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100g

100g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 24.95
1

90g

90g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 35.95
1

110g

110g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 24.95
1

140g

140g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 16.95
1

50g

50g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 64.95
1

120g

120g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 11.95
1

1kg

1kg

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 47.95
1

60g

60g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 16.95
1

120g

120g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 35.95
1

180g

180g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 11.95
1

100g

100g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 35.95
1

100g

100g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 35.95
1

150g

150g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 24.95
1

180g

180g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 16.95
1

80g

80g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 16.95
1

120g

120g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 35.95
1

90g

90g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 16.95
1

35g

35g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 11.95
1

Dammar Gum

Dammar Gum

Fossil resin collected from trees along the Philippine islands. Dammar comes in irregular, walnut sizes, and has a light yellow color. It has been used frequently since the 18th century, for the manufacture of varnishes and mediums. Dammar dissolves by gentle stirring in solvents such as turpentine or mineral turpentine. It produces a rich, glossy, reversible film. The concentration of dammar varies between 15 and 30%, depending on the solution produced (medium or varnish). It is recommended to add a plasticizer, such as Venice turpentine, maximum 5%. Dammar contains a small percentage of insoluble wax, which is slightly cloudy in the solution. You can remove this cloudiness by leaving the solution undisturbed for a few days, then draining it once or twice through a piece of cheesecloth or paper filter.

EUR 10.95
1