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Early Anglo-Saxon Christian Reliquaries - Anthony Gibson - Bog - Archaeopress - Plusbog.dk

Early Anglo-Saxon Christian Reliquaries - Anthony Gibson - Bog - Archaeopress - Plusbog.dk

Early Anglo-Saxon Christian Reliquaries presents a corpus and discussion of a group of Anglo-Saxon copper-alloy containers dating to the seventh and possibly eighth centuries, and variously described as work boxes, needle cases, amulet containers or Christian reliquaries. Seventy-one boxes, some incomplete or fragmentary, have been recorded from forty-nine sites across Anglo-Saxon England. A typology, material specification, drawings, design and construction principles are provided, and a nomenclature applicable to these containers is outlined. Catalogue entries give details of site location, description, decorative features and references. Three box types are identified, and a concluding discussion suggests that boxes of Types I and II had a Christian function and should be considered as reliquaries. Type III boxes had a secular function, and their purpose remains enigmatic.

DKK 332.00
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Greek Art: From Oxford to Portugal and Back Again - Rui Morais - Bog - Archaeopress - Plusbog.dk

Greek Art: From Oxford to Portugal and Back Again - Rui Morais - Bog - Archaeopress - Plusbog.dk

One of the most fascinating topics in the study of ancient art concerns artistic practices and models and the means of transmission of iconographic designs and decorative compositions. This phenomenon, although well known, has not drawn much attention of scholars of the ancient art. Apart from copies of originals, the practice dates back to the first civilizations and may be even older. The media used could be painted vignettes on papyri, paint on leather, or sketches painted on ostraca, used as pattern books. This issue is practically unheard of regarding ancient Greece, although a few media have been found which may have facilitated the transmission of iconographic designs and decorative compositions. In this study we present some examples that suggest the existence of pattern books in the Greek world. If the media used in the Greek world are insofar unknown, the same cannot be said of the Roman world. Written sources mention the existence of manuals in the form of papyrus scrolls (stemmata, imagines) which served as models as well as inspiration for the artists.

DKK 237.00
1

Double-Sided Antler and Bone Combs in Late Roman Britain - Nina Crummy - Bog - Archaeopress - Plusbog.dk

Double-Sided Antler and Bone Combs in Late Roman Britain - Nina Crummy - Bog - Archaeopress - Plusbog.dk

Double-Sided Antler and Bone Combs in Late Roman Britain offers the first detailed study and catalogue of a comb type that represents a new technology introduced into Britain towards the end of the 4th century AD and a major signifier of the late fourth- to fifth-century transition. Their end-plates were worked into a variety of decorative profiles, some clearly zoomorphic. Over time this decorative styling passed from elaborate to rudimentary, adding to the dating evidence for individual combs. As many combs survive only as small fragments, data collection has not been absolute but has concentrated on combs from burials, or with stylistically relevant end-plates, or those providing good dating or contextual evidence, the main aim of the study being to answer questions of typology, chronology and social distribution. A particularly distinctive feature within the assemblage from funerary contexts is the substantial number of these combs from Winchester, which together make up nearly a quarter of the wider British assemblage. It is proposed that a comb workshop was established in the town, and there is some evidence based on style and distribution that points to other workshops in the north and east, but these were not necessarily large and in some cases they appeared to serve only a local community, while Winchester and its hinterland appear to lie at the heart of the comb data.

DKK 329.00
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From Edessa to Urfa: The Fortification of the Citadel - Cristina Tonghini - Bog - Archaeopress - Plusbog.dk

From Edessa to Urfa: The Fortification of the Citadel - Cristina Tonghini - Bog - Archaeopress - Plusbog.dk

From Edessa to Urfa: the Fortification of the Citadel is the outcome of an archaeological research project focused on a specific monumental area in the city of Urfa: its citadel. Urfa is better known to the general reader by its ancient name, Edessa. Three seasons of fieldwork were carried out (2014-2016), concentrating on the study of the evidence preserved above ground and employing the methods of stratigraphic analysis to identify the building sequence of the citadel and to characterise the various building phases. Transformation of the relative sequence into absolute chronology depended primarily on inscriptions in situ , but also on typological elements (masonry type, decorative elements, specific architectural forms). Data from the written sources also contributed relevant information regarding the development of the fortification works and the establishment of an absolute sequence.

