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NCS Index 2050

NCS Index 2050

The most popular NCS Colour product used by colour professionals and enthusiasts globally. NCS Index 2050 is a fan deck that includes all 2050 NCS Standard colours. A highly optimised colour sorting based both on user preferences and the NCS Colour Circle, which makes it easy and quick to find the right colour. PRODUCT DETAILS • 2050 colours. • Large colour samples (22/26 mm). • Sorted by hue, based on the NCS Colour Circle. • A protective elastic band keeps the fan deck neatly folded when not in use. • Most used low chromatic white, grey and black colours in one separate section. • Smart navigation in the top corner of each page. • NCS Notations printed on each of the colour samples. • Matte laminated paper cover. HOW THE COLOURS ARE ARRANGED People generally start with the hue when looking for a colour "Am I looking for a lime green, a yellow or orange?" • The NCS Index 2050 offers therefore a hue-based sorting, following the NCS Colour Circle, to allow navigation among the 2050 colours quick and easy. • Within each hue-section (piece of the pie) the colours are arranged by nuance, following the NCS Colour Triangle. • The nuances go from low chromaticness to high chromaticness (from pale to strong). • In the flow from top to bottom, the colours are sorted by increasing blackness. • White and pure colours are positioned at the top and deeper shades at the bottom. NEUTRAL GREYSCALE For low chromatic colours, people generally change the principle by which they search for a specific colour. For whitish and greyish colours, the nuance of the colour is much more significant than the hue. Therefore, all low chromatic colours are sorted by nuance and can be found in the first section of the NCS Index 2050. NAVIGATION • Large colour samples (22 mm). • Top sample slightly larger (26 mm). • NCS Notations printed in silver on top of colour stripes. • Hue navigation and page number in the top of each page. • NCS Triangle and Circle at bottom of the page.

EUR 210.76
1

NCS Colourpin PRO

NCS Colourpin PRO

Define any colour, anywhere. Discover our new and most advanced colour reader. Finding the right colour has never been easier. Connected via Bluetooth to our NCS+ app it allows you to easily scan, identify, store and share colours on the go. Simply place the Colourpin PRO against the object, scan the colour via the app and then you have the closest NCS match. Turn your inspiration into colour today! Product Description Colourpin PRO enables you to get the best match to an NCS Notation. With a precise colour reference, this colour reader will ensure that you get the right colour and the correct end result when purchasing paint, decorative materials, textile, or any physical product in industrial production among others. It is one of our most appreciated colour tools by professional painters, designers and colour professionals worldwide. - Accurate colour matching to NCS, with a 99% hit rate. - (Cloud-based matching libraries with real-time unlock of additional matching databases.) - NCS cross-references for screens, to L*a*b*, RGB and CMYK in accordance with international standards. - Measurement data output for digital use in Lab d50 2°, Lab d65 10°, sRGB and CMYK. - With patented technology, Colourpin PRO provides the best NCS colour matching capabilities in the entry-level handheld segment. - Market-leading stability reduces the need for frequent calibration. - Pairs with the free NCS+ app via Bluetooth.

EUR 247.20
1

Color Europe Photo luster 260 gram - 44" x 40 meter

Color Europe Photo luster 260 gram - 44" x 40 meter

Our own Photo Luster paper is for all photographers and print studios that make photo prints. The paper itself is as you know it from other types of "Luster paper". It is a semi gloss photo paper, which when printed looks like the images you get from a traditional photo lab or photo shop. It is a 260 g/m² photo paper, which we have had produced by one of Europe's leading paper manufacturers. It is used, for example, for photos, posters, sales material in shops. Here you will be able to see there money to save on your photo prints. Completely without compromising on quality. Our rolls are as long as 40 meters, so it is important you look m2 the price. Unlike many other rolls of photo paper on the market, we have chosen to make the rolls as long as possible. Both to keep the price per m2 as attractive as possible, but also so you get fewer shifts in your production. Also available in other sizes or cut to size on request. Requires purchase of larger quantities. Please contact us for more information. Features - 260 g/m² photo paper - Can be used for both black and white and colour prints - Soft surface with light skin in the paper surface. - Luster surface - Optimised for inkjet printing on Epson, Canon and HP ICC profiles You can download ICC profiles for the most common printers from Epson and Canon here. Download

