AMI Bamboo mat 30x40cm natural

Van Gogh watercolour pocket box metal and interference

This set from Van Gogh is studio quality watercolour pans with metallic and interference effects. You'll get the most beautiful effect on dark surfaces, and we highly recommend our black watercolour paper from Van Gogh for this set. If you love glitter, this set is a must have on your desk.

Panpastel Tints set of 20

The Panpastel Tints set consists of the brightest colours in the spectrum. All 20 Panpastel colours in the set are a light version of the pure colours. This means that instead of mixing your way to a bright Hansa yellow, here you get it as a pure colour. These pastels bring to mind bright summer days, flowers and weddings! This set contains the colours: 100.5 Titanium white, 220.8 Hansa yellow tint, 250.8 Diarylide yellow tint, 270.8 Yellow ochre tint, 280.8 Orange tint, 340.8 Permanent red tint, 380.8 Red iron oxide tint, 430.8 Magenta tint, 470.8 Violet tint, 520.8 Ultramarine blue tint, 560.8 Phthalo blue tint, 580.8 Turquoise tint, 620.8 Phthalo green tint, 640.8 Permanent green tint, 660.8 Chromium oxide green tint, 680.8 Bright yellow green tint, 740.8 Burnt sienna tint, 780.8 Raw umber tint, 820.8 Neutral grey tint, 840.8 Paynes grey tint. In addition to the 20 colours, the set also includes: 2 x Sofft Knives 10 x Sofft covers 3 x Sofft sponges 3 x Sofft Applicators 4 x Storage Jars

PANPASTEL set 20 pcs. 30207 Ex. Dark shades

Dieses handliche Set mit 20 Panpastell-Farben in dunklen Erdtönen ist perfekt für den Ausflug in die Natur! Es nimmt nur wenig Platz in Anspruch und Ihre Panpastel-Farben sind beim Transport gut geschützt. Die praktischen Schälchen sind zum Zusammenschrauben gedacht, damit Sie den Überblick behalten. Das Set enthält die Farben: 1 x Hansa Yellow Extra Dark 220.11 x Diarylide Yellow Extra Dark 250.11 x Yellow Ochre Extra Dark 270.11 x Orange Extra Dark 280.11 x Permanent Red Extra Dark 340.11 x Red Iron Oxide Red Extra Dark 380.11 x Magenta Extra Dark 430.11 x Violet Extra Dark 470.11 x Ultramarine Blue Extra Dark 520.11 x Phthalo Blue Extra Dark 560.11 x Turquoise Extra Dark 580.11 x Phthalo Green Extra Dark 620.11 x Permanent Green Extra Dark 640.11 x Chromium Oxide Green Extra Dark 660.11 x Light Yellow Green Extra Dark 680.11 x Burnt Sienna Extra Dark 740.11 x Raw Umber Extra Dark 780.11 x Neutral Grey Extra Dark 820.21 x Neutral Grey Extra Dark 820.11 x Paynes Grey Extra Dark 840.12 x Soft paint knives (no.1 Nr. 1 & Nr. 2)10 x Abdeckungen für weiche Messer (Nr. 1 & Nr. 2)3 x weiche Schwammstäbchen3 x weiche Mini-Applikatoren4 x Aufbewahrungsbox1 x weicher großer ovaler Schwamm

HIMI Gouache set 24 pcs. 30ml (green)

Incredibly beautiful and upgraded design look from HIMI Gouache. Portable box in green with sealed lid that will keep your 24 gouache colors wet and creamy for a better painting experience every time. The set contains 24 colors in 30ml. HIMI Gouache is especially known for its delicious color intensity and strong pigmentation. All colors are thick and creamy, can be diluted with water and do not crack when the paint dries out. SAFE AND FUN - They are chemical-free, odorless, environmentally friendly and can be easily washed off with water and are definitely suitable for artists and beginners alike. REMEMBER : Add HIMI Gouache spray in the basket. It helps keep the colors nice and fresh.

A4

Canson XL Marker is a layout blockfrom Canson for all kinds of markers, pens and markers. Canson XL Marker is printed on partially transparent, ultra-white and very smooth paper. The paper is water resistant and comes with an impregnation that prevents ink bleed through. Canson XL Marker comes with 100 sheets and is printed on 70 gram paper and available in A4 and A3 sizes.

AMI Goose feather with pen head

Goose feather with holder and tip. Ideal for drawing and calligraphy.Packed in a polybag.

Faber-Castell Goldfaber set 48 pcs Watercolors incl. water brush

Faber-Castell offers beginners and hobby artists three sets with watercolors in pans, a water brush and a removable mixing palette. All conventional watercolor techniques can be implemented with the highly pigmented watercolors. The included water brush, which can produce numerous stunning effects, is the perfect companion for painting outdoors or on trips. The brilliant and bright colors, including metallic and neon colors, impress users and support them as they bring joy and expression to their own creativity. With water brush and detachable palette Brilliant and bright colors that are completely water-soluble Perfect blendability of light and dark shades High-quality pigments Removable palette, easy to clean

15ml

Amazingly compatible with earth pigments and Quinacridones alike, this is a warm mossy green. It is richer and warmer than the original brighter Green Gold, and has an inviting glow. Explore fruits and vegetables, leaves and landscapes, substituting Rich Green Gold for other greens in familiar mixtures. Low-staining and lightfast, Rich Green Gold lifts with ease from either a concentrated or dilute wash and from either damp or dry work. Try it as a glaze for a real treat.

