AMI Bamboo mat 30x40cm natural

15ml

Amazingly compatible with earth pigments and Quinacridones alike, this is a warm mossy green. It is richer and warmer than the original brighter Green Gold, and has an inviting glow. Explore fruits and vegetables, leaves and landscapes, substituting Rich Green Gold for other greens in familiar mixtures. Low-staining and lightfast, Rich Green Gold lifts with ease from either a concentrated or dilute wash and from either damp or dry work. Try it as a glaze for a real treat.

15ml

This slightly sedimentary, rich dark, red-brown could lighten, brighten and eliminate mud browns in all your paintings. Use with Quinacridone Coral for branch and blossom paintings. Highly durable and extremely transparent, all the DANIEL SMITH Quinacridone colours excel in vivid clarity and intensity.

Djeco build your own sailing ships

Creative pack from Djeco containing everything you need to fold origami boats-fold the boats and decorate with shapes and flags -Includes patterned paper, flags, people, pennants and thread. Age: 6-9 years

Schmincke Medium 60 ml Brush Cleaner

Powerful cleaner in oil and acrylic paints for the various painting tools. Softens and dissolves dried acrylic and oil paint. Do not lower brushes lower than the dab shoe to avoid dissolving the paint on the brush. Contains: D-limonene a terpene extracted from orange peel, surfactants and esters.

Naphthol Red Light

Colour: Naphthol Red LightPermanence: AOpacity: OpaquePigment: PR112Pigment description: Naphthol ASASTM Rating Ligthfastness: IIPigment classification: Synthetic organicColor Index Number: 12370Viscosity range (mPa.s): 800 - 1.500 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

200ml

Colour: Fluorescent Gold YellowPermanence: BOpacity: Semi-transparentPigment: FluoPigment description: Fluo, Naphthol AS-DASTM Rating Ligthfastness: IIPigment classification: -Color Index Number: -Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Transoxide Red

Colour: Transoxide RedPermanence: AAOpacity: TransparentPigment: PR101Pigmentdescription: Synthetic Red Iron OxideASTMRating Ligthfastness: IPigment classification: Synthetic inorganicColorIndex Number: 77491Viscosityrange (mPa.s): 800 - 1.500 Colour IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

500ml

Color: Phthalo Green Permanence: AAOpacity: OpaquePigment: PG7Pigment description: Chlorinated Copper PhthalocyanineASTM Rating Ligthfastness: IPigment classification: OrganometallicColor Index Number: 74260Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

Permanent Green

Colour: Permanent GreenPermanence: AAOpacity: OpaquePigment: PY3, PG7Pigmentdescription: Arylide, Chlorinated Copper PhthalocyanineASTMRating Ligthfastness: IPigment classification: MixtureColorIndex Number: -Viscosityrange (mPa.s): 800 - 1.500 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

200ml

Colour: Flesh TintPermanence: AAOpacity: OpaquePigment: PW6, PO20, PR108Pigment description: Rutile Titanium Dioxide, Cadmium SulphoselenideASTM Rating Ligthfastness: IPigment classification: MixtureColour Index Number: -Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

200ml

Color: Ultramarine BluePermanence: AAOpacity: Semi-transparentPigment: PB29Pigment description: Silicate of Sodium and Aluminum with SulfurASTM Rating Ligthfastness: IPigment classification: Synthetic inorganicColor Index Number: 77007Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

60ml

Finest artist acrylic paint (series 23).52 standard colours and 8 special colours = balanced, wide colour spectrum.High gloss and covering power (2/3 of the colours) or transparent (1/3 of the colours) Schminckes AKADEMIE Acrylic colours are suitable not only for the ambitious beginner, but also for the demanding professional artist.The 60 brilliant, intense and extremely light colours are a sophisticated range that includes three shades of white, and special effect colours (including gold, silver and neon colours). All colours are created without cadmium pigments. Additional advantages of this range are the completely waterproof drying, the long opening time of the colours and a pleasant smell. As with all acrylic paints, AKADEMIE Acrylic paint can be mixed and combined with other Schmincke paints (PRIMAcryl , College Acrylic and AERO COLOR Professional) and all acrylic media. Stretched canvases, acrylic paper, wood and other clean grease-free surfaces are suitable as painting base.

