Pricemate

Heinrich Schutz: Psalm 150 For Double Chorus And Double Brass Choir With Organ

Heinrich Schutz 's Psalm 150 for Double Chorus and Double Brass Choir with Organ. German and English texts.

DKK 166.00

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Edouard Nanny: 20 Etudes de Virtuosité (Double Bass solo)

Significant Double Bassist, teacher and composer, Edouard Nanny (1872-1942) is best remembered as a long-standing professor of Double Bass at the Paris Conservatoire. Being such a prolific figure in the Double Bass field, his Complete Study of the Double Bass is well-informed. Still played by Double Bass students, Nanny 's significant contribution to field of pedagogy remains prominent. The third volume from Complete Study of Double Bass, titled 20 Virtuosic Studies, addresses bow technique, fingering, positions, scales, arpeggios, chromaticism, trills, double stops and harmonics, among other aspects. For all advanced Double Bass players, Nanny 's Complete Study of the Double Bass, 20 Virtuosic Studies provides the student with helpful aid to ensure progressive achievement in technique.

DKK 325.00

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Christian Gouinguené: Adagio For Double Bass And Piano

Christian Gouinguené's Adagio for Double Bass and Piano, set for the ABRSM Double Bass Syllabus Grade 6.

DKK 166.00

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Benedetto Marcello: Sonata (Classiques No.39) (Double Bass & Piano)

for double bass and piano

DKK 205.00

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Wolfgang Amadeus Mozart: Concerto (Classiques No.29) (Double Bass & Piano)

A transcription of Mozart's Bassoon Concerto in Bb, arranged here for Double Bass and Piano. In the key of A. Double bass insert is in G.

DKK 221.00

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Henry Eccles: Sonate (Double Bass/Harpsichord)

Henry Eccles' Sonate for double bass and harpsichord, as edited by Henriette Puig-Roget and Pierre Hellouin.

DKK 205.00

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Francois Rabbath: Nouvelle Technique De La Contrebasse Vol. 2 (Double Bass)

With little existing in the way of study books for the Double Bass, François Rabbath 's (b.1931) three volume series, New Technique for the Double Bass is welcomed by all performers of the instrument. Syrian-born Rabbath moved to Paris in 1955 to further his studies on the Double Bass. He soon began composing for the instrument as well as transcribing works of other composers for the instrument. The second volume of New Technique for the Double Bass is a significant contribution to the field of Double Bass pedagogy and covers scales, arpeggios, bowing, among other aspects, and also contains exercises and studies. As a virtuoso player of the instrument himself, frequently performing as a soloist, Rabbath compiles this technical study book with vast knowledge and experience. Being such a prominent double bassist, Rabbath 's New Technique for the Double Bass is a well-informed and essential accompaniment to all all Double Bass studies. Moreover, New Technique for the Double Bass contains written instruction in English, French, German and Spanish, making for a highly versatile book.

DKK 388.00

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Domenico Dragonetti: Concerto (Classiques No.23) (Double Bass & Piano)

This famous Concerto for Double Bass and Piano accompaniment by Edouard Nanny is part of the “Double Bass Classics”. It is the famous piece n°23 of this collection which, even though attributed to Dragonetti, is commonly acknowledge as a tribute to him composed by Edouard Nanny. The book features a score and Double Bass part. Written in A major and divided in three parts, Allegro Moderato, Andante and Allegro Giusto, all its movements start with the Piano which is later joined by the Double Bass. This latter then becomes the main element, the Piano accompaniment being mainly chords. Quite difficult, this piece would fit the skills and abilities of advanced players, for recitals or concerts. Edouard Nanny (1872-1942) was a well-known French Double Bass player, composer and professor.

DKK 229.00

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Edouard Nanny: Etudes de Kreutzer et de Fiorillo (Double Bass solo)

Edouard Nanny's De Kreutzer Et De Fiorillo for Double Bass.

DKK 229.00

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M. Hauchard: Etude méthodique de la double Corde Vol.2 (Violin solo)

Étude Méthodique De La Double-Corde - 2e Cahier was created by Maurice Hauchard (1870-1957), a French violinist, composer and music teacher. Second book of this series studying the technique of the Double-String for upper beginners / intermediate violinists, this volume focuses on the second, third, fourth and fifth positions. Étude Méthodique De La Double-Corde - 2e Cahier is divided into 84 small studies that enable players to master the Double-String in Violin. The quality and the efficiency of Maurice Hauchard ’s methods make this book a key series to have for a Violin player.

DKK 197.00

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Edouard Nanny: Méthode Vol.1 (Double Bass solo)

Complete Method For The Four- And Five-Stringed Double Bass - Part 1 is the first of a series of two, created by Edouard Nanny , a French Double-Bass player, teacher and composer. Conceived as a way to acquire a correct technique and a good sonority the Complete Method For The Four- And Five-Stringed Double Bass - Part 1 is perfect for beginners and intermediate beginners. Including scales, exercises and small studies, this first volume is completed with a second part for intermediate players. Edouard Nanny (1872-1942) had internal recognition as a composer during his lifetime and composed two concerti and additional methods such as Twenty Virtuoso Studies among others.