EUR 265.20
1

Canson BFK Rives (Pure White) 310 - 36" x 15.25 Meter

Canson BFK Rives (Pure White) 310 - 36" x 15.25 Meter

BFK Rives® Pure White is a 100% cotton paper which has a perfectly balanced soft grain that brings out the detail in every image. This unique printmaking paper base is manufactured on a traditional cylinder mould press at the ARCHES® paper mill, one of the oldest papermakers in France. As a result of using 100% cotton and the time-honoured manufacturing process, the paper has a very soft and supple feel. The paper has a pure white tone and is completely free of any optical brighteners (OBAs). The unique inkjet receiving layer produces prints with superb colour rendition, deep blacks and pure whites offering photographers, artists and printmakers the opportunity to create images with superb tonal range, excellent highlights and mid-tones. BFK Rives® Pure White is a prestigious paper and offers artists, printmakers and photographers alike the ability to create digital fine art prints on an authentic ARCHES® paper for both limited and open edition work.

EUR 391.51
1

Canson BFK Rives (Pure White) 310 - A2, 25 Blatt

Canson BFK Rives (Pure White) 310 - A2, 25 Blatt

BFK Rives® Pure White is a 100% cotton paper which has a perfectly balanced soft grain that brings out the detail in every image. This unique printmaking paper base is manufactured on a traditional cylinder mould press at the ARCHES® paper mill, one of the oldest papermakers in France. As a result of using 100% cotton and the time-honoured manufacturing process, the paper has a very soft and supple feel. The paper has a pure white tone and is completely free of any optical brighteners (OBAs). The unique inkjet receiving layer produces prints with superb colour rendition, deep blacks and pure whites offering photographers, artists and printmakers the opportunity to create images with superb tonal range, excellent highlights and mid-tones. BFK Rives® Pure White is a prestigious paper and offers artists, printmakers and photographers alike the ability to create digital fine art prints on an authentic ARCHES® paper for both limited and open edition work.

EUR 221.75
1

Canson BFK Rives (Pure White) 310 - 24" x 15.25 Meter

Canson BFK Rives (Pure White) 310 - 24" x 15.25 Meter

BFK Rives® Pure White is a 100% cotton paper which has a perfectly balanced soft grain that brings out the detail in every image. This unique printmaking paper base is manufactured on a traditional cylinder mould press at the ARCHES® paper mill, one of the oldest papermakers in France. As a result of using 100% cotton and the time-honoured manufacturing process, the paper has a very soft and supple feel. The paper has a pure white tone and is completely free of any optical brighteners (OBAs). The unique inkjet receiving layer produces prints with superb colour rendition, deep blacks and pure whites offering photographers, artists and printmakers the opportunity to create images with superb tonal range, excellent highlights and mid-tones. BFK Rives® Pure White is a prestigious paper and offers artists, printmakers and photographers alike the ability to create digital fine art prints on an authentic ARCHES® paper for both limited and open edition work.

EUR 215.90
1

Canson BFK Rives (White) 310 - A2, 25 Blatt

Canson BFK Rives (White) 310 - A2, 25 Blatt

BFK Rives® White is a 100% cotton paper which has a perfectly balanced soft grain that brings out the detail in every image. This unique printmaking paper base is manufactured on a traditional cylinder mould machine at the ARCHES® paper mill, one of the oldest papermakers in France. As a result of using 100% cotton rag and the time-honoured manufacturing process, the paper has a very soft and supple feel. The paper has a natural white tone and is completely free of any optical brighteners (OBAs). The unique inkjet receiving layer produces prints with superb colour rendition, deep blacks and natural whites offering photographers, artists and printmakers the opportunity to create images with superb tonal range, excellent highlights and mid-tones. BFK Rives® White is a prestigious paper and offers artists, printmakers and photographers alike the ability to create digital fine art prints on an authentic ARCHES® paper for both limited and open edition work.