250ml

Finest artist acrylic paint (series 23).52 standard colours and 8 special colours = balanced, wide colour spectrum.High gloss and covering power (2/3 of the colours) or transparent (1/3 of the colours) Schminckes AKADEMIE Acrylic colours are suitable not only for the ambitious beginner, but also for the demanding professional artist.The 60 brilliant, intense and extremely light colours are a sophisticated range that includes three shades of white, and special effect colours (including gold, silver and neon colours). All colours are created without cadmium pigments. Additional advantages of this range are the completely waterproof drying, the long opening time of the colours and a pleasant smell. As with all acrylic paints, AKADEMIE Acrylic paint can be mixed and combined with other Schmincke paints (PRIMAcryl , College Acrylic and AERO COLOR Professional) and all acrylic media. Stretched canvases, acrylic paper, wood and other clean grease-free surfaces are suitable as painting base.

60ml

Finest artist acrylic paint (series 23).52 standard colours and 8 special colours = balanced, wide colour spectrum.High gloss and covering power (2/3 of the colours) or transparent (1/3 of the colours) Schminckes AKADEMIE Acrylic colours are suitable not only for the ambitious beginner, but also for the demanding professional artist.The 60 brilliant, intense and extremely light colours are a sophisticated range that includes three shades of white, and special effect colours (including gold, silver and neon colours). All colours are created without cadmium pigments. Additional advantages of this range are the completely waterproof drying, the long opening time of the colours and a pleasant smell. As with all acrylic paints, AKADEMIE Acrylic paint can be mixed and combined with other Schmincke paints (PRIMAcryl , College Acrylic and AERO COLOR Professional) and all acrylic media. Stretched canvases, acrylic paper, wood and other clean grease-free surfaces are suitable as painting base.

60ml

Finest artist acrylic paint (series 23).52 standard colours and 8 special colours = balanced, wide colour spectrum.High gloss and covering power (2/3 of the colours) or transparent (1/3 of the colours) Schminckes AKADEMIE Acrylic colours are suitable not only for the ambitious beginner, but also for the demanding professional artist.The 60 brilliant, intense and extremely light colours are a sophisticated range that includes three shades of white, and special effect colours (including gold, silver and neon colours). All colours are created without cadmium pigments. Additional advantages of this range are the completely waterproof drying, the long opening time of the colours and a pleasant smell. As with all acrylic paints, AKADEMIE Acrylic paint can be mixed and combined with other Schmincke paints (PRIMAcryl , College Acrylic and AERO COLOR Professional) and all acrylic media. Stretched canvases, acrylic paper, wood and other clean grease-free surfaces are suitable as painting base.

250ml

Finest artist acrylic paint (series 23).52 standard colours and 8 special colours = balanced, wide colour spectrum.High gloss and covering power (2/3 of the colours) or transparent (1/3 of the colours) Schminckes AKADEMIE Acrylic colours are suitable not only for the ambitious beginner, but also for the demanding professional artist.The 60 brilliant, intense and extremely light colours are a sophisticated range that includes three shades of white, and special effect colours (including gold, silver and neon colours). All colours are created without cadmium pigments. Additional advantages of this range are the completely waterproof drying, the long opening time of the colours and a pleasant smell. As with all acrylic paints, AKADEMIE Acrylic paint can be mixed and combined with other Schmincke paints (PRIMAcryl , College Acrylic and AERO COLOR Professional) and all acrylic media. Stretched canvases, acrylic paper, wood and other clean grease-free surfaces are suitable as painting base.

