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Monumental Earthen Architecture in Early Societies: Technology and power display - - Bog - Archaeopress - Plusbog.dk

Monumental Earthen Architecture in Early Societies: Technology and power display - - Bog - Archaeopress - Plusbog.dk

This volume presents proceedings from the session ‘Monumental Earthen Architecture in Early Societies: Technology and power display’, part of the XVII World UISPP Congress, held in Burgos (Spain), the 4th September 2014. The theme of the symposium is the archaeology of earthen architecture in pre- and protohistoric cultures, with an emphasis on constructive techniques and systems, and diachronic changes in those aspects. The main interest is in monumental architecture (not domestic), where it is better possible to appreciate the building strategies that show raw earth to be as noble a material as stone or wood, but with its very own characteristics which required the development of original solutions and construction techniques. The scope on monumental buildings also allows analyzing the political, social and economical factors that made such architecture a recognized expression of societal values and political power.

DKK 237.00
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Spectacle and Display: A Modern History of Britain’s Roman Mosaic Pavements - Michael Dawson - Bog - Archaeopress - Plusbog.dk

Spectacle and Display: A Modern History of Britain’s Roman Mosaic Pavements - Michael Dawson - Bog - Archaeopress - Plusbog.dk

Spectacle and Display: A Modern History of Britain’s Roman Mosaic Pavements is the first narrative to explore responses and attitudes to mosaics, not just at the point of discovery but during their subsequent history. It is a field which has received scant attention in the literature and provides a compelling insight into the agency of these spectacular remains. Analysis shows how mosaics have influenced and have been instrumental in the commodification of the past, the development of conservation practice and promoting the rise of the archaeologist. ‘The most spectacular remains of Roman Britain’ is a familiar description applied to the discovery of mosaics floors. They are exceptional symbols of Roman life in the province of Britannia and each new discovery is eagerly reported in the press. Yet one estimate suggested that 75% of all known mosaics from Britain have been lost, and they are commonly displayed out of context, wall mounted as artwork in museums and exhibitions and far from their role as floors. This is a contested narrative in which spectacle and survival, conservation and fine art, ownership and curation provide the discourse and texts of contemporary attitudes.

DKK 410.00
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The Southern Necropolis of Cyrene - Luca Cherstich - Bog - Archaeopress - Plusbog.dk

The Southern Necropolis of Cyrene - Luca Cherstich - Bog - Archaeopress - Plusbog.dk

This book presents an in‑depth analysis of the Southern Necropolis of Cyrene. Numerous tombs surround this ancient Greek city located in Eastern Libya. Many of these monumental structures feature elaborate ornamental patterns and complex architectural elements. Yet, most graves have been plundered in the past, hence they appear as beautifully decorated, but empty spaces that seem to provide little information to archaeologists. This volume aims at overcoming this problem. While the book provides an exploration of the architecture of Cyrenean tombs, it avoids a purely descriptive, art‑historical approach. Instead, the analysis focuses on issues of funerary competition, display strategies, spatial organization, and the possible role of lost, unknown rituals in shaping the material record over a period of more than a thousand years, from the Archaic phase to Late Roman times. In so doing, it reconstructs the social history of ancient Cyreneans through the evolution of their ostentatious funerary culture.

DKK 724.00
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Paleoart and Materiality - - Bog - Archaeopress - Plusbog.dk

Paleoart and Materiality - - Bog - Archaeopress - Plusbog.dk

This book contains a series of selected papers presented at two symposia entitled ‘Scientific study of rock art’, one held in the IFRAO Congress of Rock Art in La Paz, Bolivia, in June 2012, the other held in the IFRAO Congress in Cáceres, Spain, in September 2015; as well as some invited papers from leading rock art scientists. The core topic of the book is the presentation of scientific approaches to the materiality of rock art, ranging from recording and sampling methods to data analyses. These share the fact that they provide means of testing hypotheses and/or of finding trends in the data which can be used as independent sources of evidence to support specific interpretations. The issue of the materiality of visual productions of the distant past, which in archaeological theory has attracted much attention recently and has stimulated much conceptual debate, is addressed through a variety of scientific approaches, including fieldwork methods, laboratory work techniques and/or data analysis protocols. These, in turn, will provide new insights into human agency and people-image engagements through the study of rock art production, display and use.

