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Pop Art and Beyond - - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Pop Art and Beyond - - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Highlighting intersections of gender, race, and class and their explosive encounters with Pop Art during the Long Sixties, this book offers a new critical reading of Pop for the 21st century. ''a brilliant and important corrective to m uch writing on Pop art'' - Jo Applin, The Courtauld Institute of Art, London Featuring an array of rigorous chapters that examine the work of over 20 artists from 5 continents, Pop Art and Beyond transcends the borders of individual and national contexts, and suspends hierarchies to create a space for the work of artists like Andy Warhol and the women of the Black Arts Movement to converse. Casting an inclusive look at the intersectional complexities of difference in Pop at a moment that gave rise to a plethora of radical social movements and identity politics, it contributes bold new perspectives on Pop’s heterogeneity.While this book introduces revelatory non-canonical artists into the Pop context or amplifies the careers of others, it is not limited to the confines of fine art. Chapters explore the intersecting variables of oppression and liberation in rituals of youth subcultures as well as practices across media with Pop sources and parallels ranging from Native American objects, Harlem advertisements, and Cordel literature, to stand-up comedy, music, fashion, and design. Pop Art and Beyond thus widens the conversation about what Pop was and what it can be for contemporary art in its struggle for social justice and critiques of power.

DKK 317.00
1

J.K. Rowling's Wizarding World - A Pop-Up Gallery of Curiosities - Warner Bros. - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Pop Art and Design - - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Early Years Display - Alistair Bryce Clegg - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Early Years Display - Alistair Bryce Clegg - Bog - Bloomsbury Publishing PLC - Plusbog.dk

From bestselling author Alistair Bryce-Clegg comes an essential book for all Early Years practitioners, focusing on how to make sure your displays are child-led and child-focused. Learning opportunities in the early years need to be child-led and child-centered, and yet many settings still create displays that are by adults and for adults, or which have involved children putting together pre-prepared pieces to form near-identical finished products. Both the EYFS and the Children''s Act ask that children play an active part in decision-making processes, and child-led display offers an excellent way of moving towards these goals.This book gives specific examples of display development which actively involve children, and which encourage ongoing interaction. It also addresses some of the traditional views about display and show how changing these views can lead to display becoming more than just decorative wall covering. Issues of space and budget are also covered, making it appropriate for all practitioners within early years settings. Special reference is made to issues encountered by pre-schools who have to pack everything up at the end of session as well as childminders who have limited display space within their own homes. ''It makes the reader think not just about what to display, but why, ensuring that displays are really meaningful and relevant. Importantly, it shows how to involve children in creating and enjoying displays so they become an integral part of learning'' - Sarah Brew, Parents in Touch

DKK 237.00
1

The Professionalization of Window Display in Britain, 1919-1939 - Kerry Meakin - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Visual Merchandising and Display - Anne Kong - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Pop & Postfeminism - Nathalie Weidhase - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Pop & Postfeminism - Nathalie Weidhase - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Nathalie Weidhase conceptualises the female dandy as a figure that simultaneously embodies and disrupts postfeminist notions of femininity, including maintaining a physique conforming to contemporary beauty standards, constant self-surveillance and self-improvement, and the naturalisation of gender difference and heterosexuality. She examines how music videos function as spaces in popular culture where the politics of the feminine can be articulated. These spaces allow female pop stars to be valued as artists with distinct contributions to popular music. Focusing on Amy Winehouse, Rihanna, Lady Gaga, and Lana Del Rey, Weidhase illuminates different characteristics of the postfeminist dandy in popular music. Amy Winehouse''s work makes visible the commodification of the female spectacle in popular culture, highlighting how her image and persona were marketed and consumed. Rihanna performs black femininity as postfeminism’s abject Other. Lady Gaga queers monstrous motherhood and celebrates female musical lineage. Lana Del Rey''s work demonstrates how whiteness operates as a canvas for postfeminist and post-racial fantasies, offering a platform for their deconstruction and critique.In doing so, Weidhase provides a comprehensive understanding of how these pop stars navigate and challenge the intricate landscape of postfeminism, offering a nuanced perspective on contemporary femininity and its representations in popular culture.

DKK 909.00
1

The Pop Documentary Since 1980 - Richard Wallace - Bog - Bloomsbury Publishing PLC - Plusbog.dk

The Pop Documentary Since 1980 - Richard Wallace - Bog - Bloomsbury Publishing PLC - Plusbog.dk

In The Pop Documentary Since 1980 , Richard Wallace examines the representation of pop music, musicians and music-making in documentary film and television. He draws together conceptual frameworks from within and outside of film and television studies - including performance studies, musicology, celebrity studies and fan studies - to provide a critical interrogation of the central issues in this genre.A common criticism of the music documentary is that it lacks artistic integrity because of its close affiliation with its subject. Wallace argues that music documentaries can be artful and conceptually complex and be part of a broader process of image curation under the control of the artist and their management. This contradiction is key to the form’s vitality and Wallace explores two competing lines of enquiry. First, the contribution that such documentaries make to the public perception of their subjects. Second, he argues that its ‘official’ status does not preclude music documentaries from being artistic or engaging with the theoretical questions that underpin documentary media more broadly.Other issues addressed include: - how documentaries about song writing attempt to represent intangible concepts like ‘creativity’ and ‘inspiration’;- how the experiential and affective aspects of music are communicated through the visual image; - ethical considerations.Each of these conceptual questions is examined through detailed analysis of a variety of music documentaries ranging from Stop Making Sense to Tokyo Idols via Beyoncé and The Beatles.

DKK 791.00
1

The Pop Documentary Since 1980 - Richard Wallace - Bog - Bloomsbury Publishing PLC - Plusbog.dk

The Pop Documentary Since 1980 - Richard Wallace - Bog - Bloomsbury Publishing PLC - Plusbog.dk

In The Pop Documentary Since 1980 , Richard Wallace examines the representation of pop music, musicians and music-making in documentary film and television. He draws together conceptual frameworks from within and outside of film and television studies - including performance studies, musicology, celebrity studies and fan studies - to provide a critical interrogation of the central issues in this genre.A common criticism of the music documentary is that it lacks artistic integrity because of its close affiliation with its subject. Wallace argues that music documentaries can be artful and conceptually complex and be part of a broader process of image curation under the control of the artist and their management. This contradiction is key to the form’s vitality and Wallace explores two competing lines of enquiry. First, the contribution that such documentaries make to the public perception of their subjects. Second, he argues that its ‘official’ status does not preclude music documentaries from being artistic or engaging with the theoretical questions that underpin documentary media more broadly.Other issues addressed include: - how documentaries about song writing attempt to represent intangible concepts like ‘creativity’ and ‘inspiration’;- how the experiential and affective aspects of music are communicated through the visual image; - ethical considerations.Each of these conceptual questions is examined through detailed analysis of a variety of music documentaries ranging from Stop Making Sense to Tokyo Idols via Beyoncé and The Beatles.

DKK 258.00
1

Medieval Literature on Display - Alexandra Sterling Hellenbrand - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Medieval Literature on Display - Alexandra Sterling Hellenbrand - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Troy on Display - Dr Abigail Baker - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Rebranding Precarity - Ella Harris - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Creating the Perfect Form - Janet Wood - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Creating the Perfect Form - Janet Wood - Bog - Bloomsbury Publishing PLC - Plusbog.dk

Girls Like This, Boys Like That - Victoria Cann - Bog - Bloomsbury Publishing PLC - Plusbog.dk

1970s Childhood - Liza Hollinghurst - Bog - Bloomsbury Publishing PLC - Plusbog.dk