60ml

Finest artist acrylic paint (series 23).52 standard colours and 8 special colours = balanced, wide colour spectrum.High gloss and covering power (2/3 of the colours) or transparent (1/3 of the colours) Schminckes AKADEMIE Acrylic colours are suitable not only for the ambitious beginner, but also for the demanding professional artist.The 60 brilliant, intense and extremely light colours are a sophisticated range that includes three shades of white, and special effect colours (including gold, silver and neon colours). All colours are created without cadmium pigments. Additional advantages of this range are the completely waterproof drying, the long opening time of the colours and a pleasant smell. As with all acrylic paints, AKADEMIE Acrylic paint can be mixed and combined with other Schmincke paints (PRIMAcryl , College Acrylic and AERO COLOR Professional) and all acrylic media. Stretched canvases, acrylic paper, wood and other clean grease-free surfaces are suitable as painting base.

60ml

Finest artist acrylic paint (series 23).52 standard colours and 8 special colours = balanced, wide colour spectrum.High gloss and covering power (2/3 of the colours) or transparent (1/3 of the colours) Schminckes AKADEMIE Acrylic colours are suitable not only for the ambitious beginner, but also for the demanding professional artist.The 60 brilliant, intense and extremely light colours are a sophisticated range that includes three shades of white, and special effect colours (including gold, silver and neon colours). All colours are created without cadmium pigments. Additional advantages of this range are the completely waterproof drying, the long opening time of the colours and a pleasant smell. As with all acrylic paints, AKADEMIE Acrylic paint can be mixed and combined with other Schmincke paints (PRIMAcryl , College Acrylic and AERO COLOR Professional) and all acrylic media. Stretched canvases, acrylic paper, wood and other clean grease-free surfaces are suitable as painting base.

200ml

Color: Cobalt Violet (Hue) Permanence: AAOpacity: OpaquePigment: PR122, PW6Pigment description: Naphthol As-D, Titanium Dioxide RutileASTM Rating Ligthfastness: IPigment classification: MixtureColor Index Number: -Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

15ml

Water frees this amazing three-pigment blend to perform miracles. Watch and wait as Anthraquinoid Red floats, Ultramarine Blue settles and Viridian grays the resulting violet color. Selectively blot and lift a surface wash to expose delicate blue-greens. A description of the fascinating light and dark washes can never match a personal experience! Use Moonglow in shadows and as a silhouette pigment and enjoy its reaction to salt application in background washes. Its neutral tinting property makes it effective with almost all the DANIEL SMITH watercolors. Try introducing the Luminescent Interference pigments to areas of wet, damp or dry Moonglow. Look to Undersea Green as a companion pigment. And try a Moonglow sky and long shadows on sunset snow scenes.

Schmincke Medium 60 ml Balsam Turpentine

Specially purified embalming turpentine. Clear and resin-free. Can be used as a thinner for oil paints, oil paints and varnishes based on white spirit - cannot be mixed with alcohol-based varnishes. Dissolves pond resin and mastic resin

Talens Book BLACK 13X21 140G#

Talens Art Creation sketchbooks are sturdy, hardbound sketchbooks, perfect for drawing, journaling, city sketches, field studies and more! Ideal for use with pencil, pastel, acrylic, gouache, ink, charcoal and light wash wet media. They contain 80 pages of cream, acid-free, 140 gsm paper and come in a variety of sizes and colors so you can find the perfect sketchbook for your needs.

Talens Book F.MINT 13X21 140G#

Talens Art Creation sketchbooks are sturdy, hardbound sketchbooks, perfect for drawing, journaling, city sketches, field studies and more! Ideal for use with pencil, pastel, acrylic, gouache, ink, charcoal and light wash wet media. They contain 80 pages of cream, acid-free, 140 gsm paper and come in a variety of sizes and colors so you can find the perfect sketchbook for your needs.

120ml

Our acrylics are skillfully made based on a 100% acrylic emulsion and high-quality pigments. They are practically odourless and even in thick layers, the satin paint film remains flexible and prevents cracking. The creamy medium viscosity keeps the brush strokes and textures, but can also be used for easier smooth coverage. Ultramarine (504) is a transparent color with an excellent lightfastness