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Celadon

Celadon

Sennelier Oil Stick is oil paint in solid form. Some of the oil color is replaced with a neutral mineral wax, which allows it to be shaped like a stick. The oil paints are of high quality and have a high concentration of pigments that do not fade when exposed to daylight, and on binders that yellow minimally over time. The colors can be applied directly to surfaces that support oil paint, i.e. oil or universal primed canvas. Certain papers specially made for oil paints can also be used.

EUR 7.95
1

Fluorescent Orange

Fluorescent Orange

Sennelier Oil Stick is oil paint in solid form. Some of the oil color is replaced with a neutral mineral wax, which allows it to be shaped like a stick. The oil paints are of high quality and have a high concentration of pigments that do not fade when exposed to daylight, and on binders that yellow minimally over time. The colors can be applied directly to surfaces that support oil paint, i.e. oil or universal primed canvas. Certain papers specially made for oil paints can also be used.

EUR 10.95
1

Golden Brown

Golden Brown

Sennelier Oil Stick is oil paint in solid form. Some of the oil color is replaced with a neutral mineral wax, which allows it to be shaped like a stick. The oil paints are of high quality and have a high concentration of pigments that do not fade when exposed to daylight, and on binders that yellow minimally over time. The colors can be applied directly to surfaces that support oil paint, i.e. oil or universal primed canvas. Certain papers specially made for oil paints can also be used.

EUR 7.95
1

Titanium Buff

Titanium Buff

Sennelier Oil Stick is oil paint in solid form. Some of the oil color is replaced with a neutral mineral wax, which allows it to be shaped like a stick. The oil paints are of high quality and have a high concentration of pigments that do not fade when exposed to daylight, and on binders that yellow minimally over time. The colors can be applied directly to surfaces that support oil paint, i.e. oil or universal primed canvas. Certain papers specially made for oil paints can also be used.

EUR 7.95
1

Light Grey

Light Grey

Sennelier Oil Stick is oil paint in solid form. Some of the oil color is replaced with a neutral mineral wax, which allows it to be shaped like a stick. The oil paints are of high quality and have a high concentration of pigments that do not fade when exposed to daylight, and on binders that yellow minimally over time. The colors can be applied directly to surfaces that support oil paint, i.e. oil or universal primed canvas. Certain papers specially made for oil paints can also be used.

EUR 7.95
1

Warm Grey

Warm Grey

Sennelier Oil Stick is oil paint in solid form. Some of the oil color is replaced with a neutral mineral wax, which allows it to be shaped like a stick. The oil paints are of high quality and have a high concentration of pigments that do not fade when exposed to daylight, and on binders that yellow minimally over time. The colors can be applied directly to surfaces that support oil paint, i.e. oil or universal primed canvas. Certain papers specially made for oil paints can also be used.

EUR 7.95
1

Fluorescent Yellow

Fluorescent Yellow

Sennelier Oil Stick is oil paint in solid form. Some of the oil color is replaced with a neutral mineral wax, which allows it to be shaped like a stick. The oil paints are of high quality and have a high concentration of pigments that do not fade when exposed to daylight, and on binders that yellow minimally over time. The colors can be applied directly to surfaces that support oil paint, i.e. oil or universal primed canvas. Certain papers specially made for oil paints can also be used.

EUR 10.95
1

Cobalt Blue

Cobalt Blue

Sennelier Oil Stick is oil paint in solid form. Some of the oil paint has been replaced with a neutral mineral wax, which allows it to be shaped like a "stick".The oil paints are of high quality and have a high concentration of pigments, which means that they do not fade under the influence of daylight, and on binders that yellow minimally over time. The paints can be applied directly to surfaces that support oil paint, i.e. oil or universal primed canvas. Certain papers, specially manufactured for oil painting, can also be used. Oil paints like this should preferably be applied in thin layers of about 1mm. The layers can be built up gradually in the same way as oil paints from a tube, and can be thinned with oil paint if necessary. Before using Sennelier Oil Sticks, remove the surface film. This "film" will restore itself after a few days of unuse. The applied paint dries in 2-5 days depending on the thickness of the layers, the temperature of the room and the humidity. The range also includes a transparent medium used to create transparency and a shiny effect. Artist quality oil paints are available in opaque(opaque) or transparent colours, depending on the pigment in each colour. Oil Sticks can be stored for an unlimited time, without special considerations, however they should not be stored too warm as this can damage the product. Once the paint is dry, the image can be treated with varnish to oil. Drying time is at least 6 months.