DKK 410.00
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Iron Age Hillfort Defences and the Tactics of Sling Warfare - Peter Robertson - Bog - Archaeopress - Plusbog.dk

Iron Age Hillfort Defences and the Tactics of Sling Warfare - Peter Robertson - Bog - Archaeopress - Plusbog.dk

Was the purpose of an Iron Age hillfort to defend people and resources or was it there to show the power of the community and its leaders? Was the Middle Iron Age trend to large complex ‘defences’ a response to developing tactics of assault or did the huge amounts of construction work serve the purpose of building community identity through shared labour? The name ‘hillfort’ implies a defensive purpose, but in recent decades alternative interpretations have gained favour, based on analyses suggesting that hillforts are poorly suited to military purposes and on views of Iron Age society that emphasise the importance of boundaries, symbolic display and communitybuilding. Excavations of hillfort interiors reveal they were sites for many activities; large caches of stones suggest that sling warfare was one. This book reports an investigation of these issues. Sling accuracy at a hillfort was measured for the first time, in a controlled experiment comparing attack and defence across single and developed ramparts. Tactical scenarios modelled from the results showed that hillfort development gave defenders increased advantage. These results support defence as the explanation for the features of the enclosing works of hillforts. Full details of the method and analyses are included.

DKK 296.00
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Word Becomes Image: Openwork vessels as a reflection of Late Antique transformation - Hallie G. Meredith - Bog - Archaeopress - Plusbog.dk

Word Becomes Image: Openwork vessels as a reflection of Late Antique transformation - Hallie G. Meredith - Bog - Archaeopress - Plusbog.dk

Transformationpresents a diachronic investigation providing a rich case study as well as an approach tracing the contours of a category of Roman material culture defined by the Roman period technique of openwork carving. As the first comprehensive assemblage of openwork vessels from Classical to late Antiquity, this work offers primary evidence documenting a key example of the fundamental shift from naturalism to abstraction in which inscriptions are transformed and word becomes image. A glass blower herself, Hallie Meredith poses questions about process, tactility and reception providing a clear picture of the original contexts of production and reception demonstrated by the Roman technique of openwork carving. In an in-depth analysis of the corpus as a whole, typologies (old and new), imagery, geometric patterning and inscriptions as the major divisions among openwork decorative elements, basic design principles are identified, non openwork carving and its relation to openwork decoration are discussed, as are the function, handling, display, movement and provenance of openwork vessels throughout the Roman Empire. Art historians and archaeologists working on the transition from Classical to late Antiquity, as well as scholars focusing on these and later periods of study, can fruitfully apply this approach to visual culture. This work shows how openwork vessels are a reflection of a wide-reaching Roman cultural aesthetic.

DKK 534.00
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Body, Cosmos and Eternity - - Bog - Archaeopress - Plusbog.dk

Body, Cosmos and Eternity - - Bog - Archaeopress - Plusbog.dk

This volume, edited by Rogério Sousa, is part of the scholarly ferment which has wheeled around the subject of ‘coffin’ during the last twenty years. Its magic and religious evaluation identifies it from time to time as body container, but at the same time substitute body for the deceased, a maternal womb in which the regeneration will occur, a microcosm, tomb, funerary temple, as well as a conduit to the dead, a powerful tool activated by means of the Opening of the Mouth ritual. -From the Foreword, by Alessia Amenta In February 2013, the Symposium Body, Cosmos and Eternity: the Symbolism of Coffins in Ancient Egypt convened at the historical building of the University of Porto to debate conceptual frameworks underlying the contemporary study of Egyptian coffins. Rising from the close association with the depiction of the mummified body, the anthropoid coffins soon absorbed a rich mythological imaginary related to the constellation of Nut, the mother goddess of the sky supposed to give birth to Osiris, and evolved continuously, integrating larger and more complex sets of beliefs, mirroring the increasingly bolder use of coffins in the funerary rituals. It was this complex set of beliefs involving the coffin that we proposed to explore in this series of symposia. Following our original purpose, the studies presented in this volume display an excellent overview on the new trends of research on coffin studies, with diverse contributions concerned either with symbolism or social significance of coffins, museums´ collections or archaeological finds. These studies superbly showcase the richness of coffins as documental sources for the study of Egyptian religion, economy and society.