DKK 261.00

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Alfred Désenclos: Aria et Rondo (Double Bass & Piano)

Modern French composer, Alfred Desenclos (1912-1971) created exceptional works for a variety of instruments. Aria Et Rondo for Double Bass and Piano, published in 1952, is no exception. Desenclos won the 1942 Prix de Rome following studies at the Conservatory in Roubaix. The composer's compositional style is highly expressive and atmospheric, with uses of extended technique. Aria Et Rondo reflects these aspects, with a typical performance lasting about 12 minutes. For all advanced Double Bass players, Desenclos 's Aria Et Rondo is an exciting, alternative piece for the repertoire.

DKK 229.00

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Alain Weber: 15 Etudes rythmiques et mélodiques (Double Bass solo)

French composer, Alain Weber (b. 1930) writes 15 Rhythmic And Melodic Studies for Double Bass with much experience and expertise in the field of pedagogy. Following graduation from the Paris Conservatoire, Weber spent time in Italy to develop his own musical style. However, he soon returned to the institution as a professor of theory and counterpoint. 15 Rhythmic And Melodic Studies addresses a range of advanced techniques, including chromaticism, complex rhythms, varying time signatures, articulation, bowings and double stops, amongst other aspects. Weber is a significant contributor to important teaching materials and 15 Rhythmic And Melodic Studies is no exception.

DKK 325.00

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Eugène Bozza: Prelude and Allegro (Double Bass/Tuba/Saxhorn/Trombone and Piano)

Composed by Eugène Bozza , Prelude and Allegro can be played by Double Bass, Tuba, or Saxhorn with a Piano accompaniment. Written in F for the Double Bass, Tuba or Saxhorn, this piece has an intermediate level of difficulty. Really enjoyable for the players and audiences, Prelude and Allegro would be ideal for a recital. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He composed several operas, chamber works and ballets among others.

DKK 158.00

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M. Hauchard: Etude méthodique de la double Corde Vol.1 (Violin solo)

Methodical Study of the Double String – Book 1 was created by Maurice Hauchard (1870-1957), a French violinist, composer and music teacher. This is the first of a series of two constituting a renowned progressive method, for intermediate-beginner violinists to learn how to properly play two string at the same time. Methodical Study of the Double String – Book 1 particularly offers methods and exercises to master a good sonority when playing two strings together. The quality and the efficiency of Maurice Hauchard ’s methods make this book a key series to have for a Violin player. In addition to these series, the composer also created nine additional methods for strings.

DKK 213.00

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François Rabbath: Trombes D’eau For Double Bass

The international fame of bass player François Rabbath acknowledges both the untiring teacher, author of a Nouvelle technique de la contrebasse , which a whole generation of students, desirous of freeing themselves from the fetters of traditional teaching has taken up and the inspired soloist unsparing of himself in concert. For several years now, he has become accustomed to spending a few days in the summer in Kansas City (Missouri) to give master classes and a concert there, in the framework of the ‘KC BassFest’. In July 2016, a moving surprise awaited him: on the stage of the American Jazz Museum a full-length portrait was unveiled, painted by local artist Ruthie Ingram from photos taken during his recital the previous year. By way of thanks, Rabbath dedicated Trombes d’eau to her, a solo piece lasting approximately six minutes, composed at the instigation of the International Society of Bassists for the 2017 edition of the International Double Bass Competition. Conceived as a series of short variations on an impassioned theme, the work emphasises evocative glissandi and explores double stopping and artificial harmonics without ever sacrificing the essential: the pleasure of musical expression.

DKK 197.00

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Sophie Dufeutrelle: Rue Traversière 2 – Double And Triple Tonguing

**Please note: this title is not available to trade customers in France or the USA.** Encouraged by the incredible success of Rue Traversière 1, composer Sophie Dufeutrelle , Professor of Flute at the Ecole Nationale de Musique de Villeurbanne, is back with a second volume entirely focused on double and triple tonguing – a technique fundamental to the airy, pearled and nimble sounds of the Flute. Determined to avoid a dry approach, the creator of Rue Traversière 2 opted for a progressive development that limits the role of exercises per se. The book begins with five short, focused studies, with five more disseminated throughout the rest of the work. Allegros from the Baroque repertoire, however, are given pride of place, with Boismortier, Handel, Quantz and Telemann (and many others) bringing a vital touch of vibrancy and sensuality to the learning experience. Instrumental practice is all too often reduced to solitary repetition, with no other companion than the all-intrusive metronome. There’s nothing like that there: all of the pieces are arranged for two Flutes, and the last two pieces are even for trios. Because sharing is an essential part of the pleasure of music!

DKK 221.00

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