EUR 10.95
1

Gold

Gold

Sennelier Oil Stick is oil paint in solid form. Some of the oil paint has been replaced with a neutral mineral wax, which allows it to be shaped like a "stick".The oil paints are of high quality and have a high concentration of pigments, which means that they do not fade under the influence of daylight, and on binders that yellow minimally over time. The paints can be applied directly to surfaces that support oil paint, i.e. oil or universal primed canvas. Certain papers, specially manufactured for oil painting, can also be used. Oil paints like this should preferably be applied in thin layers of about 1mm. The layers can be built up gradually in the same way as oil paints from a tube, and can be thinned with oil paint if necessary. Before using Sennelier Oil Sticks, remove the surface film. This "film" will restore itself after a few days of unuse. The applied paint dries in 2-5 days depending on the thickness of the layers, the temperature of the room and the humidity. The range also includes a transparent medium used to create transparency and a shiny effect. Artist quality oil paints are available in opaque(opaque) or transparent colours, depending on the pigment in each colour. Oil Sticks can be stored for an unlimited time, without special considerations, however they should not be stored too warm as this can damage the product. Once the paint is dry, the image can be treated with varnish to oil. Drying time is at least 6 months.

EUR 9.95
1

Primary Red

Primary Red

Sennelier Oil Stick is oil paint in solid form. Some of the oil paint has been replaced with a neutral mineral wax, which allows it to be shaped like a "stick".The oil paints are of high quality and have a high concentration of pigments, which means that they do not fade under the influence of daylight, and on binders that yellow minimally over time. The colours can be applied directly to surfaces that support oil paint, i.e. oil or universal primed canvas. Certain papers, specially manufactured for oil painting, can also be used. Oil paints like this should preferably be applied in thin layers of about 1mm. The layers can be built up gradually in the same way as oil paints from a tube, and can be thinned with oil paint if necessary. Before using Sennelier Oil Sticks, remove the surface film. This "film" will restore itself after a few days of unuse. The applied paint dries in 2-5 days depending on the thickness of the layers, the temperature of the room and the humidity. The range also includes a transparent medium used to create transparency and a shiny effect. Artist quality oil paints are available in opaque(opaque) or transparent colours, depending on the pigment in each colour. Oil Sticks can be stored for an unlimited time, without special considerations, however they should not be stored too warm as this can damage the product. Once the paint is dry, the image can be treated with varnish to oil. Drying time is at least 6 months.

EUR 10.95
1

French Vermilion Red

French Vermilion Red

Sennelier Oil Stick is oil paint in solid form. Some of the oil paint has been replaced with a neutral mineral wax, which allows it to be shaped like a "stick".The oil paints are of high quality and have a high concentration of pigments, which means that they do not fade under the influence of daylight, and on binders that yellow minimally over time. The colours can be applied directly to surfaces that support oil paint, i.e. oil or universal primed canvas. Certain papers, specially manufactured for oil painting, can also be used. Oil paints like this should preferably be applied in thin layers of about 1mm. The layers can be built up gradually in the same way as oil paints from a tube, and can be thinned with oil paint if necessary. Before using Sennelier Oil Sticks, remove the surface film. This "film" will restore itself after a few days of unuse. The applied paint dries in 2-5 days depending on the thickness of the layers, the temperature of the room and the humidity. The range also includes a transparent medium used to create transparency and a shiny effect. Artist quality oil paints are available in opaque(opaque) or transparent colours, depending on the pigment in each colour. Oil Sticks can be stored for an unlimited time, without special considerations, however they should not be stored too warm as this can damage the product. Once the paint is dry, the image can be treated with varnish to oil. Drying time is at least 6 months.

EUR 7.95
1

Turquoise Blue

Turquoise Blue

Sennelier Oil Stick is oil paint in solid form. Some of the oil paint has been replaced with a neutral mineral wax, which allows it to be shaped like a "stick".The oil paints are of high quality and have a high concentration of pigments, which means that they do not fade under the influence of daylight, and on binders that yellow minimally over time. The paints can be applied directly to surfaces that support oil paint, i.e. oil or universal primed canvas. Certain papers, specially manufactured for oil painting, can also be used. Oil paints like this should preferably be applied in thin layers of about 1mm. The layers can be built up gradually in the same way as oil paints from a tube, and can be thinned with oil paint if necessary. Before using Sennelier Oil Sticks, remove the surface film. This "film" will restore itself after a few days of unuse. The applied paint dries in 2-5 days depending on the thickness of the layers, the temperature of the room and the humidity. The range also includes a transparent medium used to create transparency and a shiny effect. Artist quality oil paints are available in opaque(opaque) or transparent colours, depending on the pigment in each colour. Oil Sticks can be stored for an unlimited time, without special considerations, however they should not be stored too warm as this can damage the product. Once the paint is dry, the image can be treated with varnish to oil. Drying time is at least 6 months.

EUR 7.95
1

110g

110g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 24.95
1

140g

140g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 16.95
1

100g

100g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 24.95
1

90g

90g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 35.95
1

120g

120g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 11.95
1

60g

60g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 16.95
1

120g

120g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 35.95
1

180g

180g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 11.95
1

100g

100g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 35.95
1

50g

50g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 64.95
1

140g

140g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 35.95
1