DKK 416.00
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Looted, Recovered, Returned: Antiquities from Afghanistan - C. R. Cartwright - Bog - Archaeopress - Plusbog.dk

Looted, Recovered, Returned: Antiquities from Afghanistan - C. R. Cartwright - Bog - Archaeopress - Plusbog.dk

The “Begram ivories” are widely considered to be miniature masterpieces of Indian art and are one of the largest archaeological collections of ancient ivories. They were excavated at the site of Begram, in northern Afghanistan, in 1937 and 1939 and belong to a period when Afghanistan, Pakistan and northern India were united under rulers of the Kushan dynasty. Divided soon afterwards between the National Museum of Afghanistan in Kabul and the Musée national des arts asiatiques–Guimet in Paris, the collection in Kabul suffered a disaster during the civil war which ravaged the country during the early 1990s. Some of the pieces were successfully concealed by museum staff but most were stolen, hundreds have since been reported in different collections and very few have yet been recovered. In 2011 a group of twenty bone and ivory plaques was generously acquired for the National Museum of Afghanistan by a private individual. These were scientifically analysed, conserved and exhibited at the British Museum and returned to Kabul in 2012. This book describes their story from excavation to display and return, with individual object biographies and detailed scientific analyses and conservation treatments. It also discusses how these objects have attracted very different interpretations over the decades since their discovery, and how the new analyses shed a completely fresh light on the collection. It is lavishly illustrated in full colour, and includes many previously unpublished views of the objects when they were originally exhibited in Kabul. This book is essential reading for anyone interested in the archaeology of Afghanistan, Indian art, polychromy, museum studies, object biographies or the history of conservation.

DKK 570.00
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Stamps on Terra Sigillata Found in Excavations of the Theatre of Aptera - Martha W. Baldwin Bowsky - Bog - Archaeopress - Plusbog.dk

Stamps on Terra Sigillata Found in Excavations of the Theatre of Aptera - Martha W. Baldwin Bowsky - Bog - Archaeopress - Plusbog.dk

Stamps on Terra Sigillata Found in Excavations of the Theatre of Aptera, Crete presents a group of stamped fragments of Italian and eastern sigillata found in excavations of the theatre of Aptera (Crete). A total of 258 stamped sherds have been discovered and identified: 28 already published by the author and another 230 included here. Aptera now yields more stamped fragments of terra sigillata than any other Cretan city to date, including Knossos. The sigillata stamps from the theatre of Aptera can be analysed so as to address a series of fundamental questions. Three of these constitute traditional uses of the evidence available from an analysis of terra sigillata: which potters supplied the theatre of Aptera and its environs; where these potters were active; when these potters were active and therefore what production centres supplied the theatre and its area over time. Two questions go further, in an effort to take advantage of this kind of material’s ability to testify to patterns of contact and exchange, as well as to details of life within the Roman imperial system: what distribution patterns might have brought terra sigillata to the theatre and its vicinity; and whether we can suggest how terra sigillata was consumed in Aptera’s theatre and its environs. Aptera’s theatre was a venue not only for performances but also for drinking, eating, and serving by the theatre-goers, spectators, actors and other performers. These activities took place during a period of prosperity for Roman Aptera in the first and second centuries, a period that coincides nicely with the production and distribution of terra sigillata. The people of Aptera and the surrounding area took full advantage of Crete’s strategic position amid crossroads of transit and exchange as well as integration into the Roman economy, to display their prosperity and status in public and in private.

DKK 410.00
1

Bronze Age Metalwork: Techniques and traditions in the Nordic Bronze Age 1500-1100 BC - Heide W. Norgaard - Bog - Archaeopress - Plusbog.dk

Bronze Age Metalwork: Techniques and traditions in the Nordic Bronze Age 1500-1100 BC - Heide W. Norgaard - Bog - Archaeopress - Plusbog.dk

Bronze ornaments of the Nordic Bronze Age (neck collars, belt plates, pins and tutuli) were elaborate objects that served as status symbols to communicate social hierarchy. The magnificent metalwork studied here dates from 1500-1100 BC. An interdisciplinary investigation of the artefacts was adopted to elucidate their manufacture and origin, resulting in new insights into metal craft in northern Europe during the Bronze Age. Based on the habitus concept, which situates the craftsmen within their social and technological framework, individual artefact characteristics and metalworking techniques can be used to identify different craft practices, even to identify individual craftsmen. The conclusions drawn from this offer new insights into the complex organisation of metalcraft in the production of prestige goods across different workshops. Several kinship-based workshops on Jutland, in the Lüneburg Heath and Mecklenburg, allow us to conclude that the bronze objects were a display of social status and hierarchy controlled by, and produced for, the elite – as is also seen in the workshops on Zealand. Within the two main metalworking regions, Zealand and central Lower Saxony, workshops can be defined as communities of practice that existed with an extended market and relations with the local elite. Attached craft, in the sense that the craftspeople fully depended on a governing institution and produced artefacts as a manifestation of political expression, was only detected on Zealand between 1500-1300 BC. The investigation presented here showed that overall results could not be achieved when concentrating only on one aspect of metalwork. Highly skilled craft is to be found in every kind of workshop, as well as an intensive labour input. Only when considering skill in relation to labour input and also taking into account signs of apprenticeship and cross-craft techniques, as well as the different categories of mistakes in crafting, can a stable image of craft organisation be created.