EUR 220.74
1

Canson BFK Rives (White) 310 - 44" x 15.25 Meter

Canson BFK Rives (White) 310 - 44" x 15.25 Meter

BFK Rives® White is a 100% cotton paper which has a perfectly balanced soft grain that brings out the detail in every image. This unique printmaking paper base is manufactured on a traditional cylinder mould machine at the ARCHES® paper mill, one of the oldest papermakers in France. As a result of using 100% cotton rag and the time-honoured manufacturing process, the paper has a very soft and supple feel. The paper has a natural white tone and is completely free of any optical brighteners (OBAs). The unique inkjet receiving layer produces prints with superb colour rendition, deep blacks and natural whites offering photographers, artists and printmakers the opportunity to create images with superb tonal range, excellent highlights and mid-tones. BFK Rives® White is a prestigious paper and offers artists, printmakers and photographers alike the ability to create digital fine art prints on an authentic ARCHES® paper for both limited and open edition work.

EUR 429.48
1

Canson BFK Rives (White) 310 - 36" x 15.25 Meter

Canson BFK Rives (White) 310 - 36" x 15.25 Meter

BFK Rives® White is a 100% cotton paper which has a perfectly balanced soft grain that brings out the detail in every image. This unique printmaking paper base is manufactured on a traditional cylinder mould machine at the ARCHES® paper mill, one of the oldest papermakers in France. As a result of using 100% cotton rag and the time-honoured manufacturing process, the paper has a very soft and supple feel. The paper has a natural white tone and is completely free of any optical brighteners (OBAs). The unique inkjet receiving layer produces prints with superb colour rendition, deep blacks and natural whites offering photographers, artists and printmakers the opportunity to create images with superb tonal range, excellent highlights and mid-tones. BFK Rives® White is a prestigious paper and offers artists, printmakers and photographers alike the ability to create digital fine art prints on an authentic ARCHES® paper for both limited and open edition work.

EUR 317.87
1

Canson BFK Rives (Pure White) 310 - 44" x 15.25 Meter

Canson BFK Rives (Pure White) 310 - 44" x 15.25 Meter

BFK Rives® Pure White is a 100% cotton paper which has a perfectly balanced soft grain that brings out the detail in every image. This unique printmaking paper base is manufactured on a traditional cylinder mould press at the ARCHES® paper mill, one of the oldest papermakers in France. As a result of using 100% cotton and the time-honoured manufacturing process, the paper has a very soft and supple feel. The paper has a pure white tone and is completely free of any optical brighteners (OBAs). The unique inkjet receiving layer produces prints with superb colour rendition, deep blacks and pure whites offering photographers, artists and printmakers the opportunity to create images with superb tonal range, excellent highlights and mid-tones. BFK Rives® Pure White is a prestigious paper and offers artists, printmakers and photographers alike the ability to create digital fine art prints on an authentic ARCHES® paper for both limited and open edition work.

EUR 360.91
1

Canson BFK Rives (White) 310 - 24" x 15.25 Meter

Canson BFK Rives (White) 310 - 24" x 15.25 Meter

BFK Rives® White is a 100% cotton paper which has a perfectly balanced soft grain that brings out the detail in every image. This unique printmaking paper base is manufactured on a traditional cylinder mould machine at the ARCHES® paper mill, one of the oldest papermakers in France. As a result of using 100% cotton rag and the time-honoured manufacturing process, the paper has a very soft and supple feel. The paper has a natural white tone and is completely free of any optical brighteners (OBAs). The unique inkjet receiving layer produces prints with superb colour rendition, deep blacks and natural whites offering photographers, artists and printmakers the opportunity to create images with superb tonal range, excellent highlights and mid-tones. BFK Rives® White is a prestigious paper and offers artists, printmakers and photographers alike the ability to create digital fine art prints on an authentic ARCHES® paper for both limited and open edition work.