DKK 570.00
1

Stone Carving of the Hospitaller Period in Rhodes: Displaced pieces and fragments - Anna Maria Kasdagli - Bog - Archaeopress - Plusbog.dk

Stone Carving of the Hospitaller Period in Rhodes: Displaced pieces and fragments - Anna Maria Kasdagli - Bog - Archaeopress - Plusbog.dk

The work presents 230 stone carvings of the Hospitaller period in Rhodes (1309-1522), which for various reasons are no longer in their original setting. Most of them are cut in local stone or reused antique marble and belong to three broad groups: decorative architectural elements, funerary slabs and markers, and heraldry from secular and religious buildings and fortifications. Their architectural, artistic, inscriptional and social significance are discussed, providing insights into the way cultural influences from different parts of Western Europe were introduced, maintained and adapted in an Eastern Mediterranean context by the Knights of Saint John, other Westerners the presence of the Order encouraged to travel to Rhodes and even live there and, occasionally, by wealthy Greeks. The study includes a full catalogue and touches upon recent archaeological activity in the historic centre of the town of Rhodes.

DKK 416.00
1

Journal of Hellenistic Pottery and Material Culture Volume 3 2018 - - Bog - Archaeopress - Plusbog.dk

Journal of Hellenistic Pottery and Material Culture Volume 3 2018 - - Bog - Archaeopress - Plusbog.dk

ARTICLES; Notes on a Hellenistic Milk Pail – by Yannis Chairetakis; Chasing Arsinoe (Polis Chrysochous, Cyprus): A Sealed Early Hellenistic Cistern and Its Ceramic Assemblage – by Brandon R. Olson, Tina Najbjerb & R. Scott Moore; Hasmonean Jerusalem in the Light of Archaeology – Notes on Urban Topography – by Hillel Geva; A Phoenician / Hellenistic Sanctuary at Horbat Turit (Kh. et-Tantur) – by Walid Atrash, Gabriel Mazor & Hanaa Aboud with contributions by Adi Erlich & Gerald Finkielsztejn; Schmuck aus dem Reich der Nabatäer – hellenistische Traditionen in frührömischer Zeit – by Renate Rosenthal-Heginbottom; ARCHAEOLOGICAL NEWS AND PROJECT; Pyla-Koutsopetria Archaeological Project: Excavations at Pyla-Vigla in 2018 – by Thomas Landvatter, Brandon R. Olson, David S. Reese, Justin Stephens & R. Scott Moore; Bookmark: Ancient Gems, Finger Rings and Seal Boxes from Caesarea Maritima. The Hendler Collection – by Shua Amorai-Stark & Malka Herskovitz; BOOK REVIEWS; Nina Fenn, Späthellenistische und frühkaiserzeitliche Keramik aus Priene. Untersuchungen zu Herkunft und Produktion – by Susanne Zabehlicky-Scheffenegger; Raphael Greenberg, Oren Tal & Tawfiq Da῾adli, Bet Yerah III. Hellenistic Philoteria and Islamic al- Ṣinnabra. The 1933–1986 and 2007–2013 Excavations – bY Gabriel Mazor; Mohamed Kenawi & Giorgia Marchiori, Unearthing Alexandria’s archaeology: The Italian Contribution – by Carlo De Mitri

DKK 594.00
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Metallurgy in Ancient Ecuador - Roberto Lleras Perez - Bog - Archaeopress - Plusbog.dk

Metallurgy in Ancient Ecuador - Roberto Lleras Perez - Bog - Archaeopress - Plusbog.dk

Metallurgical activity was present in Ecuador from at least 1500 BC; by around the beginning of the Common Era metallurgical manufacture and use had extended to most of the Costa and Sierra. Regional styles soon evolved giving rise to high levels of technical craftsmanship and to shaping particular iconographic and decorative patterns. Copper, gold, silver and platinum were mined, processed and converted into thousands of ornaments, offerings, tools and weapons extensively used both by elites and by the common people. By 1450, the Incas had invaded most of the Ecuadorian Sierra and eventually they integrated the diverse metallurgical traditions into their state-managed metallurgical industry. The European conquest in the sixteenth century deeply affected the native metallurgical activities, even though in some regions copper continued to be worked throughout the colonial period. The reconstruction of the general outlines of this fascinating historical process was made possible through the study of the collection of archaeological metal objects of the Ministry of Culture and Heritage of Ecuador, the compilation of previous archaeological references, laboratory analyses and C14 dating of museum objects. This work is the first one of its kind to be published on the ancient metallurgy of Ecuador.

