonists or female performers? What is the aesthetic value of transgressional women’s bodies? This book presents novel tools to understand how these women artists mark and re-instate embodied trauma, survival, and resistance into history. It posits that cultural performances can disrupt a culture-as-text ethnocentrism, for, these works provide the means to expose the tangible aesthetics through which the body becomes an archive that bears the psychological, physical and structural suffering. This project also demonstrates the ways through which the corporeal realm offered by these transgressive works (through explicit female perspectives on sex, love, and gender) challenges our moral sensibilities, works to sabotage the voyeuristic gaze, and stimulates a new methodology for reading the women’s body. It focuses on the complex layers of identity formation and bodily representations with respect to issues of sex, consumerism, commodification, violence, gender and women studies, and ethics and moral issues.

DKK 832.00
1

Rewriting the Return to Africa - Anne M. Francois - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Rewriting the Return to Africa - Anne M. Francois - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Rewriting The Return to Africa: Voices of Francophone Caribbean Women Writers examines the ways Guadeloupean women writers Maryse Condé, Simone Schwarz-Bart and Myriam Warner-Vieyra demystify the theme of the return to Africa as opposed to the masculinist version by Négritude male writers from the 1930s to 1960s. Négritude, a cultural and literary movement, drew much of its strength from the idea of a mythical or cultural reconnection with the African past allegorized as a mother figure. In contrast these women writers, of the post-colonial era who are to large extent heirs of Négritude, differ sharply from their male counterparts in their representation of Africa. In their novels, the continent is not represented as a propitious mother figure but a disappointing father figure. This study argues that these women writers'' subversion of the metaphorical figure of Africa and its transformation is tied to their gender. The women novelists are indeed critical of a female allegorization of the land that is reminiscent of a colonial or nationalist project and a simplistic representation of motherhood that does not reflect the complexities of the Diaspora''s relation to origins and identity. Unlike the primary male writers of the Négritude movement, they carefully "gendered" the notion of return by choosing female protagonists who made their way back to the Motherland in search of identity. I argue that writing is a more suitable space for the female subject seeking identity because it allows her to have a voice and become subject rather than object as that was the case with the Négritude writers. The women writers'' shattering of the image of Mother Africa and subsequently that of Father Africa highlights the complex relationship between Africa and the Diaspora from a female point of view. It shifts the identity quest of the characters towards the Caribbean, which emerges as the real problematic mother: a multi-faceted, fragmented figure that reflects the constitutive clash that occurred in the archipelago between Europe, Africa, and the Americas where the issues of race, gender, class, culture, ethnicity, history, and language are very complex.

DKK 806.00
1

Rewriting the Return to Africa - Anne M. Francois - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Rewriting the Return to Africa - Anne M. Francois - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Rewriting The Return to Africa: Voices of Francophone Caribbean Women Writers examines the ways Guadeloupean women writers Maryse Condé, Simone Schwarz-Bart and Myriam Warner-Vieyra demystify the theme of the return to Africa as opposed to the masculinist version by Négritude male writers from the 1930s to 1960s. Négritude, a cultural and literary movement, drew much of its strength from the idea of a mythical or cultural reconnection with the African past allegorized as a mother figure. In contrast these women writers, of the post-colonial era who are to large extent heirs of Négritude, differ sharply from their male counterparts in their representation of Africa. In their novels, the continent is not represented as a propitious mother figure but a disappointing father figure. This study argues that these women writers'' subversion of the metaphorical figure of Africa and its transformation is tied to their gender. The women novelists are indeed critical of a female allegorization of the land that is reminiscent of a colonial or nationalist project and a simplistic representation of motherhood that does not reflect the complexities of the Diaspora''s relation to origins and identity. Unlike the primary male writers of the Négritude movement, they carefully "gendered" the notion of return by choosing female protagonists who made their way back to the Motherland in search of identity. I argue that writing is a more suitable space for the female subject seeking identity because it allows her to have a voice and become subject rather than object as that was the case with the Négritude writers. The women writers'' shattering of the image of Mother Africa and subsequently that of Father Africa highlights the complex relationship between Africa and the Diaspora from a female point of view. It shifts the identity quest of the characters towards the Caribbean, which emerges as the real problematic mother: a multi-faceted, fragmented figure that reflects the constitutive clash that occurred in the archipelago between Europe, Africa, and the Americas where the issues of race, gender, class, culture, ethnicity, history, and language are very complex.

DKK 416.00
1