EUR 222.59
1

EFI CertProof Paper 6225XF Semimatt - A3++ - 329 mm x 558 mm, 100 Blatt

EFI CertProof Paper 6225XF Semimatt - A3++ - 329 mm x 558 mm, 100 Blatt

The EFI CertProof Paper 6225XF Semimatt is an universal purpose PE-coated, microporous paper designed for offset and gravure proofing. It shows outstanding results with the latest ink generation of the leading printer manufacturers. With its very wide colour gamut the media is capable of Spot-Colour Proofing and meets the industry‘s most stringent quality and consistency requirements. The EFI CertProof Paper 6225XF has almost no optical brighteners which minimises metamerism and reduces measurement errors in the profiling process. Key features - Covers paper type classes PT1, PT2 and PT3" - Suitable for proofing according to FOGRA39 - With EFI-FOGRA print on the backside - Very wide colour gamut - Surface - Semimatt -Grammage 225

EUR 226.80
1

EFI CertProof Paper 6225XF Semimatt - 54" x 30 meter

EFI CertProof Paper 6225XF Semimatt - 54" x 30 meter

The EFI CertProof Paper 6225XF Semimatt is an universal purpose PE-coated, microporous paper designed for offset and gravure proofing. It shows outstanding results with the latest ink generation of the leading printer manufacturers. With its very wide colour gamut the media is capable of Spot-Colour Proofing and meets the industry‘s most stringent quality and consistency requirements. The EFI CertProof Paper 6225XF has almost no optical brighteners which minimises metamerism and reduces measurement errors in the profiling process. Key features - Covers paper type classes PT1, PT2 and PT3" - Suitable for proofing according to FOGRA39 - With EFI-FOGRA print on the backside - Very wide colour gamut - Surface - Semimatt -Grammage 225

EUR 460.80
1

EFI CertProof Paper 6225XF Semimatt - 50" x 30 meter

EFI CertProof Paper 6225XF Semimatt - 50" x 30 meter

The EFI CertProof Paper 6225XF Semimatt is an universal purpose PE-coated, microporous paper designed for offset and gravure proofing. It shows outstanding results with the latest ink generation of the leading printer manufacturers. With its very wide colour gamut the media is capable of Spot-Colour Proofing and meets the industry‘s most stringent quality and consistency requirements. The EFI CertProof Paper 6225XF has almost no optical brighteners which minimises metamerism and reduces measurement errors in the profiling process. Key features - Covers paper type classes PT1, PT2 and PT3" - Suitable for proofing according to FOGRA39 - With EFI-FOGRA print on the backside - Very wide colour gamut - Surface - Semimatt -Grammage 225

