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Qor Light Dimensional Ground 237ml

Qor Light Dimensional Ground 237ml

This primer is a white, lightweight paste that spreads like "frosting". It can be applied smoothly in a thin layer, or built up to create texture. Use it on a variety of surfaces including canvas, wood, and paper. The extremely absorbent surface of Light Dimensional Ground makes it possible to create large surfaces quickly, but also ensures the small details.Drip a bit of color onto a dampened area, and watch the color spread into a beautiful flower.

EUR 16.95
1

30ml

30ml

Golden's interpretation of cyan is phthalo green-shade with a small amount of titanium white for use as a versatile and affordable mixing blue. (Series 2) Pigment Classification: MixtureColor Index Name: PB15:3 / PW6Color Index Number: 74160 / 77891Chemical Description: Copper Phthalocyanine / Titanium Dioxide RutileOpacity/Transparency: Semi-OpaqueLightfastness Rating: 1Permanency: ExcellentMunsell Notation Listing: Hue 5.4 P Value 3. Chroma 8.4Gloss Average: 19.25Viscosity Range: 400-1000 CPSCIE L*a*b* Values: L*34.97 a*-3.22 b*-32.28Tint Strength: 78.98

EUR 15.95
1

180g

180g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 16.95
1

60g

60g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 16.95
1

180g

180g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 11.95
1

Royal Talens Retouch Varnish spray 004, 400 ml.

Royal Talens Retouch Varnish spray 004, 400 ml.

For oil paint No. 004 Purpose: Temporary protection for oil paintings, refreshes discoloured (matt) parts Characteristics: Used as temporary protection on finger-dry oil paintings and/or as temporary varnish for refreshing discoloured (matt) parts; applied in thin layers (e.g. Dries in a few hours and does not yellow This varnish does not affect the drying time of the picture when applied in thin layers Can be removed with mild solvents Can be diluted with mineral turpentine NB: It is important to apply the varnish in as small quantities as possible if the picture is not completely dry. Any excess solvent in the varnish will affect the colour and destroy the film of the picture.

EUR 18.95
1

35g

35g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 11.95
1

140g

140g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 16.95
1

120g

120g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 11.95
1

80g

80g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 16.95
1

90g

90g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 16.95
1

149ml

149ml

GOLDEN Interference Acrylic Colors offer a unique "flip" when viewed from different angles. Colors flip between a bright opalescent color and its complement. Over white or lighter surfaces, the color is more subtle and the "flip" effect is more obvious. Over black or darker surfaces the color is more obvious and the "flip" effect is less dramatic. Adding a very small amount of black to Interference Colors produces deeper opalescent effects. Combine with GOLDEN Gels (Gloss) and Fluid Acrylic Colors to create an endless variety of colors and effects. Pigment Classification: InorganicColorIndex Name: N/AColorIndex Number: N/AChemicalDescription: Titanium Dioxide coated Mica particlesOpacity/Transparency: TransparentLightfastnessRating: N/APermanency: ExcellentMunsellNotation Listing: Hue N/ Value N/ Chroma N/AGlossAverage: 32.5ViscosityRange: 5000-6000 CPSCIEL*a*b* Values: L* a* b*N/ATintStrength: N/A

EUR 19.95
1

118ml

118ml

GOLDEN Interference Acrylic Colors offer a unique "flip" when viewed from different angles. Colors flip between a bright opalescent color and its complement. Over white or lighter surfaces, the color is more subtle and the "flip" effect is more obvious. Over black or darker surfaces the color is more obvious and the "flip" effect is less dramatic. Adding a very small amount of black to Interference Colors produces deeper opalescent effects. Combine with GOLDEN Gels (Gloss) and Fluid Acrylic Colors to create an endless variety of colors and effects. Pigment Classification: InorganicColorIndex Name: N/AColorIndex Number: N/AChemicalDescription: Titanium Dioxide coated Mica particlesOpacity/Transparency: TransparentLightfastnessRating: N/APermanency: ExcellentMunsellNotation Listing: Hue N/ Value N/ Chroma N/AGlossAverage: 37.7ViscosityRange: 5000-6000 CPSCIEL*a*b* Values: L* a* b*N/ATintStrength: N/A

EUR 19.95
1

Dammar Gum

Dammar Gum

Fossil resin collected from trees along the Philippine islands. Dammar comes in irregular, walnut sizes, and has a light yellow color. It has been used frequently since the 18th century, for the manufacture of varnishes and mediums. Dammar dissolves by gentle stirring in solvents such as turpentine or mineral turpentine. It produces a rich, glossy, reversible film. The concentration of dammar varies between 15 and 30%, depending on the solution produced (medium or varnish). It is recommended to add a plasticizer, such as Venice turpentine, maximum 5%. Dammar contains a small percentage of insoluble wax, which is slightly cloudy in the solution. You can remove this cloudiness by leaving the solution undisturbed for a few days, then draining it once or twice through a piece of cheesecloth or paper filter.

EUR 10.95
1

15ml

15ml

A warm, soft, earthy pink, Minnesota Pipestone is semi-transparent to semi-opaque, and granulates beautifully in washes. It is as permanent as the rock from which it is made. Our Minnesota Pipestone is created from pipestone in exactly the same shade as the stone that the Plains Indians revered and reserved for the making of their pipes. Milled in small batches, it honors history and lives up to contemporary expectations. The combination of our historic pipestone with modern synthetics is spellbinding. American Pipestone is the stone that unified our people in a time of transition. This sacred mineral was the stone of choice for the legendary Sioux peace pipes. Traveling through Pipestone County, Minnesota, one can almost hear the murmurs of the past. The warm, muted tones of the pipestone foster an introspective creative flow.

EUR 17.95
1