DKK 332.00
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Word Becomes Image: Openwork vessels as a reflection of Late Antique transformation - Hallie G. Meredith - Bog - Archaeopress - Plusbog.dk

Word Becomes Image: Openwork vessels as a reflection of Late Antique transformation - Hallie G. Meredith - Bog - Archaeopress - Plusbog.dk

Transformationpresents a diachronic investigation providing a rich case study as well as an approach tracing the contours of a category of Roman material culture defined by the Roman period technique of openwork carving. As the first comprehensive assemblage of openwork vessels from Classical to late Antiquity, this work offers primary evidence documenting a key example of the fundamental shift from naturalism to abstraction in which inscriptions are transformed and word becomes image. A glass blower herself, Hallie Meredith poses questions about process, tactility and reception providing a clear picture of the original contexts of production and reception demonstrated by the Roman technique of openwork carving. In an in-depth analysis of the corpus as a whole, typologies (old and new), imagery, geometric patterning and inscriptions as the major divisions among openwork decorative elements, basic design principles are identified, non openwork carving and its relation to openwork decoration are discussed, as are the function, handling, display, movement and provenance of openwork vessels throughout the Roman Empire. Art historians and archaeologists working on the transition from Classical to late Antiquity, as well as scholars focusing on these and later periods of study, can fruitfully apply this approach to visual culture. This work shows how openwork vessels are a reflection of a wide-reaching Roman cultural aesthetic.

DKK 534.00
1

Roots of Reform: Contextual Interpretation of Church Fittings in Norfolk During the English Reformation - Dr Jason Robert Ladick - Bog - Archaeopress

Roots of Reform: Contextual Interpretation of Church Fittings in Norfolk During the English Reformation - Dr Jason Robert Ladick - Bog - Archaeopress

Roots of Reform provides a thorough examination of the impact of the English Reformation through a detailed analysis of medieval and early modern church fittings surviving at parish churches located throughout the county of Norfolk in England. By utilizing an archaeological approach along with the written record, a deeper and more nuanced understanding of public worship reveals the theological imperatives of the reformers and conformers. This study compiled data from both rural and urban parish churches which provides a regional approach to engaging the issues of visuality, space and identity. Church fittings were selected based on their liturgical function and propensity to feature decorative iconography. This includes baptismal fonts, screens, wall paintings, and sculptures. Through an extensive analysis of church fittings, this research is the first to suggest that the Bible-centric component to Protestant theology provided the framework which contributed to the success of the Reformation. The religious identity of England was transformed as visual continuity enabled an entire generation to continue their religious experience in a traditional context despite the moderate alteration to liturgy and comprehensive transformation of doctrine. This criterion eased the transition, as liturgical continuity and selective iconoclasm forged a new physical religious environment that retained enough elements to satiate traditionalist. Furthermore, an assessment of post-Reformation innovations reveals the use of vernacular Biblical text as a preferred mode of decoration, with an increase in the use of secular heraldry and commemoration directly on church fittings.

DKK 416.00
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Dress and Identity in Iron Age Britain - Elizabeth Marie Foulds - Bog - Archaeopress - Plusbog.dk

Dress and Identity in Iron Age Britain - Elizabeth Marie Foulds - Bog - Archaeopress - Plusbog.dk

Studies of Iron Age artefacts from Britain tend to be dominated either by the study of metalwork, or pottery. This book presents a study not only of a different material, but also a different type of object: glass beads. These are found in a range of different sizes, shapes, colours, and employ a variety of different decorative motifs. Through an analysis of glass beads from four key study regions in Britain, the book aims not only to address regional differences in appearance and chronology, but also to explore the role that this object played within the networks and relationships that constructed Iron Age society. It seeks to understand how they were used during their lives and how they came to be deposited within the archaeological record, in order to establish the social processes that glass beads were bound within. The results indicate that glass beads were a strongly regionalised artefact, potentially reflecting differing local preferences for colour and motif. In addition, glass beads, in combination with several other types of object, were integral to Middle Iron Age dress. Given that the first century BC is often seen as a turning point in terms of settlements and material culture, this supports the possibility of strong continental exchange during an earlier period for either glass beads or raw materials. However, by the Late Iron Age in the first century BC and early first century AD, their use had severely diminished.

DKK 594.00
1

The Cutting Edge: Khoe-San rock-markings at the Gestoptefontein-Driekuil engraving complex, North West Province, South Africa - Jeremy Charles

The Cutting Edge: Khoe-San rock-markings at the Gestoptefontein-Driekuil engraving complex, North West Province, South Africa - Jeremy Charles