DKK 1010.00
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Hillforts, Warfare and Society in Bronze Age Ireland - James O'driscoll - Bog - Archaeopress - Plusbog.dk

Hillforts, Warfare and Society in Bronze Age Ireland - James O'driscoll - Bog - Archaeopress - Plusbog.dk

The later part of the Bronze Age (1500-700 BC) was a time of settlement expansion and economic prosperity in Ireland. This was a landscape of small autonomous farming communities, but there is also evidence for control of territory and population, involving centralized organization of trade and economy, ritual and military force. That concentration of power was connected to the emergence of chiefdom polities active in the consolidation of large regional territories. Their competitive tendencies led on occasion to conflict and warfare, at a time of growing militarism evident in the mass production of bronze weaponry, including the first use of swords. Hillforts are another manifestation of a warrior culture that emerged not only in Ireland but across Europe during the Middle and Late Bronze Age. They were centers for high-status residence, ceremony and assembly, and represented an important visual display of power in the landscape. This is the first project to study hillforts in relation to warfare and conflict in Bronze Age Ireland. New evidence for the destruction of hillforts is connected to territorial disputes and other forms of competition arising from the ambitions of regional warlords, often with catastrophic consequences for individual communities. This project combines remote sensing and GIS-based landscape analysis with conventional archaeological survey and excavation, to investigate ten prehistoric hillforts across southern Ireland. These include a cluster of nine examples at Baltinglass, Co. Wicklow, often termed ‘Ireland’s hillfort capital’. The results provide new insights into the design and construction of these immense sites, as well as details of their occupation and abandonment. The chronology of Irish hillforts is reviewed, with a new understanding of origins and development. The project provides a challenging insight into the relationship of hillforts to warfare, social complexity and the political climate of late prehistoric Ireland.

DKK 772.00
1

Engraved Gems and Propaganda in the Roman Republic and under Augustus - Pawel Golyzniak - Bog - Archaeopress - Plusbog.dk

Engraved Gems and Propaganda in the Roman Republic and under Augustus - Pawel Golyzniak - Bog - Archaeopress - Plusbog.dk

Engraved Gems and Propaganda in the Roman Republic and under Augustus deals with small, but highly captivating and stimulating artwork – engraved gemstones. Although in antiquity intaglios and cameos had multiple applications (seals, jewellery or amulets), the images engraved upon them are snapshots of people''s beliefs, ideologies, and everyday occupations. They cast light on the self-advertising and propaganda actions performed by Roman political leaders, especially Octavian/Augustus, their factions and other people engaged in the politics and social life of the past.Gems can show both general trends (the specific showpieces like State Cameos) as well as the individual and private acts of being involved in politics and social affairs, mainly through a subtle display of political allegiances, since they were objects of strictly personal use. They enable us to analyse and learn about Roman propaganda and various social behaviours from a completely different angle than coins, sculpture or literature.The miniaturism of ancient gems is in inverse proportion to their cultural significance. This book presents an evolutionary model of the use of engraved gems from self-presentation (3rd-2nd century BC) to personal branding and propaganda purposes in the Roman Republic and under Augustus (until 14 AD). The specific characteristics of engraved gems, their strictly private character and the whole array of devices appearing on them are examined in respect to their potential propagandistic value and usefulness in social life.The wide scope of this analysis provides a comprehensive picture covering many aspects of Roman propaganda and a critical survey of the overinterpretations of this term in regard to the glyptic art. The aim is the incorporation of this class of archaeological artefacts into the well-established studies of Roman propaganda, as well as the Roman society in general, brought about by discussion of the interconnections with ancient literary sources as well as other categories of Roman art and craftsmanship, notably coins but also sculpture and relief.

DKK 955.00
1