EUR 428.40
1

Calibrite ColorChecker Video XL w/SL

Calibrite ColorChecker Video XL w/SL

ColorChecker Video XL: The Calibrite ColorChecker Video XL provides an extra-large format for effortlessly capturing the target at greater distances and wider angles. It provides the same chromatic colours, skin tones and gray reference chips of the standard size ColorChecker Video, but twice as large. You’ll be able to eliminate the need to move your camera closer or adjust the focal length of your lens, shoot in the same lighting condition that is falling on your subject and minimise colour casting from any surrounding light. You’ll also be able to increase the capture resolution for more accurate post-production work. The Calibrite ColorChecker Video XL is designed for those longer and wider shots when the space between your camera and subject is too great to capture a smaller target. Ideal for large production environments such as: Cine Wide Shots: Landscape, Cityscape, Custom Sets Event Filmmaking: Concerts, Churches, Sports, Stage Aerial Filmmaking: Drones Using a ColorChecker Video XL target at capture gets you to a worry-free, colour balanced, consistently neutral and ideally exposed place faster than ever before. It’s an essential colour tool you won’t want to be without, saving you valuable time from pre-production through post. ColorChecker Video XL is an extra-large all-in-one durable and rigid video target. The target is available by itself or with two forms of added protection; your choice of a simple carry sleeve or a fully configurable carrying case. ColorChecker XL Sleeve: This black portable sleeve for the ColorChecker XL provides durability and protection for your chart when stored or out on a shoot. The sleeve features a tricot interior and can easily be transported in a hard shell carry case with your other video equipment. Features include: • Durable black polyester exterior and soft tricot interior • Designed to fit into a hard shell travel case • The size of the case is 559 x 387mm ColorChecker Video charts make your workflow faster, more consistent and more colour balanced. They allow everyone on your team – from producer to cinematographer to editor to colourist – to work with consistent colour information. They save you time, from pre-production through production, and help you get to your creative look faster. Achieving the proper colour balance and exposure for video can be challenging. F-stops in cameras don’t always match. Ambient lighting conditions change. Multiple cameras and lenses have different looks, even if they are the same brand and model. All of this adds up to quality control challenges and increased workload in post-production for your colourist or editor. Here’s what ColorChecker Video offers: Video Colour Target Speed up your colour grading workflow by achieving ideal exposure and colour balance, whether shooting with one camera or multiples. The colour chart includes a series of chromatic colour chips, skin tone chips, gray chips and illumination check chips. The layout is designed for ideal performance when used with vectorscopes and waveforms, whether on camera or in software. Chromatic Colours: two rows of six chromatic colour chips, both saturated and desaturated, specifically designed to align with the colour axis on a vectorscope. These colours provide two levels of colour information to more quickly achieve an ideal colour balance. Skin Tones: ranging from light to dark with subtle undertones to better reproduce accurate flesh tones. This row of chips is positioned on the outer edge of the target for easy alignment. Large Gray Levels: four larger steps for even gray balance, including white, 40IRE gray, deep gray and high gloss black. These levels are ideal for determining proper exposure whether you use a waveform, zebras, or false colours. Use these levels to align the exposure and contrast of cameras you are matching and ensure that mid-tones are rendered accurately. These chips are positioned in the centre of the test target for maximum exposure, even on a wide set. Linear Grayscale: six colour chips for achieving even gray balance. This row addresses highlight and shadow regions. Illumination Check Chips: black and white chips at two corners to better assist in determining even illumination across the target 3rd Party Software Support ColorChecker Video is supported by 3rd party software solutions for improved colour grading and efficiencies. DaVinci Resolve 3DLUT Creator

EUR 474.00
1

Color Europe PP mat, self-adhesive 185 grams - 60" x 30 meters

Color Europe PP mat, self-adhesive 185 grams - 60" x 30 meters

Color Europe PP mat, self-adhesive is a 185 g/m² printer paper made of polypropylene. It has adhesive on the back so you can mount it directly after printing. Because it is made of polypropylene, it is tear resistant, which makes it easier to remove again. It can be used both indoors and outdoors for shorter periods, but the adhesive itself is not strong enough to be outdoors for longer periods. This is especially true during the winter period. Our Color Europe PP mat, self-adhesive is often used for e.g. posters, shop decoration and mounting on dibond. Width: 152.4 cm (60") Length of roll: 30 m

EUR 282.00
1

Color Europe PP Semi glossy , self-adhesive 190 grams - 24" x 30 meters

Color Europe PP Semi glossy , self-adhesive 190 grams - 24" x 30 meters

Color Europe PP Semi glossy , self-adhesive is a 190 g/m² printer paper made of polypropylene. It has adhesive on the back so you can mount it directly after printing. Because it is made of polypropylene, it is tear resistant, which makes it easier to remove again. It can be used both indoors and outdoors for shorter periods, but the adhesive itself is not strong enough to be outdoors for longer periods. This is especially true during the winter period. Our Color Europe PP Semi glossy , self-adhesive is often used for e.g. posters, shop decoration and mounting on dibond. Width: 61 cm (24") Length of roll: 30 m

EUR 229.20
1

Color Europe PP Semi glossy , self-adhesive 190 grams - 36" x 30 meters

Color Europe PP Semi glossy , self-adhesive 190 grams - 36" x 30 meters

Color Europe PP Semi glossy , self-adhesive is a 190 g/m² printer paper made of polypropylene. It has adhesive on the back so you can mount it directly after printing. Because it is made of polypropylene, it is tear resistant, which makes it easier to remove again. It can be used both indoors and outdoors for shorter periods, but the adhesive itself is not strong enough to be outdoors for longer periods. This is especially true during the winter period. Our Color Europe PP Semi glossy , self-adhesive is often used for e.g. posters, shop decoration and mounting on dibond. Width: 91.4 cm (36") Length of roll: 30 m