Magenta

These oil paints are made with artist pigments and natural plant oils. They can be used with all Scmincke's other oil paints and media, and they are easy to use as the drying time is relatively fast and even. The consistency is soft buttery and brush strokes will be preserved. The range is 24 colors.

200ml

Color: Cerulean Cobalt BluePermanence: AAOpacity: Semi-transparentPigment: PB35Pigment description: Cobalt, Tin and Magnesium OxideASTM Rating Ligthfastness: IPigment classification: Synthetic inorganicColor Index Number: 77368Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Pink 7056

PERFECTION eraser pen for precise erasing Hard eraser pen for ink and ballpoint pen Latex-free; PVC-free Environmentally friendly and water-based ink Wood from certified and sustainable forestry

15ml

This slightly sedimentary, rich dark, red-brown could lighten, brighten and eliminate mud browns in all your paintings. Use with Quinacridone Coral for branch and blossom paintings. Highly durable and extremely transparent, all the DANIEL SMITH Quinacridone colours excel in vivid clarity and intensity.

Djeco build your own sailing ships

Creative pack from Djeco containing everything you need to fold origami boats-fold the boats and decorate with shapes and flags -Includes patterned paper, flags, people, pennants and thread. Age: 6-9 years

Schmincke Medium 60 ml Mussini Medium 1

Low-oil ("lean") paint and thinner for oil paints. Suitable for thin underpaintings but also for glazing over gouache, tempera and acrylic layers. Thinner with little effect on drying time and gloss. Dosage 10% max. 20%. Dilute with turpentine substitute. Contains safflower oil, natural and synthetic resin, white spirit.

Schmincke Medium 60 ml Brush Cleaner

Powerful cleaner in oil and acrylic paints for the various painting tools. Softens and dissolves dried acrylic and oil paint. Do not lower brushes lower than the dab shoe to avoid dissolving the paint on the brush. Contains: D-limonene a terpene extracted from orange peel, surfactants and esters.

Djeco Kumihimo bracelet. Enchanting

This beautiful box contains everything you need to design and tie your own bracelets. And once they are tied, you can add small pendants to give the jewelry a very special look. So unleash your creativity and make bracelets for yourself or your friends. Ages 6 years and up.

Schmincke Medium 200 ml Mussini Medium 1

Low-oil ("lean") paint and thinner for oil paints. Suitable for thin underpaintings but also for glazing over gouache, tempera and acrylic layers. Thinner with little effect on drying time and gloss. Dosage 10% max. 20%. Dilute with turpentine substitute. Contains safflower oil, natural and synthetic resin, white spirit.

Permanent Green

Colour: Permanent GreenPermanence: AAOpacity: OpaquePigment: PY3, PG7Pigmentdescription: Arylide, Chlorinated Copper PhthalocyanineASTMRating Ligthfastness: IPigment classification: MixtureColorIndex Number: -Viscosityrange (mPa.s): 800 - 1.500 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

200ml

Colour: OrangePermanence: AOpacity: Semi-transparentPigment: PY3, PR112Pigment description: NaphtholASTM Rating Ligthfastness: IIPigment classification: MixtureColor Index Number: -Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

500ml

Color: Phthalo Green Permanence: AAOpacity: OpaquePigment: PG7Pigment description: Chlorinated Copper PhthalocyanineASTM Rating Ligthfastness: IPigment classification: OrganometallicColor Index Number: 74260Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

200ml

Colour: GraphitePermanence: AAOpacity: OpaquePigment: PBk10Pigment description: Crystallized CarbonASTM Rating Ligthfastness: IPigment classification: Natural inorganicColor Index Number: -Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Faber-Castell Sketch Marker Goldfaber 24 ass

Discover the sketch markers from Faber-Castell - the perfect tool for anyone who wants to take their creative projects to the next level! With its two different tips - brush and metal-encased fineliner tip and bright colors, the sketch marker is ideal for making sketches, drafts and layouts. Whether you're a professional designer or a hobby artist, the Faber-Castell layout marker is an indispensable tool for anyone who wants to bring their ideas to life. The marker is a pioneer in its field: By using 100% recycled plastic for caps and barrels, it protects the environment. Paper we recommend: Fabriano Bristol Alcohol-based ink with two tips Ink dries quickly Depth and shading due to repeated color application Water and dirt repellent Caps and barrel are made from 100% recycled material and may show color variations due to production Soft, flexible brush tip for areas and variable line widths and metal-encapsulated fineliner tip (0.6) for contours and details

Cross Townsend Medalist - ballpoint

The Cross Townsend Medalist rollerball is an exclusive and sophisticated pen that combines an elegant blend of polished chrome and 23 carat gold plating. This rollerball pen is part of the Cross Townsend range, which is renowned for its high quality and elegant design. The pen has a sleek and minimalist shape, giving it a modern and timeless look. It has a smooth and precise writing experience thanks to its rollerball technology that provides a smooth ink flow. Designed with comfort in mind, the Townsend Medalist rollerball fits perfectly in the hand thanks to its ergonomic design and balance. This makes it easy and comfortable to write for longer periods of time without your hand getting tired. Overall, the Cross Townsend Medalist rollerball is an elegant and functional pen that is ideal for both personal use and as a special gift for someone special. With its exceptional quality and design, it will be a reliable companion for many years to come.

200ml

Colour: Chromium Oxide GreenPermanence: AAOpacity: OpaquePigment: PG17Pigment description: Chrome OxideASTM Rating Ligthfastness: IPigment classification: Synthetic inorganicColor Index Number: 77288Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.