Lobe den Herren, den maechtigen Koenig der Ehren : Chorale-motet

Lobe den Herren, den mächtigen König der Ehren Op.6/2,IChorale-motet for Mixed choir (SATB)Hugo Distler, born on the 24th June 1908 in Nuremberg and died on the 1st November 1942in Berlin, was a German organist, choral conductor, teacher and composer. He studied at the Leipzig Conservatory moving to Berlin in 1940 where he became Director of the Berlin National and Cathedral Choir.

Psalm 100 Jauchzeit Dem Herren

Jauchzet dem Herren, alle Welt

Lobe den Herren, meine Seele - Kuhnau, Johann

Psalm 103 Musik der Thomaskantoren zu Leipzig score SSolo/TSolo/BSolo/mixed choir: SSATB/Org/2Trp/Cornetti/3trombone/bassoon/Str/Bc Paperback

Danket dem Herren, denn er ist freundlich : Capellchor

Lobe den Herren, den maechtigen Koenig der Ehren

Danket dem Herren, denn er ist freundlich - Schütz, Heinrich

Psalm 136 from "Psalmen Davids" for 2 Favoritchöre, Capellchor and Instruments score, Urtext edition 2SSolo/ASolo/2TSolo/3Trp/3trombone/timpani/Bc Hæftet udgave

Deutsches Magnificat 1671

German Magnificat - Meine Seele erhebt den Herren SWV 494from 'Schwanengesang' (1671)Heinrich Schütz (1858-1672) was a German composer and organist who studied in Venice with Giovanni Gabrieli. Gabrieli's influencecan be heard in many of Schütz's compositions. Towards the end of his life, in 1671, he wrote a large volume 'Schwanengesang' including this setting in German of the Magnifcat (My Soul Doth Magnify the Lord) for double SATBchorus.

Lobe den Herren, den mächtigen König der Ehren - Zipp, Friedrich

Chorale Cantata for Choir, Wind Instruments and Organ score mixed choir-SATB/congreg. ad lib./3Trp/3trombone/Org Hæftet udgave

Ich freue mich im Herren : Motette Nr. 14 aus Israelsbrünnlein

Johann Hermann Schein (1586 1630), a German composer and poet, was an important predecessor of Bach taking up the post of Thomaskantor in Leipzig in 1616 where he remained until his death. A gifted composer he was one of thefirst to import the Italian style onto the traditional elements of Lutheran church music.The 'Israelsbrünnlein' from 1623 is a collection composed in the Italian madrigal style mostly using texts from the OldTestament.

Niemand kann Jesus seinen Herren nennen : Epistelmotette für den 10. Sonntag nach Trinitatis

Es wird aber des Herren Tag kommen : Epistelmotette zum 27. Sonntag nach Trinitatis

Seling Sin Die Toten SWV 391

Published in 1648, Heinrich Schütz’s “Geistliche Chor-Music” is still regarded as one of his seminal works. A two-volume performance edition based on Werner Breig’s revised new text is available (BA5901/BA 5902).Now selected motets are being issued in separate volumes. They offer a modern notation and layout, retain the original keys and include an integrated figured bass realisation.In keeping withcontemporary performance practice, the ‘choral’ parts can be performed by instruments as well as voices. Instrumental parts with underlaid words may be purchased separately for performances with instruments(seeperformance material for BA 5901 and BA 5902).- Selig sind die Toten, die in dem Herren sterben SWV 391 No.23 from Geistliche Chor-Music- Cantus, Sextus, Countertenor, Tenor, Quintus, Bassus, Basso continuo adlib.

Nun lob, mein Seel, den Herren : Choralkonzert für 2 Soprane und Bc und Kantionalsatz für Chor SATB, Folgestrophen beigegeben