EUR 343.20
1

Color Europe PP Semi glossy , self-adhesive 190 grams - 42" x 30 meters

Color Europe PP Semi glossy , self-adhesive 190 grams - 42" x 30 meters

Color Europe PP Semi glossy , self-adhesive is a 190 g/m² printer paper made of polypropylene. It has adhesive on the back so you can mount it directly after printing. Because it is made of polypropylene, it is tear resistant, which makes it easier to remove again. It can be used both indoors and outdoors for shorter periods, but the adhesive itself is not strong enough to be outdoors for longer periods. This is especially true during the winter period. Our Color Europe PP Semi glossy , self-adhesive is often used for e.g. posters, shop decoration and mounting on dibond. Width: 106.7 cm (42") Length of roll: 30 m

EUR 399.60
1

Calibrite ColorChecker Video XL

Calibrite ColorChecker Video XL

The Calibrite ColorChecker Video XL provides an extra-large format for effortlessly capturing the target at greater distances and wider angles. It provides the same chromatic colours, skin tones and gray reference chips of the standard size ColorChecker Video, but twice as large. You’ll be able to eliminate the need to move your camera closer or adjust the focal length of your lens, shoot in the same lighting condition that is falling on your subject and minimise colour casting from any surrounding light. You’ll also be able to increase the capture resolution for more accurate post-production work. The Calibrite ColorChecker Video XL is designed for those longer and wider shots when the space between your camera and subject is too great to capture a smaller target. Ideal for large production environments such as: Cine Wide Shots: Landscape, Cityscape, Custom Sets Event Filmmaking: Concerts, Churches, Sports, Stage Aerial Filmmaking: Drones Using a ColorChecker Video XL target at capture gets you to a worry-free, colour balanced, consistently neutral and ideally exposed place faster than ever before. It’s an essential colour tool you won’t want to be without, saving you valuable time from pre-production through post. ColorChecker Video XL is an extra-large all-in-one durable and rigid video target. The target is available by itself or with two forms of added protection; your choice of a simple carry sleeve or a fully configurable carrying case. ColorChecker Video charts make your workflow faster, more consistent and more colour balanced. They allow everyone on your team – from producer to cinematographer to editor to colourist – to work with consistent colour information. They save you time, from pre-production through production, and help you get to your creative look faster. Achieving the proper colour balance and exposure for video can be challenging. F-stops in cameras don’t always match. Ambient lighting conditions change. Multiple cameras and lenses have different looks, even if they are the same brand and model. All of this adds up to quality control challenges and increased workload in post-production for your colourist or editor. Here’s what ColorChecker Video offers: Video Colour Target Speed up your colour grading workflow by achieving ideal exposure and colour balance, whether shooting with one camera or multiples. The colour chart includes a series of chromatic colour chips, skin tone chips, gray chips and illumination check chips. The layout is designed for ideal performance when used with vectorscopes and waveforms, whether on camera or in software. Chromatic Colours: two rows of six chromatic colour chips, both saturated and desaturated, specifically designed to align with the colour axis on a vectorscope. These colours provide two levels of colour information to more quickly achieve an ideal colour balance. Skin Tones: ranging from light to dark with subtle undertones to better reproduce accurate flesh tones. This row of chips is positioned on the outer edge of the target for easy alignment. Large Gray Levels: four larger steps for even gray balance, including white, 40IRE gray, deep gray and high gloss black. These levels are ideal for determining proper exposure whether you use a waveform, zebras, or false colours. Use these levels to align the exposure and contrast of cameras you are matching and ensure that mid-tones are rendered accurately. These chips are positioned in the centre of the test target for maximum exposure, even on a wide set. Linear Grayscale: six colour chips for achieving even gray balance. This row addresses highlight and shadow regions. Illumination Check Chips: black and white chips at two corners to better assist in determining even illumination across the target 3rd Party Software Support ColorChecker Video is supported by 3rd party software solutions for improved colour grading and efficiencies. DaVinci Resolve 3DLUT Creator

EUR 368.71
1