This book addresses the rock engravings on the wonderstone hills just outside Ottosdal, North West province, South Africa. Wonderstone is remarkable rock that is smooth, shiny and very easy to mark. The wonderstone occurs only on two adjacent farms, Gestoptefontein and Driekuil, and thus the rock art on the wonderstone outcrops is referred to as the Gestoptefontein- Driekuil complex (GDC). This rock art is now the only remaining trace of what must once have been a much larger complex of engravings. Sadly, much of the rock art has been destroyed in the course of mining activities, with very few records. The largest remaining outcrop is still threatened by potential mining activities. The study attempts to bring this disastrous and unacceptable situation to the attention of the public and the heritage authorities, who have so far failed to respond to applications to grant the sites protection. It therefore has two main aims: to locate and record as much of the rock art as possible and to understand the significance of the outcrops in the lives of the people who made them. Based on the rock art itself, as well as what little historical evidence is available, it is argued that the rock art was made by Khoe-San people during the performance of important ceremonies and other activities. The rock art has two main components: engravings of referential motifs and a gestural, or performative, element. The referential motifs depict a range of things: anthropomorphs and zoomorphs, decorative designs, items of clothing, as well as ornaments and decorations. The gestural markings were made by rubbing, cutting and hammering the soft wonderstone, probably in the course of a range of activities that people carried out on the outcrops.

DKK 713.00
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Glassware and Glassworking in Thessaloniki - Anastassios Ch. Antonaras - Bog - Archaeopress - Plusbog.dk

Glassware and Glassworking in Thessaloniki - Anastassios Ch. Antonaras - Bog - Archaeopress - Plusbog.dk

Glassware and Glassworking in Thessaloniki: 1st Century BC – 6th Century AD is a detailed examination of the production of glass and glass vessels in the eastern Mediterranean from the Hellenistic Age to the Early Christian period, analysing production techniques and decoration. The volume establishes the socio-economic framework of glassmaking and glassmakers’ social status in the Roman world generally and in Thessaloniki specifically, while identifying probable local products. Presented are all the excavation glass finds from Thessaloniki and its environs found between 1912 and 2002. A typological classification was created for almost 800 objects – which encompass the overwhelming majority of common excavation finds in the Balkans – as well as for the decorative themes that appear on the more valuable pieces. Comparative material from the entire Mediterranean was studied, verified in its entirety through primary publications. A summary of the excavation history of these vessels’ find-spots is provided, with details for each excavation, in many cases unpublished and identified through research in the archives of the relevant museums and Ephorates of Antiquities. The uses of glass vessels are presented, and there is discussion and interpretation of the reasons that permitted, or imposed, the choice of glass for their production. The finds are statistically analysed, and a chronological overview examining them century by century on the basis of use and place of production is given. Finally, there is an effort to interpret the data from the study in historical terms, and to incorporate the results into the political-economic evolution of the region’s political history. Relatively unfamiliar glassmaking terms are explained in a glossary of glassworking technology and typology terms. The material is fully documented in drawings and photographs, and every object in the catalogue is illustrated. A detailed index of the 602 geographical terms in the work, many unknown, concludes the book.

DKK 594.00
1

Ideas and Images - Ajay Pratap - Bog - Archaeopress - Plusbog.dk

Ideas and Images - Ajay Pratap - Bog - Archaeopress - Plusbog.dk

Ideas and Images argues that the development of symbols and signs informing scripts, mainly the idea of coding thoughts through symbols and images, has always been uniquely ‘historical.’ Rock art abuts and occupies long periods of time, from the Mesolithic, Neolithic-Chalcolithic, and Iron Age, to the medieval and colonial, in which the translation of indigenous thoughts was perfected through numerous mnemonic practices, some of them evidently to record in a surprisingly sophisticated historical oeuvre. These are ordered and direct representations of the ontological, philosophical, thought-object world of prehistoric or pre- or non-scripted communities. Such representations are better understood as so many graphic archives, and their temporality is broadly sequential, authentic, unique and historically contextualized since they record exceptional and everyday events, but also sometimes emotionally or humorously charged stories. The genre called ‘rock art’ is a successful and reliable record of interpretations accorded to society and the natural worlds of the past. The development of symbols informing scripts, or the idea of coding thoughts through symbols, was already in the domain of rock art thousands of years ago. This work builds on the strength of recent historical and archaeological work arguing for the presence of a ‘historical sense’ in prehistory as the basis for including all prehistoric material as potentially of historical value. The rise of scripts in early parts of the historical era was therefore anticipated in earlier techniques of memorialization. Much of Vindhyan rock art came into existence during a period identified distinctly as historical, and it offers alternate perspectives and views of the ‘historical’. The book presents verifiable imagery and events in rock art. It is also postulated that it might be worth considering whether rock art influenced later symbolic forms in terracotta, pottery, sculpture, and coinage. Human, animal, design, decorative forms and imagery feature in all these chronologically later media, although such comparisons and relationships posited with rock art on a one-to-one basis would be misleading.

DKK 410.00
1